Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime

Written over a single week in May 1932 this Sextet is for two Violins two Violas and two Cellos - plus optional Double Bass. The rebellious Martinu absorbed many influences throughout an interesting life spent living in hisnative Czechoslovakia then France Spain Italy the U.S. and Switzerland.

The Rosegarden Of Light - String Sextet Parts-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIM’s founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and

Souvenir de Florence-Tchaikovsky's Souvenir De Florence was comissioned by the St. Petersburg Chamber Music Society in 1887 but the work was not finished until 1892 due to Tchaikovsky turning his attention to his opera Queen Of Spades. It has been observed that the final movement in particular is orchestrally conceived rather than in the style of chamber music. The work is fittingly often performed by string orchestras and many believe it to actually more effective in that format. This is the original setting of the piece for String Sextet - 2 Violins 2 Violas and 2 Cellos.

(Echopraxia) by Evis Sammoutis was commissioned by the Pharos Trust. First performance: 19 May 2006 at PASYDY Auditorium (Nicosia Cyprus) by Ensemble Modern.15'; for string sextet: 2vln 2va 2vc

Le 'sextuor à cordes en la majeur' a été composée à l'époque whenAntonín Dvorák commenCait à devenir célèbre. Il a été écrit in1878 au cours de sa période dite slave, alors que le compositeur enrichir wasspecifically sa musique avec des éléments folkloriques.Cette édition est basée sur la copie autographe ainsi que la première édition imprimée de 1879. Seulement sextuor à cordes de Dvorák reproduit dans une édition Bärenreiter Basé sur le 'édition complète des oeuvres d'Antonín Dvorák', volume IV / 9 / 2 Violons, 2 Altos Et 2 Violoncelles

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.