Beginner Series. Par GORDON ANDREW D.. Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google+ Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google+ / Niveau : Facile à Intermédiaire / Etude / Trombone

Internationally-renowned jazz trombone player, director/conductor and master teacher Jiggs Whigham shares his experience and expertise with trombone and jazz enthusiasts. For intermediate to advanced players, this book offers a fascinating insight into the professional world of trombone playing. Featuring the BBC Big Band, there is a set of demonstration, and play-along tracks which are available as a free download and provide the opportunity to listen to and play along with some of the finest musicians in the world. In the accompanying videos (found at www.schott-music.com/jiggswhighamtrombone) Jiggs demonstrates various playing techniques and presents an invaluable commentary to help students develop their own playing. / Trombone

Beginner Level. 100 Ultimate Blues Riffs for Trombone, the Beginner Series by musician, educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or ?riffs? that make up Blues Trombone playing, both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book series, 100 Ultimate Blues Riffs Andrew decided to author a similar type of book for beginner students. This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sight reading exercises with many different rhythms. The 12 bar Blues progression and the Blues scale, in Andrew?s opinion, the two most important aspects of playing the Blues is explained in detail as well as ?straight? and ?swing? rhythms. There are five sections to the riffs in the book, section 1 contains basic Blues riffs, section 2 contains Rhythm and Blues influenced riffs, section 3 contains Blues/Boogie Woogie riffs, section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is are audio files that contains all the riffs, recorded twice: first, Trombone melody, piano, guitar, bass and drums and second just the rhythm track of piano, guitar bass and drums so you can play-a-long.

Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Trombone

With 'The Techniques of Trombone Playing', Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called 'the unlimited expansion of new performance possibilities': micro-intervals, multiphonics and the combination of the trombone sound with the human voice ' all accurately described and illustrated with many annotated music examples. ' Includes many tables and music examples on the basics and expanded techniques of trombone playing ' Practical information on mutes, repertoire, etc. ' With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.

A conservatory-style approach to the various brass methods, utilizing Beeler's own teaching techniques.

This text covers every possible style appropriate to an intermediate book for brass. It includes music from the 14th century up to the beginning of the 20th century from dozens of countries including original compositions thatmimic many historic styles. The musical selections outside the standard repertoire compare well in quality to the more famous works and have unique elements that increase students' musical vocabulary. Includes: challenging andrewarding music in a comfortable range for students with braces; musical exercises to teach phrasing; and lip slur exercises. The great musical examples make practicing feel effortless and enriching! In addition to classicaletudes a number of jazz etudes are incorporated that represent important styles including Dixieland Swing Bebop Blues and various Latin forms.

50 Melodies For Trombone-All fifty tunes are well known - and here they are expertly arranged by an experienced player and teacher. This book is not a tutor but designed to help with various aspects of trombone playing (eg intonation and key recognition). The playing of melodies is a vital and therapeutic part of tuition for the student trombonist.Grade: 3 - 5