Par HILL WILLIE DR.. Jazz Improvvisation série pour la peur de la ' intrépide, ' approchant les normes est une approche novatrice et conviviale à l'improvisation jazz. Conçu pour l'individu ou gr oup, chaque livre et le long de jeu CD contient huit airs de jazz classiques. Tous les trois volumes fea groupe de jazz démo enregistrée par les meilleurs professionnels de l'informatique dans un concert de jazz typique setti ng, écrit clairement les exemples de l'improvisation, jazz vocabulaire, possibilités de transcription, insight compositeur et une discographie. Le livre de Rhythm Section et chef d'orchestre comprend ce qui précède, plus voicings et rythmes comping, basse et tambour des pièces avec les cadres de guitare et chef d'orchestre notes. / Méthode / Répertoire / Orchestre

Jazz Trio and Symphonic Band (also available for Jazz Trio and Orchestra EP 66752) / Grand Ensemble Contemporain Et Orchestre

Enrico Chapela (* 1974), l'un des plus fascinants jeunes talents de la musique contemporaine de l'Amérique latine, confronte et regroupe dans ses oeuvres des techniques d'avant-garde avec des influences de la musique de jazz et de roche ainsi que de la tradition de l'Amérique latine. Ínguesu, réalisée pour la première fois en 2003, est son morceau connu jusqu'ici, en utilisant les Cris de la bataille de fans lors du dernier match de la FIFA confédérations coupe 1999 entre le Mexique et le Brésil comme matériau thématique et rythmique et traduisant en un score rythmique virtuose qui explosent en couleur. Ínguesu a gagné plusieurs prix, comme le premier prix du concours de Composition Alexander Zemlinsky International et a été interprétée par l'Orchestre philharmonique des Amériques sur leur tournée nord américaine. / Orchestre

Variants surrounding a tune by John Scofield. Par TURNAGE MARK-ANTHONY. The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Anthony Turnage) ‘The grim frenzy, the waste and the futility of war are all embedded in Silent Cities’ (The Times)/ Répertoire / Orchestre

16 Cool Arrangements In Jazz-, Latin-, Pop-, New Age- And Gospel-Style, Incl. Cd. Par PUBLIG MICHAEL. Klav PVG (Ges Melinstr) / O Tannenbaum / Stille Nacht / Es ist ein Ros' ents / Répertoire / Orchestre

Presenting a collection of 15 all-time Anderson favorites arranged for string quartet or string orchestra. Complete works, not excerpts, these unique arrangements can be used by school or professional groups as concert pieces or as encores. Contents are: Belle of the Ball * Blue Tango * Fiddle-Faddle * Forgotten Dreams * Horse and Buggy * Jazz Legato * Jazz Pizzicato * Plink Plank Plunk * Sandpaper Ballet * Serenata * Sleigh Ride * The Syncopated Clock * Trumpeter's Lullaby * The Typewriter * The Waltzing Cat.

Composed by the Czech composer Bohuslav Martinü in 1927  La Revue De Cuisine is a ballet initially created for a sextet. This score was reviewed and tailored for an Orchestra. This ballet talking about the life of kitchen utensils is divided in ten sections: 1. Prologue (Allegretto) 2. Introduction (Tempo de marche) 3. Danse du moulinet autour du caudron (Poco meno) 4. Danse du chaudron et du couvercle (Allegro) 5. Tango (Danse d'amour. Lento) 6. Duel (Poco a poco allegro. Tempo di Charleston) 7. Entracte (Lamentation du chaudron. Allegro moderato) 8. Marche funèbre(Adagio) 9. Danse radieuse (Tempo di marche) 10. Fin du drame (Allegretto) The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick and the music features some strong jazz influences. Bohuslav Martinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music. Instrumentation: Clarinet Bassoon Trumpet Violin Cello Piano.

You've not heard Jingle Bells until you've heard this showstopper by arranger Mark Hayes. Perfect for school choirs community choruses or church Christmas pageants the energy in this piece never stops. The openingfeatures mixed meters and a driving orchestral track with bells everywhere! Next Hayes sets this favorite holiday tune in waltz style with comical lyrics a big-band jazz chorus and a tongue-in-cheek classical sectioncomplete with an operatic soprano solo fit for the most demanding diva! The final chorus showcases the men on the melody with the women jingle-jangling in the treble register all at a presto tempo. AVAILABLE: SATB; SAB;TTBB; Orchestration; Handbell Part; Accomp/Perf CD.

Score-Morton Gould's Festive Music for Orchestra. Study score.Festive Music was commissioned by the Tri-City Symphony Orchestra Charles Gigante conductor and Mrs. Richard von Maur manager for the Orchestra's fiftieth anniversary. The composition was completed in December of 1964 and was first performed on Saturday January 16 1965 with Gould conducting the Tri-City Symphony Orchestra inCentennial Hall on the campus of the Augustana College Rock Island III. Moline III. and Davenport Iowa are the two other cities of the triumverate.The orchestral scoring incorperates an off-stage solo Trumpet part inrecognition of Bix Beiderbecke one of the legendary jazz artists who was born in Davenport.The work is divided into three sections:1. Fanfare (2 minutes)2. Interlude (4 minutes)3. Dance (5 minutes)Totalplaying time: 11 minutes approx.

This four-language dictionary of music contains more than 4000 terms and is intended for musicians, teachers, students and amateurs who wish to understand and use specialist foreign terms. The book is not academic in scope- it is based on practical experience, derived from the examination of directions given on a large number of orchestral scores, piano pieces and transcriptions, and instrumental parts. In order to complement and clarify this vocabulary, specialist dictionaries and reference books have been consulted. Contemporary musical terms taken, for example, from the fields of jazz, pop and electronic music, have also been included. / Livre

for Orchestra-Orchestral tribute to drummer and longtime friend Max Roach based on drum riffs from a jazz tune of the same name.

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

One-act play by Peter Kien-In September 1942 Viktor Ullmann was interned in the concentration camp of Theresienstadt where he composed the opera Der Kaiser von Atlantis [The Emperor of Atlantis] on a libretto of Peter Kien a fellow prisoner in 1943.This opera was rehearsed by a chamber ensemble founded with the permission of the SS but its first performance was prohibited after the final rehearsal. The autograph of the score only survived because shortly before his deportation to Auschwitz in 1944 Ullmann handed it together with the libretto to a friend who was able to save both manuscripts at the end of the war.The opera is a parable of a cruel emperor whose senseless war isclaiming many lives. Death puts an end to the chaos by refusing his duty - now everyone lives for eternity. The king becomes disempowered but the people long for a release from the pain of life. Only the voluntary death of the emperor can restore death's original purpose. The libretto is a vigorous take on the Third Reich and more particularly the concentration camp of Theresienstadt through the means of a mystery play. The music with its numerous references to jazz and then current light music sometimes by direct quotation puts the composer in the role of political commentator following the tradition of topical opera in the 1920's.