35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Ground' 'I Love to Tell the Story' 'In the Garden' 'Just a Closer Walk with Thee' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Precious Memories' 'Rock of Ages' 'Shall We Gather at the River'' 'Sweet By and By' 'What a Friend We Have in Jesus' 'Whispering Hope' 'Wonderful Peace ' and many more.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Specially arranged for Organ this collection features such beloved hymns as A Mighty Fortress America the Beautiful Amazing Grace Faith of Our Fathers and Onward Christian Soldiers. Compiled by Organ repertoire specialist Rollin Smith this modestly priced volume features a brief introduction and indexes of titles and composers.Features lay-flat sewn binding.

The Three Sets of Eight Interludes were published between 1946 and 1952 and display Thiman’s early 20th century tunefulness and grace. Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

Included In Collection: 1. God Of Grace And God Of Glory 2. Jesus Shall Reign Where'er The Sun 3. The Jesus Gift 4. Litany

Hal Leonard Organ Adventure Series ??? No. 18-105 songs including: Amazing Grace ??? The Church in the Wildwood ??? Holy Holy Holy ??? and more.

Easy Yet Beautiful All-Organ Arrangements by Bob Rollins-Easy Yet Beautiful All-Organ Arrangements by Bob Rollins. This book contains 56 classics including: Abide with Me · Amazing Grace · Blessed Redeemer · An Evening Prayer · Faith of Our Fathers · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · I Love to Tell the Story · In the Garden · Just a Closer Walk with Thee · A Mighty Fortress Is Our God · Morning Has Broken · O Perfect Love · The Old Rugged Cross · What a Friend We Have in Jesus · and more.

Funeral Music For Organ edited and arranged by Wilco Bos. Includes Albinoni's Adagio Handel's Largo and the traditional Amazing Grace.

Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.

Includes four songs arranged for organ solo: Crusaders' Hymn £ Amazing Grace £ Duke Street £ O Store Gud.

This splendid collection contains two rousing and thrilling toccatas. The arrangement of Amazing Grace lives up to its title - it is amazing! The second celebrates the bells of Westminster Cathedral. Brilliant festive captivating are appropriate adjectives.

Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought

Contents: 1. O Jesus My Lord2. Go Congregation3. Join We All With One Accord4. Come Let Us All With Gladness Raise5. Hussite Battle Hymn6. Father Of Eternal Grace7. Jesus Christus Nostra Salus8. Glaubige Seele9. How Shall I Meet My Savior?10. Jesus Makes My Heart RejoiceAppendixOrgan Meditation On 'Built On A Rock'

Contents: 1. Aberswyth2. Amazing Grace3. America4. Ar Hyd Y Nos5. Assurance6. Aurelia7. Austria8. Azmon9. Bradbury10. Converse11. Coronation12. Dix13. Duke Street14. Ein Feste Burg15. Eventide16. Festal Song17. Forest Green18. Foundation19. Galilee20. Hamburg21. He Leadeth Me22. Hyfrydol23. In Babilone24. Italian Hymn25. Kremser26. Lasst Uns Erfreuen27. Leoni28. Let Us Break Bread Together29. Lobe Den Herren30. Nun Danket31. Nicaea32. Old Hundreth (Regular)33. Old Hundreth (Irregular)34. Olivet35. Regent Square36. Slane37. St. Agnes38. St. Anne39. St. Catherine40. St. Denio41. St. Elisabeth42. St. Thomas43. Stuttgart44. There Is A Balm In Gilead45. Toplady46. Truro47. Veni Emmanuel48. Woodbird49. Woodworth

These 30 pieces were written by Herbert Howells as exercises and piano sight-reading tests. They are however much more than visual traps for the unwary. They are at times graceful surprising and touching and they are allinventive miniatures which represent a collection characteristic of the composer.Like the occasional pieces written for examination purposes by Ravel and Debussy these studies have a unique value. Adaptedslightly by Alan Ridout to make useful manuals-only pieces for organ this compilation is a must have for developing organ players or those experienced players who are looking for something a little different.