Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug - Durée: 10' -/ Répertoire / Orchestre de Salon

Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug - Durée: 10' -/ Répertoire / Orchestre de Salon

Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug - Durée: 10' -/ Répertoire / Orchestre de Salon

Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug - Durée: 10' -/ Répertoire / Orchestre de Salon

B4 Performing Score/Parts-La Tierra De La Miel by Hilda Paredes for Soprano Percussion Guitar and Piano.Duration: c. 17'La Tierra De La Miel was commissioned by Susan Narucki for her project Cuatro Corridos in 2012. The premiere took place at the Experimental Theatre of the Conrad Prebys Music Centre at the University of California San Diego in May 2013.

Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)

Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are created in several stages where an earlier work or movement are reborn or recomposed as part of a new work. For instance “Suite for Martin” (1967) for saxophone amplified accordion and prepared piano - used in a Danish documentary film “Kongens Enghave” - was rearranged by me in 2004 in a new instrumentation for saxophone cello and piano and named MELANCOLIA (duration 12 minutes) which became the third movement (with the title MALINCONIA) in an enlarged version from 2005 with the title DELTA (duration around 20minutes). A delta is be nature moving outwards or rather downwards downstream.This movement is characteristic for all three works mentioned. EUFONIA. In the first movement of DELTA the music changes from the light hearted and harmonious towards a darker sound.In the second movement NOSTALGIA this darker colour is intensified dominating the whole movement. MALINCONIA the third and last movement completes the direction downwards – during six shorter sections – going towards a black edged pessimism (and a “black sound”). Per Nørgård (2005)

The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.

A work for violin clarinet and piano by Norwegian composer Henrik Skram. A work for violin clarinet and piano by Norwegian composer Henrik Skram.

Rabl?s Quartet in E-Flat Major won first prize in 1896 in a prestigious competition for young composers sponsored by the Vienna Tonkünstlerverein of which Johannes Brahms was honorary president and a judge of the competition. Brahms recommended the piece to his own publisher Simrock who released it the following year along with three other Rabl works: the Fantasy Pieces for Piano Trio Op. 2 and two sets of Four Songs Op. 3 and Op. 4. The Op. 1 quartet appears to be the first work ever written for that combination which was later more famously used by Messiaen in his Quatuor pour la fin du temps (Quartet for the end of time) composed in 1941.

Gibbons Suite is a suite of works by Orlando Gibbons arranged by Nico Muhly for Clarinet in B Flat String Quartet and Piano. It was premiered by the Britten Sinfonia in January 2010.