Essential Composer Series. Les sélections ont été soigneusement choisies pour donner à l'utilisateur une source de documentation de la base essentielle de ce compositeur spécifique. Cette série transcrite par Avis Fedge Romm a eu seulement mineures d'édition lorsque considérée comme une aide précieuse en facilitant le musicien dans l'interprétation authentique de la musique du compositeur. La série de compositeur essentielles est devenu un élément de stock discontinue pour de nombreux détaillants de musique dans le monde entier. Chaque édition inclut un CD de performance, qui est également un excellent outil pour les plus jeunes joueurs d'entendre les mélodies qu'ils ont pratiqué avec tant de diligence. Essentiel Piano Masters Volume 1 comprend les oeuvres de Johann Sebastian Bach, Wolfegang Amadeus Mozart and Ludwig van Beethoven./ Recueil / Piano

Even Mozart had to learn how to play the piano. This collection of easy works includes pieces composed by both young Mozart and by his father, for his piano lessons. Including pieces from the volume Notebook for Wolfgang alongside popular pieces by Mozart such as Ah vous dirai-je Maman (variations) and themes from Sonata in A major KV 331 and Sonata in C major KV 545. All pieces can be played with or without pedal. / Piano

Ce recueil de 30 compositions originales et arrangements populaires pour piano présente une sélection d'oeuvres de Wolfgang Amadeus Mozart qui ravira tout pianiste. Outre la « Sonate facile » et d'autres pièces pédagogiques populaires, ce volume contient également de nombreux arrangements, tels que le premier mouvement d'« Une petite musique de nuit » ou de divers airs d'opéra. Toutes les pièces sont d'un niveau de difficulté facile ou intermédiaire, avec des doigtés et des suggestions de métronome ajoutés. Le recueil dont l'image d'impression est moderne et facile à lire est recommandée non seulement à des fins d'enseignement, mais aussi à tous ceux qui aiment jouer du piano en tant que passe-temps.Pages : 116Niveau : moyenLangue : English - German / Piano / Schott

revised edition Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Piano solo Editeur Musicologique : Scheideler, Ullrich Couverture Reliée Contenu : Adagio for Glass Harmonica C major K. 356 (617a) Adagio b minor K. 540 Andante for a Musical Clock F major K. 616 Andantino E flat major K. 236 (588b) 6 German Dances K. 509 Fantasies c, d K. 396 (385f), 397 (385g) Fugue for an organ g minor K. 401 (375e) Fuges G, D K. Anh. A 61/62 (154a) Gigue G major K. 574 Piano Piece F major K. 33 B Kontretanz D Das Donnerwetter K. 534 Kontretänze K. deest (269b) London sketchbook K. 15a-qq Funeral March c minor K. 453a March C major K. 408/1 (383e) Minuet D major K. 355 (576b) Minuets C, D C major K. 61g II, 94 (73h) 8 Minuets K. 315a (315g) 12 Minuets K. 103 (61d) Modulierendes Präludium K. deest Mozarts pieces from the Nannerl Notenbuch K. 1a?f, 2?5, 9a (5a),6?8 Prelude (Fantasy) and Fugue C major K. 394 (383a) Präludium C major K. 284a (395/300g) Rondos D, a K. 485, 511 Sonata movements g, B flat B flat major K. 312 (590d), 400 (372a) Suite C major K. 399 (385i) Appendix: 2 Piano pieces B flat, E flat K. Anh. 20 a (626b/25) Ballettmusic from Ascanio in Alba K. 111 Sonata [allegro and allegretto] F major K. Anh. 135 (547a) Fragment from the Nannerl Music Book K. 9b (5b) Fragments from the London Sketchbook K. 15 nn, rr, ss Fragment (Sarabande) from the Suite K. 399 (385i)

Alla Turca. Published in 1784, Mozart?s Sonata in A major ?for clavier solo?, with its famous ?Alla Turca? finale, is one of the most popular works in the entire piano literature. After a section of the lost autograph was rediscovered a few years ago, another important source has surfaced with the appearance of a previously unknown contemporary copy of the complete autograph, which has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece. The copy by a professional Viennese copyist throws new light on the problem of the numerous discrepancies between autographs and first editions of many Mozart sonatas. It supports the assumption that the revision of the text for the first edition resulted from the change of target group from Mozart's inner circle to an audience of connoisseurs and amateurs, but that this did not render the original (autograph) text obsolete: rather, both versions of the sonata represent historical realities. To achieve a truly faithful scholarly-critical performance edition of Mozart's sonata, the editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time by presenting the musical text of the autograph and the original print separately without merging the sources editorially to a new text. On the basis of the newly discovered source, it is possible for the first time to reconstruct the autograph transmission of this famous sonata and offer it to the performer as a self-contained playable version. The preface allows surprising new insights into the form and source situation of the sonata (Ger / Eng). The edition is supplemented by a chapter on performance practice providing in-depth information on piano playing in Mozart?s time (Ger / Eng). Variants and editorial decisions are documented in the Critical Commentary.

As early as the age of four Mozart amazed his father with his quickness of mind as regards Piano-playing. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime he created several Piano pieces apart from the sonatas and variations. The pieces from his youth most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book are mostly short dance movements but there are already lengthy individual movements as well. From the mid-1770s there are mainly larger individual works including fantasias and rondos which can stand as equals to the sonatas andvariations of the Viennese period.Volume 1 contains the pieces from Mozart's youth which are ideally suited for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played Piano pieces by young Mozart which of course are contained in this volume as well.

Serenade G-Dur. Par MOZART WOLFGANG AMADEUS. Der neue Band der erfolgreichen Serie „Klassische Meisterwerke zum Kennenlernen“ stellt eines der bekanntesten Werke der klassischen Musik vor, Wolfgang Amadeus Mozarts „Eine kleine Nachtmusik“ KV 525 – wohl eines der beliebtesten Werke Mozarts. Hans-Günter Heumann hat die Hauptthemen der Serenade leicht für Klavier bearbeitet. Ergänzt durch erläuternde Texte und fantasievolle farbige Zeichnungen wird jedem Klavierspieler die Möglichkeit gegeben, dieses im Original für Streicher komponierte Werk kennen zu lernen und die Stimmungen der Musik mitzuerleben: ein Glanzstück sprühender Laune und ein typisches Werk der Gesellschaftsmusik – komponiert, um Gäste einer Abendgesellschaft zu unterhalten./ Répertoire / Piano

Vol 1 Ut 50226 + Vol 2 Ut 50227-For more than 200 years Mozart’s piano sonatas have been part of every pianist’s repertoire. Research done over the last few decades has made it possible however to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth Century give more reliable detail than Mozart’s own written scores; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation dynamics and articulation. All this together with the rediscovery of documents that only becameaccessible again at the end of the 20th Century gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart’s Piano Sonatas.To follow the second volume published in the spring of 2003 with Sonatas K 330 to K 576 we now present the first volume which contains the Sonatas K 279 to K 311. For Sonata K 284 variation XI in the final movement is given both in the version that appears in the original manuscript and in the version used in the first edition; in order to make the music easier to read both versions are given in normal print size. Music that is clear and well laid out with page turns in convenient places makes this edition extremely user-friendly.Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.

For more than 200 years Mozart’s Piano Sonatas have been part of every pianist’s repertoire. Research done over the last few decades has made it possible however to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth century give more reliable detail than Mozart’s own written scores; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation dynamics and articulation. All this together with the rediscovery of documents that only becameaccessible again at the end of the 20th century gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart’s Piano Sonatas.To follow the second volume published in the spring of 2003 with Sonatas K 330 to K 576 Wiener Urtext now present the first volume which contains the Sonatas K 279 to K 311. For Sonata K 284 variation XI in the final movement is given both in the version that appears in the original manuscript and in the version used in the first edition; in order to make the music easier to read both versions are given in normal print size. Music that is clear and well laid out with page turns in convenient places makes this edition extremely user-friendly.Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.

As early as the age of four Mozart amazed his father with his quickness of mind as regards Piano-playing. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime he created several Piano pieces apart from the sonatas and variations. The pieces from his youth most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book are mostly short dance movements but there are already lengthy individual movements as well. From the mid-1770s there are mainly larger individual works including fantasias and rondos which can stand as equals to the sonatas andvariations of the Viennese period.Volume 2 contains the mature works from the later years of composition including the popular fantasias and rondos as well as several sonata form drafts completed by comtemporaries of Mozart. In addition the present edition contains solo piano versions of the Concert Rondo K 382 the rondo from the Duo for Violin and Viola K 423 as well as the overture of the 'Abduction from the Seraglio'.