Cette collection contient des pièces intéressantes qui sont adaptés pour les étudiants qui ont appris depuis environ trois ans, et qui - aux côtés de la musique dans leurs méthodes instrumentales - veulent établir leur premier répertoire de la musique ancienne. Le CD, qui est inclus, contient des enregistrements live des accompagnements de jouer avec les morceaux. Le son des instruments typiques de la journée (orgue, clavecin, luth) assure une expérience musicale authentique. Comprend des oeuvres de Vivaldi, Purcell, et JS Bach. / Hautbois / 24 pages / niveau : Facile - Elémentaire / Partition Cd

Entertaining and vivid. Well suited for concerts festivals and auditions. 4 movements. Duration: 5 mins. 'It would make a fascinating addition to a more traditional programme without scaring a timid audience.' Music Teacher. Grade: 7 - 8

Oboe and Piano-'The Sapphire' is dedicated to Heath's daughter Naima Sapphire. On the day she was born in 2000 Heath was walking over the meadows in Edinburgh to see her and could hear bagpipes playing in the distance. That inspired him to write this piece.The melody and over-all style are influenced by Scottish traditional music however the harmonies come from modern jazz.

After the success of Carpe Diem! a Clarinet Concerto written in 1990 Kaipainen went on to write his Oboe Concerto in 1994. Carpe diem! exemplifies the increasingly Classical ideals espoused by Kaipainen over the years. He develops this strand even further in his 'Oboe Concerto' which is a much more restrained and balanced work in darker tones.The piece contains three movements the first of which combines elements of a traditional opening movement and scherzo. The slow movement is an affecting elegy. The finale consists mostly of quietly played perpetuum mobile figures interspersed with sudden dramatic passages.

Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet was commissioned by the Institute of Contemporary Arts and written in the autumn of 1967. It is dedicated to Lady Norton and is the second of LennoxBerkeley’s three works written with the oboist the late Janet Craxton in mind the other two being his Sonatina OP 61 and Sinfonia Concertante OP 84.The work begins with a fairly extended introduction leading without a breakinto an Allegro. The whole composition is based on the internal of a third (sometime major sometimes minor) which is heard in the opening phrase of the introduction and again in the main theme of the Allegro though here in atotally different context. The allegro is in more or less traditional sonata form. The middle movement is a kind of Scherzo growing out of a rhythmical figure for the strings and a rapid arpeggio (major and minor chords) forthe oboe. This is a Presto; a more relaxed middle section corresponding to the Trio in a classical work is followed by a much shortened version of the Scherzo. The last movement is brief but very slow all four instrumentstaking up in turn a gently rocking figure that moves to and fro between two notes always a major or minor third apart. The music becomes more animated but returns to the opening figure and dies away each instrument droppingout one after the other leaving the cello alone in the last bar.

Comme le troisième après la deuxième La Seconde Guerre mondiale chaîne résultante est également Trio Laks 'pour hautbois, clarinette et basson de 1965 à la vie du compositeur, non publié. Le virtuose, pièce ludique est à son tour dans la tradition de néoclassicisme français, avec son accent sur ??la clarté formelle, la transparence de la texture et Melodizität élégante. La précision razor-sharp avec laquelle lakhs dans slugfest motivique et thématique de idiomatique humour instruments guidée générée peut penser de Stravinsky - en plus de Szymanowski et Ravel le plus garant important de, Jeunes Musiciens Polonais ', qui, quelques puissants' de compositeurs polonais, le Paris la vie musicale depuis les années 1920, et a été enrichi pour les protagonistes de Laks 1926e / Hautbois, Clarinette Et Basson / 76 pages / Partition