Hope's Place by Anthony Gilbert. 18'18'; for septet of 4 Wind and String trio.Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet in Bb & Clarinet in A or Basset Clarinet in A with extension to low written C; Bassoon; Violin; Viola; Cello.Commissioned for Clark Rundell and Ensemble 10/10.First performance by Ensemble 10/10 dir. Clark Rundell at The Cornerstone Liverpool Hope University on 16th October 2013.

Five Paraphrases on the opera Kafka's Trial.For Large Ensemble:1 Flute dbl Alto Flute in G and Piccolo1 Oboe dbl English Horn in F1 Clarinet in Bb dbl Bass Clarinet in Bb1 Bassoon1 Horn in F1 Trumpet in Bb1 Trombone1 Percussion (one player)Tambourine Police Whistle Bass Drum Castanets Tubular Bells Tamtam Glockenspiel Triangle Guiro Mark Tree Xylophone Spoons Crotales Snare Drum Hi-hat Kick Drum Siren (hand-cranked) Ratchet Lion's Roar.1 Piano1 Violin 11 Violin 21 Viola1 Cello1 Double Bass (with extension)

Hans Abrahamsen's Liebeslied for Ensemble. Liebeslied is written for and with love dedicated to Ensemble Recherche and performed at their 25th Anniversary Concert Saturday 12th June 2010 in Freiburg.Instr.: Bass Flute Oboe d'amore Bass Clarinet Percussion Piano (with Marimba Mallet) Violin Viola Cello. Parts are available on hire: hire@ewh.dk

Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer.On completion of this work the composer is a member ofSistema.Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics.

Richard Reed Parry's Quartet For Heart And Breath for mixed Ensemble.Quartet for Heart And Breath was commissioned for Kronos Quartet by the 2009 MusicNOW Festival. The mixedEnsemble arrangement was premiered by yMusic.Instrumentation: Flute Clarinet in Bb Trumpet in Bb Violin Viola Violoncello and Double Bass (optional).'This piece is based around the idea of using the widelyvarying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing rates of the players are used in alternation with the individual performers? heartrates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately with little or no vibrato so as to be able to hear their heartbeats adequately.This in combination with thenatural variance between the different heart rates results in a kind of delicate musical ?pointillism?: starts and stops which are somewhat staggered parts which repeatedly line up and fall out ofsync with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.The performers wear stethoscopes positioned over their hearts so that each can follow his orher own heart rate. Two eighth notes/quavers correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato and irregular rhythm they hear. When instructed to ?play to breath? the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to make it metronomic. For wind players this means that the phrase isextended to encompass the whole of their natural breath without straining to hold for as long as possible. When one instrument is designated the leader their breath will determine the starts of phrases and the procession from

Commissioned by Norland Music Festival with the financial support from The Norwegian Culture Council. Premiered by Bodo Sinfonietta and Christian Lindberg.InstrumentationFlute/PiccoloOboe/English HornBb ClarinetBassoonoHorn in FTrumpet in BbTrombonePercussion 1 - Vibraphone Grand Cassa 3 suspended metals Crotales 2 BongosPercussion 2 - Marimba Timpani (F-C) 3 suspended metals Glockenspiel 2 BongosPiano2 ViolinsViolaCelloDouble Bass (5 String or with C extension)

Set of parts for Hans Abrahamsen's Efteraarslied / Herbstlied (1992) for Mezzo-Soprano Clarinet Violin Cello and Piano (or Harpsichord).Original German text by Rainer Maria Rilke. Danish text by Thorkild Bjørnvig. Score available: WH31259