The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

'Hey Brother' 'Levels' and 'Without you' are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.

SSAA Double Choir a cappella-Here is a new and exciting major work for double women's chorus a cappella which offers a challenge for the advanced or professional women's choirs.

(Shout for Joy)-Mendelssohn wrote Psalm 66 Jauchzet Gott alle Lande (Shout For Joy) in 1822 when he was only 13 years old. He wrote it in a similar style to Handel's Messiah full of melismas and very much in a late Baroque style. With a keyboard part realized by Advanced Women's Choir Consortium creator Kathleen Rodde this is a wonderful new offering for college and women's community choirs. ScorePlay - click to view score with recording.

The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by theNidaros Cathedral Girls' Choir of Trondheim Norway.

Hamba Lulu is a fantastic addition to the choral repertoire in the Choral Programme series. It is a breath of fresh air in the classroom and for any choir wanting a new challenge. These stirring songs are additive so you can tailor performances to local resources increasing technical demand according to the experience of the choir. Easy to learn and sure to make an instant impact on audiences the songs tap into the rich seam of African culture and rhythmn. Set for SSAA upper voices with the option of adding percussion depending on your resources.

Stacey Gibbs uses his talent for reimagining the spiritual to set this beautiful version of ?Swing Low Sweet Chariot? for women's choirs. Your women's choir will appreciate the exciting challenge of the vocal writing. Great for festivals and honor choirs. Jo-Michael Scheibe Choral Series.

For SSAA Choir with Soloists Vibraphone and Electric Bass Guitar-Written for SSAA choir with soloists vibraphone and electric bass guitar.

Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

Fairest Lord Jesus-Eatnemen Vuelie is the opening musical number for the 2013 Disney animated feature Frozen. The song is inspired by indigenous Saami and Norwegian culture and was written and composed by Norwegian composer Frode Fjellheim. The song is a combination of Saami yoiking and the Danish Christmas hymn 'Dejlig erjorden'/'Fairest Lord Jesus'. 'Yoik' is a very old vocal tradition among the Sami people of Scandinavia and Russia. Typical of this tradition is the use of short melodic phrases that repeat endlessly with small variations.Arranged for children's choir or women's choir (SSAA Voices) Synthesizer Percussion and solo medium Voice.

Søstrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed by Bent Sørensen in 2006 for the Danish National Girl's Choir. Text by Peter Asmussen based on 'The Little Mermaid' by H. C. Andersen.

Landsby for SSAA Choir was composed by Per Drud Nielsen in 2014. Based on a poem by Mette Moestrup. Alternative version for Mixed Choir SATB available: WH32765

The Grammy®-winning singer Kelly Clarkson scored big with an elegant pitch-perfect and rousing rendition of “The Star-Spangled Banner” at Super Bowl XLVI with choral back-up provided by the Indianapolis Children'sChoir conducted by Henry Leck. Here is the arrangement in two keys the original in G as sung by Kelly and a B-flat edition for use with soprano or tenor soloist or a group of singers. Recorded by the Indianapolis Children'sChoir Rachel Anderson soloist.