Raymond Gallois Montbrun (1918-1994) published his 6 Musical Study Pieces for Alto Saxophone and Piano in 1954 just ten years after he won the Grand Prix de Rome. Along with his Violin Concerto 'Japan' Symphony and Concertstück for Clarinet and Piano 6 Musical Study Pieces remains popular to this day. 6 Musical Study Pieces for Alto Saxophone is made up of six short pieces in variety of styles each addressing a different technique. These are; 1) Ballade (flexibility) 2) Intermezzo (trills) 3) Rondo (staccato) 4) Lied (sonority) 5) Waltz (chromaticism) and 6) Finale (velocity). Assuitable and varied pieces for the progression of intermediate to advanced level saxophonists Gallois Montbrun's 6 Musical Study Pieces cannot be missed.

Book 2-The Light Touch is a fabulous collection of graded pieces for Alto Saxophone and Piano. The two volumes have been edited by Gordon Lewin. This is the second book for intermediate to advanced players from grade 4 all the way to grade 8. There are five glorious examples of Light saxophone music in various styles all of which are characterised by the light touch!

French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Mazurka for Alto Saxophone and Piano was published in 1961 and remains prominent in the instrument's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Mazurka an homage to Chopin reflects Dubois' compositional characteristics with a typical performance lasting about four minutes. Mazurka is essential to the advanced Alto Saxophone repertoire as Dubois' work makes for an exciting varied and enjoyable performance for playersand audiences alike.

Quartet for Saxophones is a piece for four Saxophones composed by Alfred Desenclos in 1964 which lasts around 15 minutes and 30 seconds. Initially written for the Marcel Mule Quartet Quartet for Saxophones is a typical French quartet quite smooth and suave. The beginning of the piece that sets up the Soprano Saxophone against the others is quite jazzy but then it continues on to a more lyrical part quite slow with a simple melody. The tension is gradually built up and the finale unison is introduced quite dramatically with some bursts of energy. This Quartet for Saxophones wouldfit a Quartet of advanced to professional players. Alfred Desenclos (1912-1961) is a French Composer who won the Prix de Rome in 1942. He also composed masses such as 'Messe de Requiem' and other pieces for Double Bass Harp Flute Trumpet or French Horn.

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings printable piano accompaniments and PLAYBACK audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players) accompaniment tracks for practice and PDF piano accompaniments for use at contest. Includes: Adoration (Borowski) - American Patrol (Meacham) - Andante and Allegro from Sonata in G (Marcello) - Ave Maria (Schubert) - Concertino Op. 26 (Weber) - Menuetto(Mozart) - Non tanto adagio (Platti) - Pavane pour une Infante Defunte (Ravel) - Presto from Concerto in E Minor Op. 102 (Gurewich) - Presto from Suite for Alto Saxophone (Ostransky) - Recitative and Rondino (Koepke) - Sarabande and Gigue (Corelli) - Slavonic Fantasy (Heumann).

This award winning tutorial series is an essential stepping-stone for every young alto saxophone player and a vital tool for teachers and students alike. A New Tune A Day: Book 2 features the same logical gentle pace andkeen attention to detail that made earlier editions so hugely popular and successful. Filled with easy-to-follow lessons and clear photographs and diagrams this will help you to achieve the very best in tone techniqueand posture. The selection of music is fresh and exciting including duets and rounds to inspire you and ensure that those crucial practice hours are never boring! Book 2 builds on the lessons and techniques learned inBook 1 and delivers more advanced technique repertoire and theory all with the great variety of pieces and exercises that are the hallmark of the series.The accompanying audio CD features a virtuoso performance andbacking track for each piece as well as recorded examples to support the lessons.

A selection of Bernstein's songs arranged for tenor saxophone with piano accompaniment by David Elliott providing a wide variety of musical challenges for intermediate to advanced performers.

Tired of all the Christmas solo books written for young or intermediate students? Are you always looking for something more sophisticated? 14 Advanced Christmas Favourites is the answer. Arranger Sean O’Loughlin has created a book of distinctive and elegant arrangements of 14 classic Christmas carols with a companion CD containing full orchestra accompaniment. These arrangements are perfect for holiday time church services and concerts. Includes such favourites as 'Angels We Have Heard on High ' 'The First Noel ' 'Joy to the World ' and more.Solo and PlayAlong Orchestrations arranged by Sean O'LoughlinCD includes full orchestralaccompaniment MP3 tracks.  Please note to use the CD you will need to play it through a PC as the tracks are in an MP3 format.

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

A comprehensive guide to some of the best Blues Riffs for Tenor Saxophone and B Flat instruments. This book is ideal for most levels of musicianship from the beginner/intermediate student who is interested in understanding and playing the blues to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Composed by Eugène Bozza Pulcinella is a work for Eb Saxophone and Piano accompaniment. Dedicated to Marcel Mule this sprightly clown dance is very difficult and requires an advanced skill level. This piece is great to demonstrate the abilities of the players and could be played in a recital or a contest. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Canzonetta Op. 19 is a piece for Alto Saxophone and Piano accompaniment composed by Gabriel Pierné and arranged by Marcel Mule. Initially written for Clarinet and Piano the piece was written in 1888 and can be played by advanced players with a fairly high difficulty level. Composed in a single movement the piece features some different sections linked together. It starts with dotted rhythms that are slightly reminiscent of a siciliano and is followed by a part that sounds like a Scherzando. The dotted rhythms disappear in the Piu Vivo section but the opening theme soon comes back before a grandiose finale.Gabriel Pierné (1863-1937) was a French composer conductor and Organ player. He won the French Prix de Rome 1882.

A comprehensive guide to some of the best Blues Riffs for Alto Saxophone and E Flat instruments. This book is ideal for most levels of musicianship from the beginner/intermediate student who is interested in understanding and playing the blues to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

The Jazz Sax Collection (Alto/Baritone) is an unmissable selection of authentic jazz written and arranged by professional jazz saxophonist Ned Bennett. It includes accompanied and unaccompanied pieces featuring well-known jazz standards with opportunities for improvisation within selected pieces together with performance notes and listening suggestions. This book contains selected pieces for the forthcoming ABRSM Saxophone syllabus. Audio demo and backing tracks of all the pieces will be available online. Suitable for intermediate to advanced-level players (approximately Grade 4 to 7).