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Fantaisie Lyrique (PSTROKONSKY-GAUCHE MONIQUE)
17.30
Fantaisie Lyrique (PSTROKONSKY-GAUCHE MONIQUE)
Piano seul
Metropolis Music Publishers
Par PSTROKONSKY-GAUCHE MONIQUE. Monique Pstrokonsky-Gauché, issue d'une famille...
(+)
Par PSTROKONSKY-GAUCHE MONIQUE. Monique Pstrokonsky-Gauché, issue d'une famille de peintres polonais est née en Auvergne en 1945. Elle a étudié le piano depuis l'âge de 9 ans puis l'harmonie classique de 1963 à 1971 auprès de Julien Falk (compositeur français 1902-1987, professeur au CNSM de Paris). Pianiste accompagnatrice en conservatoire, elle a toujours été passionnée de composition et de pédagogie. Elle est membre de la SACEM depuis 1971. En 2000, elle a publié : Comment commencer l'harmonie (2 volumes) et une Méthode de piano pour débutants, enfants à partir de 8 ans et adultes (2 volumes) édités aux éditions Jobert. Dans ce but, elle a organisé un enseignement très progressif avec une parfaite concordanceentre le solfège, les notes apprises et les morceaux qu'elle a spécialement composés pour ses méthodes. En 2010, dans le même esprit, elle propose une méthode de piano ludique spécialement écrite pour les très jeunes enfants à partir de 5-6 ans : Ma toute petite méthode de piano (volume 1) suivie en 2014 d'un 2ème volume, éditée par 'letoutpetitconservatoire', Editions KP Créations. Monique Pstrokonsky-Gauché, issue d'une famille de peintres polonais est née en Auvergne en 1945. Elle a étudié le piano depuis l'âge de 9 ans puis l'harmonie classique de 1963 à 1971 auprès de Julien Falk (compositeur français 1902-1987, professeur au CNSM de Paris). Pianiste accompagnatrice en conservatoire, elle a toujours été passionnée de composition et de pédagogie. Elle est membre de la SACEM depuis 1971. En 2000, elle a publié : Comment commencer l'harmonie (2 volumes) et une Méthode de piano pour débutants, enfants à partir de 8 ans et adultes (2 volumes) édités aux éditions Jobert. Dans ce but, elle a organisé un enseignement très progressif avec une parfaite concordanceentre le solfège, les notes apprises et les morceaux qu'elle a spécialement composés pour ses méthodes. En 2010, dans le même esprit, elle propose une méthode de piano ludique spécialement écrite pour les très jeunes enfants à partir de 5-6 ans : Ma toute petite méthode de piano (volume 1) suivie en 2014 d'un 2ème volume, éditée par 'letoutpetitconservatoire', Editions KP Créations./ Répertoire / Piano
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More Classics For Keyboard
11.99
More Classics For Keyboard
Piano seul
Kevin Mayhew
A versatile collection of music suitable for use in church. The pieces can be pl...
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A versatile collection of music suitable for use in church. The pieces can be played on electric keyboards organs or pianos depending on the resources you have available.
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Johann Sebastian Bach: French Suite No. 2 In C Minor: Piano: Instrumental Work
4.50
Johann Sebastian Bach: French Suite No. 2 In C Minor: Piano: Instrumental Work
Piano seul
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Edwin Ashdown
J. S. Bach (1685-1750) was a German Baroque composer who is revered for the orig...
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J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He used this knowledge when composing his six French Suites in 1722-1725.French Suite No.2 in C Minor (BWV813) is a collection of sevenshort dance-style pieces for solo Piano Harpsichord or Clavichord.This popular edition from the highly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the bestedition available for students today. It includes phrasing fingering and annotations.
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Johann Sebastian Bach: Prelude and Fugue No. 5 In D Major: Piano: Instrumental
4.50
Johann Sebastian Bach: Prelude and Fugue No. 5 In D Major: Piano: Instrumental
Piano seul
[Partition]
Edwin Ashdown
Book 1 Bwv 850-J. S. Bach (1685-1750) was a German Baroque composer who is rever...
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Book 1 Bwv 850-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different Keyboard instruments. He utilised this knowledge when composing The Well-Tempered Clavier (1722) a collection of 24 Preludes and Fugues in which he explored the harmonies accessiblefrom every key. Prelude And Fugue In D Major BWV 850 is No. 5 from Book One of the Clavier. It is written in a typical Baroque form including an extended coda. This popular edition from thehighly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.
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Johann Sebastian Bach: Prelude and Fugue No. 6 In D Minor: Piano: Instrumental
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Edwin Ashdown
Book 1-J. S. Bach (1685-1750) was a German Baroque composer who is revered for t...
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Book 1-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He utilised this knowledge when composing The Well-Tempered Clavier (1722) a collection of 24 Preludes and Fugues in which he explored the harmonies accessiblefrom every key. Prelude And Fugue In D Minor BMV 851 is No. 6 from Book One of the Clavier. It is written in a typical Baroque form. This popular edition from the highly-regarded musicologistOrlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.
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Johann Sebastian Bach: Prelude and Fugue No. 7 In E Flat Major: Piano
4.50
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Piano seul
[Partition]
Edwin Ashdown
Book 2 Bwv 876-J. S. Bach (1685-1750) was a German Baroque composer who is rever...
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Book 2 Bwv 876-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He utilised this knowledge when composing his two volumes of The Well-Tempered Clavier (1722 and 1742) each a collection of 24 Preludes and Fugues in which heexplored the different harmonies of every key. Prelude And Fugue In E Flat Major BMV 876 is No. 7 from Book Two of the Clavier. It is written in a typical Baroque form. This popular edition fromthe highly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.
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4.50
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Piano seul
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Edwin Ashdown
Book 2 Bwv 889-J. S. Bach (1685-1750) was a German Baroque composer who is rever...
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Book 2 Bwv 889-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He utilised this knowledge when composing his two volumes of The Well-Tempered Clavier (1722 and 1742) each a collection of 24 Preludes and Fugues in which heexplored the different harmonies of every key. Prelude And Fugue In A Major BMV 889 is No. 20 from Book Two of the Clavier. It is written in a typical Baroque form. This popular edition from thehighly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.
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INTERMEDIATE ROMANTIC ERA FAVORITES
17.99
INTERMEDIATE ROMANTIC ERA FAVORITES
Piano seul
Hal Leonard
La collection Classical Piano Sheet Music Series est une compilation des morceau...
(+)
La collection Classical Piano Sheet Music Series est une compilation des morceaux de niveau intermediaire, avec une reliure a spirale facile a utiliser qui permet de poser la partition a plat et de tourner les pages en douceur. Decouvrez maintenant la version de l'ere baroque, classique et romantique arrangee pour les pianistes de niveau intermediaire.
The Avalanche, Op. 45, No. 2
Ballade, Op. 100, No. 15
Confidence, Op. 109, No. 1
The Doll's Burial, Op. 39, No. 7
First Loss (Erster Verlust), Op. 68, No. 16
Folk Melody (Im Volkston)
The Happy Farmer Returning From Work, Op. 68, No. 10
Humming Song, Op. 68, No. 3
Hunting Song (Jagerliedchen), Op. 68, No. 7
An Important Event, Op. 15, No. 6
In Church, Op. 39, No. 24
Inquietude, Op. 100, No. 18
Italian Song, Op. 39, No. 15
Little Piece, Op. 68, No. 5
Little Study (Kleine Studie), Op. 68, No. 14
Mamma, Op. 39, No. 4
Mazurka, Op. 68, No. 3
Melody, Op. 68, No. 1
Morning Prayer, Op. 39, No. 1
The New Doll, Op. 39, No. 9
Of Strange Lands And People, Op. 15, No. 1
Old French Song, Op. 39, No. 16
The Organ Grinder, Op. 39, No. 23
Prelude In A Major, Op. 28, No. 7
Prelude In B Minor, Op. 28, No. 6
Prelude In E Minor, Op. 28, No. 4
The Reaper's Song (Schnetterliedchen), Op. 68, No. 18
Sailor's Song, Op. 68, No. 1
The Sick Doll, Op. 39, No. 6
Sincerity (La Candeur), Op. 100, No. 1
Soldiers' March (Soldatenmarsch), Op. 68, No. 2
Sweet Dreams, Op. 39, No. 21
To A Wild Rose, Op. 51, No. 1
Traumerei, Op. 15, No. 7
Waltz In A-Flat Major, Op. 39, No. 15
Waltz In A Minor, Op. 12, No. 2
Waltz In A-Flat Major, Op. 9, No. 12
Waltz In B Minor, Op. 18, No. 6
The Wild Horseman (Wilder Reiter), Op. 68, No. 8
/ Partitions classique / Piano - instruments à clavier / Piano / HAL LEONARD
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Six Character Pieces Op. 17 Book 2 (ZELENSKI WLADYSLAW)
15.83
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Piano seul
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PWM (Polskie Wydawnictwo Muzyczne)
Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for pian...
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Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied). The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance. The second book of Wladyslaw Zelenski?s Six Character Pieces contains three miniatures: Canon, Scherzo and Farewell. They manifest characteristic features of the composer?s style, such as the use of counterpoint and a rich, organ-like texture. The Canon, with its emotional charge and build-up of tension, brings to mind miniatures from the brilliant piano cycles of Robert Schumann. A very simple phrase is imitated canonically between the top voice and the two bottom voices, passing through different keys. A touch of finesse is added by the triplet figuration in the middle plan. The next miniature is a classic Scherzo in ABA form. The outer sections, with an imitated theme, are in G minor. With its rather ominous, perhaps somewhat tragic, character, it contrasts with the middle section, Un poco più tranquillo, in the parallel key of G major, which clearly represents a more luminous, dance-like episode in this set of works. The title Farewell given to the last piece in opus 17 may stir associations with Ludwig van Beethoven?s only programme sonata, Les Adieux. This miniature is far more expansive and texturally richer than the other works in this set. The virtuosic elements are of the highest order, not overwhelming the composition, but emphasising its powerful emotional charge. Each of these miniatures can function as a separate work, but when played as two three-part cycles they fall into logical wholes, in which the climax is reached in the last, most elaborate piece. Yet a performance of all six works from both books, so the whole of Zelenski?s opus 17, allows us to discern an even larger cyclical form, developed in an equally deliberate way. - Anna Miernik/ Répertoire / Piano
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Mozart W.a. - Piano Pieces
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Mozart W.a. - Piano Pieces
Piano seul
G. Henle
revised edition Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Piano ...
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revised edition Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Piano solo Editeur Musicologique : Scheideler, Ullrich Couverture Reliée Contenu : Adagio for Glass Harmonica C major K. 356 (617a) Adagio b minor K. 540 Andante for a Musical Clock F major K. 616 Andantino E flat major K. 236 (588b) 6 German Dances K. 509 Fantasies c, d K. 396 (385f), 397 (385g) Fugue for an organ g minor K. 401 (375e) Fuges G, D K. Anh. A 61/62 (154a) Gigue G major K. 574 Piano Piece F major K. 33 B Kontretanz D Das Donnerwetter K. 534 Kontretänze K. deest (269b) London sketchbook K. 15a-qq Funeral March c minor K. 453a March C major K. 408/1 (383e) Minuet D major K. 355 (576b) Minuets C, D C major K. 61g II, 94 (73h) 8 Minuets K. 315a (315g) 12 Minuets K. 103 (61d) Modulierendes Präludium K. deest Mozarts pieces from the Nannerl Notenbuch K. 1a?f, 2?5, 9a (5a),6?8 Prelude (Fantasy) and Fugue C major K. 394 (383a) Präludium C major K. 284a (395/300g) Rondos D, a K. 485, 511 Sonata movements g, B flat B flat major K. 312 (590d), 400 (372a) Suite C major K. 399 (385i) Appendix: 2 Piano pieces B flat, E flat K. Anh. 20 a (626b/25) Ballettmusic from Ascanio in Alba K. 111 Sonata [allegro and allegretto] F major K. Anh. 135 (547a) Fragment from the Nannerl Music Book K. 9b (5b) Fragments from the London Sketchbook K. 15 nn, rr, ss Fragment (Sarabande) from the Suite K. 399 (385i)
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Wolfgang Amadeus Mozart: Works For Piano 4 Hands: Piano: Instrumental Album
32.99
Wolfgang Amadeus Mozart: Works For Piano 4 Hands: Piano: Instrumental Album
Piano seul
Wiener Urtext
Mozart's works for Piano duet form the first highlight of this genre which later...
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Mozart's works for Piano duet form the first highlight of this genre which later is only achieved by Franz Schubert. The two early sonatas from the Salzburg period which are particularly suited for music teaching in secondary schools are opposed to three effective compositions from his Viennese period. The present volume also contains the sonata KV 19d the authenticity of which is not confirmed as well as two fragmentary movements dated from Mozart's last years of life KV 357. Robert D. Levin has completed them true to style for practical use taking the limitations of the keyboards of the Mozart Pianos and the composer's personal style into account unlike as in the first edition of ca. 1860. In the appendix there are the two fantasias KV 594 and 608 originally composed for mechanical organ adapted from the earliest arrangements for piano duet published a few years after Mozart's death. In this edition the music text is published in the form of a score for the first time.
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Schubert, Franz : Impromptus Opus 90 - D 899, Opus post. 142 - D 935
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Schubert, Franz : Impromptus Opus 90 - D 899, Opus post. 142 - D 935
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Schubert?s well-known collection of Moments Musicaux was published in 1828, du...
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Schubert?s well-known collection of Moments Musicaux was published in 1828, during the last year of the composer?s life, but some of the pieces date back to the beginning of the 1820s. In 1823 he published his extremely popular Air russe which later became the third piece of the Moments Musicaux and during the following year the chordal sixth piece entitled Plaintes d?un Troubadour . The multi-faceted lyrical atmospheric pieces are particularly suitable for piano teaching because of their charming variety as well as their moderate technical demands. They have become an indispensable part of the concert repertoire.
For the first time this scholarly-critical Urtext edition presents the musical text of the New Schubert Edition in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert?s time as well as performance on the modern concert grand piano into consideration.
A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.
- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account
- Newly engraved editions with optimum page-turns
- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer
- With a detailed foreword (Ger/Eng) and critical commentary.
Mario Aschauer
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ. / Classique / Partition /
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Tubes Du Jazz Claviers : Vol.2 - Book
32.04
Tubes Du Jazz Claviers : Vol.2 - Book
Piano seul
[Partition + CD]
Carisch
For each song you will hear the full version, featuring the Pianist accompanied ...
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For each song you will hear the full version, featuring the Pianist accompanied by an Orchestra, as well as a playback version for you to play along to. There are three different versions for each piece: 1)Keyboard/Organ 2)Piano (medium difficulty) 3)Piano (simple for beginners) The pieces in Tubes Du Jazz Claviers are great for playing as part of a group. The included harmonic grids will help Bass and Keyboard players to get their bearings, and all of the featured pieces can be sung. Lyrics are included at the back of this book./ Recueil / Piano
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Carl Nielsen: 5 Piano Pieces Op.3: Piano: Instrumental Work
6.90
Carl Nielsen: 5 Piano Pieces Op.3: Piano: Instrumental Work
Piano seul
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Carl Nielsen Edition
Carl Nielsen is perhaps the best known Danish composer and this volume contains ...
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Carl Nielsen is perhaps the best known Danish composer and this volume contains his Five Piano Pieces Op. 3. There is an interesting range of feeling and sentiment in the 5 intimate miniatures composed in 1890. Includes the following movements: Folk Tune Humoresque Arabesque Mignon and Elf-Dance. With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music Organ and Piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of this century. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.
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Johann Sebastian Bach: Triple Concerto in A minor BWV1044: Piano: Instrumental
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Johann Sebastian Bach: Triple Concerto in A minor BWV1044: Piano: Instrumental
Piano seul
[Partition + CD]
Music Minus One
Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin an...
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Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin and flute is a challenge containing much brilliant passagework. The less formidable slow movement was taken from the organ sonata No. 3. It is a companion to the Brandenburg Concerto No. 5 the first movement of which is included on this album. An extremely rewarding and enjoyable piece for study. Also included on this album is the first movement of the Brandenburg Concerto No. 5 written for harpsichord flute violin and orchestra was Bach's first truly original keyboard concerto and is a unique work full of bravura passages. An eternal favorite! Includes a high-quality printed music score and a compact disccontaining a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus the soloist. Performed by Neill Eisenstein piano Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn
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Carl Nielsen: Chaconne Op.32: Piano: Instrumental Work
21.95
Carl Nielsen: Chaconne Op.32: Piano: Instrumental Work
Piano seul
Carl Nielsen Edition
Carl Nielsen's Chaconne Op.32 for Piano solo dating from 1916. The present scor...
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Carl Nielsen's Chaconne Op.32 for Piano solo dating from 1916. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
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BACH ADAPTATIONS PIANO TRANSC. BY WALTER RUMMEL
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BACH ADAPTATIONS PIANO TRANSC. BY WALTER RUMMEL
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This collection of Rummel's J.S. Bach 'adaptations' for the Piano...
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This collection of Rummel's J.S. Bach 'adaptations' for the Piano presents twelve titles from the original twenty-five originally published by J & W Chester between 1922 and 1938, demonstrating a range of styles from the contemplative Liebster Jesu, Wir Sind Hier to the uninhibited Sturze zu Boden. A close friend of Debussy, Rummel belonged to a younger generation of leading composers, leading a trend away from previous Keyboard transcribers, established by Busoni, Liszt, Reger and others who concentrated on adapting Bach's Organ works rather than the Vocal music. <br>This vibrant collection is suitable for intermediate to advanced pianists but will be of interest to all who enjoy Bach's music for Keyboard. <br>Born in Berlin to a diversely creative family, Walter Rummel (1887 - 1953) was surrounded by art and music from an early age. He came from a pedigree of distinguished musicians, his family home a favoured meeting place for musicians and artists alike. His great grandfather, Christian Rummel (1787 - 1849) was director of the court orchestra at Wiesbaden for Duke Wilhelm of Nassau and his maternal grandfather, Samuel Morse (1791 - 1892), the American painter and inventor of the telegraph. / [J.S. Bach Adaptions: Piano Transcriptions By Walter Rummel] / Classique / Partition /
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Fascinations: Piano: Instrumental Album
10.99
Fascinations: Piano: Instrumental Album
Piano seul
[Conducteur]
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35 pieces on the quirky side-Fascinations is a volume of quirky juxtapositions a...
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35 pieces on the quirky side-Fascinations is a volume of quirky juxtapositions and intriguing pieces of music. Lœillet is cheek-by-jowl with Liszt Schumann with Scarlatti and Sjögren. There are some fine newly-written miniatures but also some extraordinary pieces by well-known composers such as Mozart’s bizarre Funeral march of Signor Maestro Contrapunto or the unsophisticated music-making faithfully represented in Gounod’s Bagpipers and Tchaikovsky’s The peasant plays the mouth-organ. Dance movements by Telemann Schubert Rameau Jiŕovec and Zilcher all have something unexpected or piquant about them although they are technically straightforward anda joy to play.For intermediate-level pianists.Piano Moods is an exciting new piano series from Boosey & Hawkes. Each volume is devoted to a particular mood. The pieces chosen draw on Boosey & Hawkes' extensive collection of wonderful music as well as lesser-known gems from the past - some of them from surprising sources - and newly composed works.
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William Walton: Instrumental Music: Piano: Score
214.95
William Walton: Instrumental Music: Piano: Score
Piano seul
Oxford University Press
Hardback-The volume contains all the works for piano (solo piano duet two pian...
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Hardback-The volume contains all the works for piano (solo piano duet two pianos) and works for organ and guitar. It includes an introduction textual notes and facsimiles
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John W. Schaum: Hymns and Gospel Songs: Piano: Instrumental Album
7.99
John W. Schaum: Hymns and Gospel Songs: Piano: Instrumental Album
Piano seul
Schaum Publications
NFMC 2016-2020 Piano Hymn Event Primary E Selection-20 songs arranged for piano ...
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NFMC 2016-2020 Piano Hymn Event Primary E Selection-20 songs arranged for piano organ or electronic keyboard with sing-along lyric sheets and a chord dictionary. Songs include: Abide with Me - Amazing Grace - Blessed Assurance - Face to Face - Faith of Our Fathers - I Love to Tell the Story - O That Will Be Glory - Rock of Ages - Softly and Tenderly - What a Friend We Have in Jesus - and more.
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Ebbe Nielsen: Spil Bare Løs 1: Piano: Instrumental Tutor
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Ebbe Nielsen: Spil Bare Løs 1: Piano: Instrumental Tutor
Piano seul
Tingluti
Piano-Spil Bare Løs 1 by Ebbe Nielsen is an introduction to Keyboard Electri...
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Piano-Spil Bare Løs 1 by Ebbe Nielsen is an introduction to Keyboard Electric Organ or Piano playing.
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Carl Nielsen: Festival Prelude For The New Century: Piano: Instrumental Work
Piano seul
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Carl Nielsen's Festival Prelude for the New Century (Fest-Præludium ved aarhund...
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Carl Nielsen's Festival Prelude for the New Century (Fest-Præludium ved aarhundredeskiftet) for Piano solo was composed in 1900.The present score is a photographic reproduction of the work as it appears inCarl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
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Johann Sebastian Bach: Through Affliction We Enter The Kingdom Of Heaven: Piano:
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Johann Sebastian Bach: Through Affliction We Enter The Kingdom Of Heaven: Piano:
Piano seul
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This overture is the opening of the 146th Church Cantata. It is scored for full ...
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This overture is the opening of the 146th Church Cantata. It is scored for full string orchestra with organ obbligato and is the original form of the first movement of the later and better known Piano Concerto in Dminor. In its early form this work lends itself more readily to a modern piano adaptation than in the later Concerto form.Wir müssen durch viel trübsal in das reich Gottes eingehen.
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Schubert, Franz : Late Piano Pieces
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Schubert, Franz : Late Piano Pieces
Piano seul
[Partition]
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Intermédiaire
Barenreiter
Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9...
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Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9647) and ?Impromptus? (BA 9648), the composer?s late piano works are now to be published in a scholarly-critical Urtext edition that will meet the demands of today?s performers. Schubert?s popular ?Ungarische Melodie? D 817, inspired by gypsy melodies, was composed in 1824; his ?Allegretto in C minor? D 915 was written in the spring of 1827; a little later, at the latest in 1828, he also wrote his ?Drei Klavierstücke? D 94, which are closely related in form to his ?Moments Musicaux?.'
'
Suggestions on performance practice, optimum page turns and fingering which takes into consideration essential aspects of performance practice of Schubert?s time as well as the performance on modern concert pianos are all included in this edition.'
'
- Based on the Urtext of the ?New Schubert Edition?'
- Newly engraved Urtext edition with optimum page turns'
- With fingering and information on performance practice (Ger/Eng)'
- In-depth foreword (Ger/Eng) and critical commentary (Eng)'
'
Contents'
Ungarische Melodie D 817'
Allegretto in c D 915'
Drei Klavierstücke D 946'
'
Mario Aschauer'
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician with, among others, the Austrian ?Calamus-Consort?, and has developed a wide-ranging repertoire on the fortepiano, cembalo and organ. Mario Aschauer has been a collaborator for the ?New Schubert Edition? since 2008 and is a teacher at the University of Vienna. In his research, he concentrates on the historicalperformance practice of European art music of the 17th?19th centuries. / [Pièces Tardives] / Classique / Partition / Agrafé /
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Carl Nielsen: A Dream About 'Silent Night': Piano: Instrumental Work
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Carl Nielsen: A Dream About 'Silent Night': Piano: Instrumental Work
Piano seul
-
Intermédiaire
Carl Nielsen Edition
Carl Nielsen's A Dream About 'Silent Night' (Drømmen om 'Glade Jul') for Piano ...
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Carl Nielsen's A Dream About 'Silent Night' (Drømmen om 'Glade Jul') for Piano solo dating from 1905. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
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Edward Bunting: Ancient Music Of Ireland: Piano: Instrumental Album
Piano seul
Dover Publications
Edward Bunting (1773 1843) the first systematic collector of Irish folksongs w...
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Edward Bunting (1773 1843) the first systematic collector of Irish folksongs was educated as an organ and piano player in Belfast. His life's work fell upon him at nineteen years old when he was commissioned as a scribe to notate performances at a gathering of traditional harp players in Belfast in July 1792. He was so inspired by the music that aided by some of the harpers he embarked immediately upon travels around northwest Ireland to collect some of the old songs already close to disappearing. He published his first collection of Irish music four years later. In that volume and two later ones he published almost 300 airs—some of them according to tradition datingas far back as the tenth century—and practically single-handedly rescued his country's ancient music from oblivion.The present collection the last of Bunting's three such gatherings contains 151 Irish airs arranged for piano with the Irish names of the airs their authors and (where known) their dates of composition. Hard to find elsewhere this is an indispensable book not only for students or lovers of Irish music but also for students of general music history.Reprint of the Hodges and Smith Dublin 1840 edition.
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Tubes Du Jazz Claviers Volume
32.04
Tubes Du Jazz Claviers Volume
En Français
Piano seul
[Partition + CD]
Carisch
For each song you will hear the full version, featuring the Pianist accompanied ...
(+)
For each song you will hear the full version, featuring the Pianist accompanied by an Orchestra, as well as a playback version for you to play along to. There are three different versions for each piece: 1)Keyboard/Organ 2)Piano (medium difficulty) 3)Piano (simple for beginners) The pieces in Tubes Du Jazz Claviers are great for playing as part of a group. The included harmonic grids will help Bass and Keyboard players to get their bearings, and all of the featured pieces can be sung. Lyrics are included at the back of this book./ Recueil / Clavier
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Les Tubes Du Jazz Claviers Vol.3
32.04
Les Tubes Du Jazz Claviers Vol.3
En Français
Piano seul
[Partition + CD]
Carisch
For each song you will hear the full version, featuring the Pianist accompanied ...
(+)
For each song you will hear the full version, featuring the Pianist accompanied by an Orchestra, as well as a playback version for you to play along to. There are three different versions for each piece: 1)Keyboard/Organ 2)Piano (medium difficulty) 3)Piano (simple for beginners) The pieces in Tubes Du Jazz Claviers are great for playing as part of a group. The included harmonic grids will help Bass and Keyboard players to get their bearings, and all of the featured pieces can be sung. Lyrics are included at the back of this book./ Recueil / Clavier
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