Mozart: Wer ein Liebchen hat gefunden (Osmin - Die Entführung aus dem Serail)Mozart: O, wie will ich triumphieren (Osmin - Die Entführung aus dem Serail)Mozart: La vendetta (Bartolo - Le nozze di Figaro)Mozart: O Isis und Osiris (Sarastro - Die Zauberflöte)Mozart: In diesen heil'gen Hallen (Sarastro - Die Zauberflöte)Beethoven: Hat man nicht auch Gold beineben (Rocco - Fidelio)Rossini: La calunnia (Don Basilio - Il barbiere di Siviglia)Rossini: Eterno! immenso! / Celeste man placata! (Mosè - Mosè in Egitto)Donizetti: Vieni! la mia vendetta / Qualunque sia l'evento (Don Alfonso - Lucrezia Borga) / Baryton - piano / Edition Breitkopf

Tiefe Stimme / Low Voice-Continuing the new Urtext edition of Schubert?s Lieder editor Walther Dürr now presents Volume 6 for Low Voice. While volumes 1 to 4 of this series contain mostly Lieder that Schubert had published during his lifetime volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number.The Lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With ?Nachtgesang? (D 119) and ?Trost in Tränen? (D120) Schubert turns to the?Strophenlied? in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert during this period an assistant teacher at his father?s school orientated himself towards the so-called ?Berliner Liederschule? particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.- Based on the Urtext of the ?New Schubert Edition?- Newly engraved clearly presented musical layout- Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)- Includes English translations of lieder texts by Richard Wigmore

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique