SKU: BT.ALHE31457
French.
SKU: BA.TP00930
ISBN 9790006203093. 22.5 x 16.5 cm inches. Key: B-flat major. Preface: Donat, Misha.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.PB-5622
ISBN 9790004215197. 6.5 x 9 inches.
With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.
SKU: BR.PB-5622-07
With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar.
SKU: PR.PH000314
UPC: 680160501212.
SKU: TM.540-3038SET
Haydn - Serenade, God Save Francis the Emperor; Mozart - Minuet from Quartet in Eb; Beethoven - Cavatine from Quartet op. 130, Minuet from Septet op. 20; Mendelssohn - Canzonetta from Quartet op. 12; Cherubini - Scherzo from Quartet in Eb; Bach - Aria My Faithful Heart; Handel - Largo from Xerxes; Hasse - Canzona; Boccherini - Minuet; Schumann - Dreaming from Scenes from Childhood op. 15.
SKU: PR.PH000312
UPC: 680160501205.
SKU: PR.UE036966
ISBN 9783702473501. UPC: 803452070627.
Half of the performing duo with Aleksey Igudesman, Hyung-ki Joo wrote his first string quartet in his final term at the Yehudi Menuhin School for a graduation concert. At the time, the young composer was intrigued by various talents in the arts, and chose six to whom he would pay musical tribute. The score includes his notes on his tributes to Purcell, Beckett, Beethoven, Munch, Bach, and Schoenberg, all of which are inventive encapsulations of his impressions. For advanced performers.
SKU: PR.PH000326
UPC: 803452012160.
SKU: TM.10386SET
No score in set of parts. Also edited by: Moser.
SKU: M7.BP-1845
ISBN 9790015184505.
Das lange verschollen geglaubte Autograph kam erst vor kurzem wieder zum Vorschein. Eine Rezension nach einer Aufführung 1911 fand, daß das Quartett auch nach einem Beethovenquartett gespielt werden konnte ohne abzufallen..