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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Instrumental Album
9.95
Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Instrumental Album
Hautbois, Piano (duo)
[Reduction]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus ...
(+)
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.
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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Score and Parts
19.95
Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Score and Parts
Hautbois et Orchestre
[Partition]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus...
(+)
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Additional parts are available from the publisher separately quickly and cheaply. A 'Piano Reduction' for Oboe and Piano is available separately. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda[D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was a worthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He
19.95 GBP - vendu par Musicroom GB
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Henri Dutilleux: Les Citations: Ensemble: Score
38.99
Henri Dutilleux: Les Citations: Ensemble: Score
Leduc, Alphonse
Version 2010-“Books talk to each other” - Umberto Eco’s statem...
(+)
Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.
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Henri Dutilleux: Les Citations: Ensemble: Parts
57.99
Henri Dutilleux: Les Citations: Ensemble: Parts
Hautbois
Leduc, Alphonse
Version 2010-“Books talk to each other” - Umberto Eco’s statem...
(+)
Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.
57.99 GBP - vendu par Musicroom GB
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Cyril Scott: Concerto For Oboe & Orchestra: Oboe: Instrumental Work
10.99
Cyril Scott: Concerto For Oboe & Orchestra: Oboe: Instrumental Work
Hautbois, Piano (duo)
[Partition]
Novello & Co Ltd.
Cyril Scott was an English composer writer and poet. He was essentially a lat...
(+)
Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott composed his Concerto For Oboe & Orchestra in 1946. The three movements (Molto vigoroso Andante Pastorale:Tranquillo and Rondo giocoso: Allegronon troppo cadenza Con spirit) are published here with a Piano reduction of the orchestra accompaniment.Complete performance time of the entire piece is approximately 20 minutes.
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Unbeaten Tracks (Oboe)
13.40
Unbeaten Tracks (Oboe)
Hautbois, Piano (duo)
Faber Music Limited
Francis Sarah (Editor). Par FRANCIS SARAH. The Unbeaten Tracks series has made a...
(+)
Francis Sarah (Editor). Par FRANCIS SARAH. The Unbeaten Tracks series has made a profound mark on the music world with its volumes of specially commissioned pieces for intermediate-level players. The eight pieces in this volume are written in a kaleidoscopic mix of styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire. There are also small 'Biopics' about each composer. These give titbits of information about the composer's inspiration and intention for their piece and offer musicians a greater insight into the music. / Niveau : Elémentaire / Recueil / Hautbois et Piano
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Fantasy Pieces Op. 2 For Oboe And Piano
14.77
Fantasy Pieces Op. 2 For Oboe And Piano
Hautbois, Piano (duo)
G. Henle
Carl Nielsen's Fantasy Pieces for Oboe and Piano were composed in 1889/90. Havin...
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Carl Nielsen's Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with his String Suite op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for oboe, which were to appear in 1890 as his Opus 2. The two movements, Romance and Humoreske, are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the 'young, talented composer? took the public and critics by storm at their first performance in March 1891. / Hautbois Et Piano
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Francis Poulenc: Trio For Piano Oboe And Bassoon: Oboe & Bassoon: Score and
49.99
Francis Poulenc: Trio For Piano Oboe And Bassoon: Oboe & Bassoon: Score and
Piano, Hautbois et Basson
Wilhelm Hansen
POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Franc...
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POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Francis Poulenc. This new edition is based on a second manuscript by Poulenc dated 16th March 1928. Edited by Sandro Caldini in 2016. From the preface: The Trio pour piano hautbois et basson by Francis Poulenc (1899-1963) represents a milestone in the repertoire of music for double-reed instruments. It was written between March and April 1926 during a long stay in Côte d'Azur and it was immediately published by Edition Wilhelm Hansen AS Copenhagen in the same year. The composition was influenced by the composer's friendship with Igor Stravinskyand was dedicated to Manuel de Falla. I was lucky to locate a second manuscript (due to the courtesy of the American composer Ned Rorem and his niece Mary Marshall) on which this new edition is based. When I compared this manuscript with the first edition (WH19245) it became evident that there were many differences. The second manuscript is dated 16th March 1928 and clearly states Brouillon definitif (final copy)... Sandro Caldini 2016
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Piece En Forme De Habanera (RAVEL MAURICE / GILLET / LEDUC)
14.80
Piece En Forme De Habanera (RAVEL MAURICE / GILLET / LEDUC)
Hautbois ou Cor Anglais et Piano
[Partition]
Leduc, Alphonse
Par RAVEL MAURICE / GILLET / LEDUC. As a prestigious composer of the early 20th ...
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Par RAVEL MAURICE / GILLET / LEDUC. As a prestigious composer of the early 20th century, Maurice Ravel's Pièce En Forme De Habanera For Oboe, transcribed for the Oboe by Fernand Gillet, or for Cor Anglais by G. A. Leduc, contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Pièce En Forme De Habanera For Oboe clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative, chordal and rhythmic Piano accompaniments. Moreover, Habanera rhythms heard throughout the piece create furtherexcitement. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition make it an irresistible purchase for aspiring Oboe and Cor Anglais players. / Répertoire d'Examen / Répertoire / Hautbois ou Cor Anglais et Piano
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Carlos Chàvez: Upingos: Oboe: Instrumental Work
Hautbois
Schirmer
A wonderful work for Oboe Solo completed in 1957 by Mexican composer Carlos Cha...
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A wonderful work for Oboe Solo completed in 1957 by Mexican composer Carlos Chavez. He was a prolific and significant composer whose nationlistic traits and skill are often demonstrated in his works.
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Alan Bush: Northumbrian Impressions for Oboe and Piano: Oboe: Instrumental Work
8.99
Alan Bush: Northumbrian Impressions for Oboe and Piano: Oboe: Instrumental Work
Hautbois
[Partition]
Novello & Co Ltd.
Northumberland Impressions (Op. 42a) is a suite for solo Oboe with Piano accompa...
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Northumberland Impressions (Op. 42a) is a suite for solo Oboe with Piano accompaniment. It was written by Alan Bush in 1953 and first performed in the same year by the oboist Joy Boughton with the composer accompanying on the Piano. It is scored in three movements: Prelude - Lament - Dance.Alan Bush (1900-1995) was a British composer and pianist. He studied at the Royal Academy of Music and the University of Berlin and also took private lessons in composition with John Ireland. He later taught at the Royal College of Music. His compositions include several operas four symphonies and a large volume of chambermusic.
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Concerto en Fa Majeur (MOZART WOLFGANG AMADEUS)
25.00
Concerto en Fa Majeur (MOZART WOLFGANG AMADEUS)
Hautbois, Piano (duo)
Billaudot
Par MOZART WOLFGANG AMADEUS. En novembre 1778, Mozart est à Mannheim où il éb...
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Par MOZART WOLFGANG AMADEUS. En novembre 1778, Mozart est à Mannheim où il ébauche un deuxième concerto pour hautbois en fa majeur un an après avoir achevé son premier, le concerto en ut majeur KV 314 datant de début 77, le seul qui hélas nous parviendra dans son intégralité. On ne sait rien de la genèse de ce concerto, ni de la raison pour laquelle le compositeur n'acheva que le tutti initial et le début du solo, mais il est fort probable qu'il soit lié à sa rencontre avec Friedrich Ramm comme en témoigne sa correspondance à son père datée du 4 décembre 1777 « un hauboïste qui joue fort bien et qui a un son très pur». Mozart composera pour lui le quatuor KV 370 en 1781. À l'opposé du hautbois, les sopranos disposent chez le compositeur d'un répertoire d'une richesse éblouissante avec souvent un traitement de la voix d'une virtuosité rappelant celle des instruments jouant dans le même registre. Il était donc très tentant de construire un concerto avec deux arias en fa majeur, le KV 538 « Ah se il ciel, begnine stelle » et le KV 638 « Ma que vi fece » sans le récitatif initial. Ces deux airs seront proposés ici avec la partie originale et une proposition légèrement ornementée pour un rendu plus purement instrumental. En guise de deuxième mouvement, j'ai utilisé l 'Andante pour flûte et orchestre KV 315, originellement en do majeur que j'ai baissé d'un ton pour une relation classique fa-si b,-fa. Pour le hautbois, c'est une nouvelle opportunité de se mouvoir dans cette musique à la magique pureté et la vitalité sans cesse renouvelée ! David WALTER / Date parution : 2023-06-01/ Répertoire / Hautbois et Piano
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Poul Ruders: Occam's Razor: Oboe: Score and Parts
22.99
Poul Ruders: Occam's Razor: Oboe: Score and Parts
Hautbois, Guitare (duo)
-
Intermédiaire/avancé
Wilhelm Hansen
Poul Ruders: Occam’s Razor contains 8 short pieces for Oboe and Guitar e...
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Poul Ruders: Occam’s Razor contains 8 short pieces for Oboe and Guitar expertly composed by Poul Ruders. The title Occam’s Razor dose not pay any direct correlation to the music itself but to the term used by many physicists that describes the use of the simple solution over a more complex alternative. The Danish composer Poul Ruders has created a large body of music ranging from opera and orchestral works through chamber vocal and solo music.
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Selected Studies For Oboe Vol. 2
24.64
Selected Studies For Oboe Vol. 2
Hautbois
-
Intermédiaire/avancé
Hal Leonard
Artiste: Yuri Maizels_Yuri Maizels. This collection of etudes, duets, and exerci...
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Artiste: Yuri Maizels_Yuri Maizels. This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers, Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars), Wiedemann, Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty, becoming more challenging melodically and rhythmically, with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. This collection of studies, in three volumes, can help a high school student or young professional to master technique, breathing, and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War, he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov), to study the oboe. In 1964, he graduated from the College of Music with multiple degrees in oboe performance, oboe teaching, and conducting. During his career, Yuri Maizels played in major orchestras, working with such well-known conductors such as Yuri Temirkanov, Mariss Jansons, Yuri Simionov, Valery Gergiev and others. / Niveau : 4 / Etudes et exercices / Etude / Hautbois
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Georg Friedrich Händel: For Unto Us A Child Is Born (Oboe 2 Part): Oboe: Part
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Oboe 2 Part): Oboe: Part
Hautbois
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Gabriel Pierné: Piece in G minor (Oboe and Piano): Oboe: Instrumental Work
11.99
Gabriel Pierné: Piece in G minor (Oboe and Piano): Oboe: Instrumental Work
Hautbois, Piano (duo)
Leduc, Alphonse
Pièce En Sol Mineur Op. 5 is a piece for Oboe and Piano accompaniment composed...
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Pièce En Sol Mineur Op. 5 is a piece for Oboe and Piano accompaniment composed by Gabriel Pierné. Its medium difficulty will enable intermediate players and above levels to play it and to appreciate its features. Really enjoyable this early work written in 1833 lasts approximately 2’30 and has been transcribed for many other instruments. It is perfect for recitals and concerts. The book contains the score and Oboe part. The score mentions the possibility of replacing the Oboe by a Violin or a Cello. Gabriel Pierné (1863-1937) won the Prix de Rome in 1882.The composer wrotemany chamber compositions Piano pieces symphonic music and some oratorios.
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Selected Studies For Oboe Vol. 1 (MAIZELS YURI)
20.70
Selected Studies For Oboe Vol. 1 (MAIZELS YURI)
Hautbois
Hal Leonard
Par MAIZELS YURI. This collection of etudes was written, compiled and edited by ...
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Par MAIZELS YURI. This collection of etudes was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers, Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars), Wiedemann, Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty, becoming more challenging melodically and rhythmically, with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. This collection of studies, in three volumes, can help a high school student or young professional to master technique, breathing, and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War, he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov), to study the oboe. In 1964, he graduated from the College of Music with multiple degrees in oboe performance, oboe teaching, and conducting. During his career, Yuri Maizels played in major orchestras, working with such well-known conductors such as Yuri Temirkanov, Mariss Jansons, Yuri Simionov, Valery Gergiev and others. / Etudes et exercices / Etude / Hautbois
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Garrigues (ANCELIN PIERRE)
17.80
Garrigues (ANCELIN PIERRE)
Hautbois, Piano (duo)
[Partition]
Heugel
Le Verseau. Par ANCELIN PIERRE. French composer, Pierre Ancelin (1934-2001) stud...
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Le Verseau. Par ANCELIN PIERRE. French composer, Pierre Ancelin (1934-2001) studied at the conservatories of Aix-en-Provence, Marseille, and later, under Olivier Messiaen at the Paris Conservatoire. His Scrubland is an exciting collection of five pieces for Oboe and Piano. Ancelin is particularly remembered for founding the National Union of Composers of Music, along with Jolivet, Lesuer and Sauguet. The five pieces in Scrubland are suitable for beginner to intermediate level oboists. Each of the five pieces contain a variety of musical features. For all aspiring oboists, Ancelin 's Scrubland is adelightful compilation./ Répertoire / Hautbois et Piano
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Pierre Ancelin: Garrigues: Oboe: Score
En Français
Hautbois, Piano (duo)
[Partition]
Heugel
Le Verseau-French composer Pierre Ancelin (1934-2001) studied at the conservato...
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Le Verseau-French composer Pierre Ancelin (1934-2001) studied at the conservatories of Aix-en-Provence Marseille and later under Olivier Messiaen at the Paris Conservatoire. His Scrubland is an exciting collection of five pieces for Oboe and Piano. Ancelin is particularly remembered for founding the National Union of Composers of Music along with Jolivet Lesuer and Sauguet. The five pieces in Scrubland are suitable for beginner to intermediate level oboists. Each of the five pieces contain a variety of musical features. For all aspiring oboists Ancelin's Scrubland is adelightful compilation.
12.99 GBP - vendu par Musicroom GB
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Elegia (Oboe/Piano)
11.83
Elegia (Oboe/Piano)
En Français
Hautbois, Piano (duo)
Leduc, Alphonse
Elegia is a small piece for Oboe and Piano accompaniment by Nino Rota . Really l...
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Elegia is a small piece for Oboe and Piano accompaniment by Nino Rota . Really lyrical, its medium difficulty will enable intermediate players to execute it, for a recital or for a contest. This lovely work is quite slow, nostalgic at some points and ends up on a perfect harmony between the two instruments. Nino Rota (1911-1979) is an Italian composer and conductor, particularly known for his works on film music. He also composed 5 ballets, 10 orchestras as well as numerous music chamber works, including a string concerto. / Hautbois Et Piano
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Georg Friedrich Händel: For Unto Us A Child Is Born (Oboe 1 Part): Oboe: Part
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Oboe 1 Part): Oboe: Part
Hautbois
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Carlo Tessarini: Sonata No.1 In F For Oboe And Piano: Oboe: Instrumental Work
7.99
Carlo Tessarini: Sonata No.1 In F For Oboe And Piano: Oboe: Instrumental Work
Hautbois, Piano (duo)
[Conducteur et Parties séparées]
Chester
Work for Oboe and Piano by Italian Baroque composer Carlo Tessarini.
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Glinka Mikhail Ivanovitch - Romanzen, Lieder Und Tanze - Oboe, Piano
37.00
Glinka Mikhail Ivanovitch - Romanzen, Lieder Und Tanze - Oboe, Piano
Hautbois, Piano (duo)
Musica Rara
Composer : Glinka, Michail Instrumentation : Ob,Klav Editor : Konrada, G.
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John Tavener: Kaleidoscopes: Oboe: Score
44.99
John Tavener: Kaleidoscopes: Oboe: Score
Hautbois et Orchestre
[Conducteur]
Chester
John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion an...
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John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and Strings lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and first performed by themwith soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the full score. In the composer's note Tavener explains his high regard for Mozart and how inKaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic or contrapuntal.
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Out of the Cool (HEATH DAVID)
17.33
Out of the Cool (HEATH DAVID)
Hautbois, Piano (duo)
[Partition]
Chester
Par HEATH DAVID. This short piece for oboe and piano was inspired by the music o...
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Par HEATH DAVID. This short piece for oboe and piano was inspired by the music of Miles Davis and John Coltrane. Lasting around six minutes, a laid-back blues-infected introduction gives way to a more rhythmic central section before a reprise of the opening music. The composer writes ?Out of the Cool was written to be enjoyed, so have fun with it!? / Date parution : 2022-04-26/ Répertoire / Hautbois et Piano
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Svend Westergaard: Wind Quintet No. 2 Op. 15: Wind Ensemble: Score
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
[Partition]
Wilhelm Hansen
Wind Quintet No.2 Op.15 is a piece by Danish composer Svend Westergaard.Svend We...
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Wind Quintet No.2 Op.15 is a piece by Danish composer Svend Westergaard.Svend Westergaard's music is always thematically/motivically structured such that the works in various ways are built up as variations elaborations and experimental treatments of recognisable material giving the music cohesive power and comprehensible logic.
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Bach Johann Sebastian - Oboenkonzert Nach Bwv 1056,156 - Oboe, Piano
21.60
Bach Johann Sebastian - Oboenkonzert Nach Bwv 1056,156 - Oboe, Piano
Hautbois, Piano (duo)
Breitkopf & Härtel
Composer : Bach, Johann SebastianInstrumentation : Ob,KlavEdition : Piano and so...
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Composer : Bach, Johann SebastianInstrumentation : Ob,KlavEdition : Piano and soloEditor : Radeke, W.;Haverkampf, U.
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Vivaldi Antonio - Concerto In D Rv 535 - 2 Oboe, Piano
17.90
Vivaldi Antonio - Concerto In D Rv 535 - 2 Oboe, Piano
2 Hautbois, Piano
Musica Rara
Composer : Vivaldi, AntonioInstrumentation : 2Ob,KlavEdition : Piano and soloEdi...
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Composer : Vivaldi, AntonioInstrumentation : 2Ob,KlavEdition : Piano and soloEditor : Block, Robert P. / Lasocki, Da
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