This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano

Instrument/Discipline : Violoncelle Style/Genre : Musique de film Support : Livre CD Auteur/Compositeur : WILLIAMS JOHN Ce livre fait parti d'une série instrumentale arrangée pour flûte, Clarinette, Sax alto, Sax ténor, trompette. Cor en Fa et trompette. Les arrangements sont compatibles avec chacun et peuvent être joués en groupe ou en solo. Chaque livre contient une partie pour joueur de niveau 2-3, ainsi qu'un CD. Celui-ci inclus une piste démo pour chaque chanson ainsi qu'une piste playback pour s'exercer. Partitions pour violoncelle et piano. Inclus des photos du film en couleurs et NandB. Contenu : Star Wars (Main Theme). Jar Jar's Introduction. Augie's Great Municipal Band. Qui-Gon's Funeral. Duel of the Fates. Anakin's Theme. The Flag Parade. Across the Stars (Love Theme). The Arena. The Meadow Picnic. Battle of the Heroes. Cantina Band. The Throne Room. The Imperial March ( Darth Vadre's Theme). May the Force Be With You. Princess Leia's Theme

Cello and Piano with Online Accompaniments.This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.

Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Sommets Musicaux de Gstaad' Festival I. Nocturne, II. Berceuse (Hommage Brahms), III. Souvenir, IV. Canto di speranza / Date parution : 2023-04-14/ Répertoire / Violoncelle (ou Alto) et Piano

Op 102-Although Schumann had learnt the cello for a while in his youth he only began to compose for this instrument in later life. Apart from the cello concerto only his Five Pieces op. 102 have survived as original works for thecello. Clara was delighted with them: 'These are pieces in folk style with such a freshness and originality that I was enchanted'. The 'Neue Zeitschrift für Musik' wrote: 'These pieces are less apt for a virtuoso player than awell versed one who can speak on his instrument with tone and meaning.' This edition in the best Urtext quality is particularly to be recommended for teaching purposes and for making music at home.

Ce livre fait parti d'une série arrangée pour violon, alto et violoncelle. Les arrangements sont compatibles avec chacun et peuvent être joués à plusieurs ou en solo. Chaque livre présente une partie piano accompagnement qui peut être jouée facilement par un professeur ou un élève intermédiaire. La partie pour violon est détachable. Inclus un CD avec piste démo et playback pour chaque chanson.* Partitions pour violoncelle. Inclus des photos en couleur et NandB tirées des différents épisodes du film. / Violoncelle Et Piano

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and

25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for cello and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. The collection includes Piazzolla's most famous tangos, Libertango and Oblivion. / Violoncelle Et Piano