Wind Quintet No.2 Op.15 is a piece by Danish composer Svend Westergaard.Svend Westergaard's music is always thematically/motivically structured such that the works in various ways are built up as variations elaborations and experimental treatments of recognisable material giving the music cohesive power and comprehensible logic.

Par ARNOLD MALCOLM. Written to celebrate the sixtieth birthday of the legendary oboist Leon Goossens, and first performed by him and the Carter Trio in 1958, this delightful 13-minute quartet is a fine showcase of Malcolm Arnold?s melodic gifts.  The work unfolds over three elegant movements, always engaging and directly communicative. / Ensemble Music / Répertoire / Hautbois, Violon, Alto et Violoncelle

20 Progressive Pieces with Piano Accompaniment-Philip Sparkeâ??s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can now experience theimportant aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone.

Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet was commissioned by the Institute of Contemporary Arts and written in the autumn of 1967. It is dedicated to Lady Norton and is the second of LennoxBerkeley’s three works written with the oboist the late Janet Craxton in mind the other two being his Sonatina OP 61 and Sinfonia Concertante OP 84.The work begins with a fairly extended introduction leading without a breakinto an Allegro. The whole composition is based on the internal of a third (sometime major sometimes minor) which is heard in the opening phrase of the introduction and again in the main theme of the Allegro though here in atotally different context. The allegro is in more or less traditional sonata form. The middle movement is a kind of Scherzo growing out of a rhythmical figure for the strings and a rapid arpeggio (major and minor chords) forthe oboe. This is a Presto; a more relaxed middle section corresponding to the Trio in a classical work is followed by a much shortened version of the Scherzo. The last movement is brief but very slow all four instrumentstaking up in turn a gently rocking figure that moves to and fro between two notes always a major or minor third apart. The music becomes more animated but returns to the opening figure and dies away each instrument droppingout one after the other leaving the cello alone in the last bar.

An important and significant work written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce in his music. There are no shortage of jazz inspired ideas coloured always by that Arnold 'edge'. The second movement is a fiendish scherzo - full of amazing cross rhythms and of immense energy. The final movement is a March and the most emotionally charged. Clearly very strongly anti-war - severe and angry dissonances mocking fanfares angular and brutal melodic and rhythmic shapes. 'A very playable work...with plenty of interest for all the players. A greataddition to the repertoire!' AWTGrade: 8