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101 Hit Songs
24.64
101 Hit Songs
Trompette
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Hal Leonard
This massive collection will keep instrumentalists busy with 101 pop hits to lea...
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This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Trompette
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First Repertoire For Trumpet (CALLAND DEBORAH)
14.80
First Repertoire For Trumpet (CALLAND DEBORAH)
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Faber Music Limited
Par CALLAND DEBORAH. The best-selling First Repertoire series has been a favouri...
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Par CALLAND DEBORAH. The best-selling First Repertoire series has been a favourite with teachers and young players for years, and has been selected on numerous exam syllabuses. Now trumpet players can enjoy the popular mix of imaginative and idiomatic arrangements and original pieces with a new collection of repertoire for grade 2-4 level players selected and edited by Deborah Calland. Ranging from baroque dances from Handel and Jeremiah Clarke to the majestic Theme from Star Wars , via Johann Strauss's The Blue Danube , the sparkling The Sorcerer's Apprentice and La Bamba - there is something here for every occasion. / Niveau : Facile / Recueil / Trompette et Piano
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N°069 - Bird Goes Latin, Charlie Parker Originals+ Cd
19.20
N°069 - Bird Goes Latin, Charlie Parker Originals+ Cd
Instruments Sib, Mib, Do et Bass clef
[Partition + CD]
Jamey Aebersold Jazz
The popularity of Latin Jazz has been tremendous in recent years, and now this i...
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The popularity of Latin Jazz has been tremendous in recent years, and now this innovative play-a-long offers you these Charlie Parker originals in the Salsa/Latin Jazz style. This rhythmically unique treatment of Bird's beboop classics inspires whole new directions in your playing! A whole new way to think about the music of Bird! Mark Levine-piano David Belove-bass John Santos-Timbales and miscellaneous percussion Harold Muniz-Congas and miscellaneous percussion. Barbados - Marmaduke - Buzzy - Dewey Square - Yardbird Suite - Ornithology - Laird Baird - Moose the Mooche - My Little Suede Shoes - Bird Gets the Worm - Scrapple From the Apple - Donna Lee - Confirmation
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Real Easy Book 2 - Bb Version: B-Flat Instruments: Instrumental Album
25.99
Real Easy Book 2 - Bb Version: B-Flat Instruments: Instrumental Album
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[Fake Book]
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Facile
Sher Music Company
Real Easy Book 2 - Bb Version. Following on from the great success of The Real E...
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Real Easy Book 2 - Bb Version. Following on from the great success of The Real Easy Book Volume 1, The Real Easy Book Volume 2 is perfect for students with a few years of playing experience, right up to working professionals. From jazz classics like Four, Scrapple From The Apple, and Dear Old Stockholm to contemporary tunes like George Benson's Mimosa and Donald Fagen's Walk Between Raindrops this selection of songs will keep you and your audience smiling. The Real Easy Book Volume 2 will save band directors countless hours of writing out scales for soloing, chord voicings, Guitar diagrams and Bass lines - they are all included with each tune. The educational material in this book has been developed in conjunction with Stanford Jazz Workshop. It works.
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Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser. Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshop's summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. / Instruments En Bb
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Stamp J. - Supplemental Studies
32.80
Stamp J. - Supplemental Studies
Trompette
Theodore Presser Co.
Level: easy / intermediate Format: English / French / German Arranger/Editor: Th...
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Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp's concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, 'jazz' melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical 'roots.' One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp's work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg's original unpublished materials in his work. Schlossberg's concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens
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Low(Er!) Etudes For Tuba (SNEDECOR PHIL)
26.91
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Art of Sound Music
Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John ...
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Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John Cradler, I wrote a quirky collection of tunes set in the lower register of the tuba That book, published in 1991, 'mimics to be popular beyond my wildest dreams with players of all age levels and ability. Its success exposed a void in studies with actual music in the extreme lower part of the tuba range, a part of the instrument that is so important in the music of Prokofiev, Wagner and other composers. The ability to read notes (on sight!) of 4 and 5 ledger lines had only been previously addressed with repetitive exercises and academic method books. The embarrassing gap between that first volume and today's long-awaited and requested second book is only the fault of yours truly, who until recently didn't think there was a sincere desire for a second book. When I did decide to start writing, I was conflicted over which direction to go: Low Vol. 2? Low(er!) Etudes? Higher Lyrical? Orchestral Excerpt-Based Etudes? Duets? I finally decided on this combination of Lou/(er!) Etudes with accompanying duets that give the player a break from the ultra low writing, and provide a chance to revisit the well-loved tunes of the first book with fresh harmonies. I hope you enjoy what I've finally come up with and accept my apologies for taking so long to do it! My sincere thanks to tubists everywhere for making these tunes part of your music-making over the years. This long-awaited Low(er!) Etudes for Tuba includes more of the melodies Phil Snedecor is known for composing. Always harmonically fresh and melodically surprising, these tunes pose challenges beyond the ultra low notes and offer new discoveries upon each reading. Also included are companion duets to the original Low Etudes for Tuba. A great book to keep on the music stand in your studio! / Niveau : 4 / Etudes et exercices / Etude / Trompette
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Just Standards Real Book Bb
62.50
Just Standards Real Book Bb
En Français
Instruments en Sib
[Partition]
ID Music
Appartenant à la catégorie partition de la Jazz & Blues juste normes Real Book...
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Appartenant à la catégorie partition de la Jazz & Blues juste normes Real Book Bb Auteurs plongeurs est éditée par la maison d'édition ID Music. Sa référence catalogue est FBM0002BF. / Instruments En Bb / 398 pages / Partition
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25 Great Trumpet Solos Transcriptions Lessons Bios Photos
33.52
25 Great Trumpet Solos Transcriptions Lessons Bios Photos
Trompette
[Partition + Accès audio]
Hal Leonard
De Bix Beiderbecke et Louis Armstrong à Harb Alpert et chuck Mangione, jetez un...
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De Bix Beiderbecke et Louis Armstrong à Harb Alpert et chuck Mangione, jetez un oeil à la genèse de la trompette pop. Ce recueil avec CD vous apportera des transcriptions de soli en notation standard, des leçons pour les interpréter au mieux, des biographies, des informations sur l'instruments, de multiples photos, un historique de la trompette dans la musique moderne. Sur le CD inclus, retrouvez les versions démos et play-back de chaque titre du recueil. le CD contient aussi le programme Amazin Slow Downer qui vous permettra de ralentir le tempo sans changer la tonalité. Titres : Cherokee (Indian Love Song) (Clifford Brown) - Cherry Pink And Apple Blossom White (from UNDERWATER) (Pérez Prado and His Orchestra Feat. Billy Regis) - Do I Do (Stevie Wonder Feat. Dizzy Gillespie) - Does Anybody Really Know What Time It Is? (Chicago Feat. Lee Loughane) - Dynasty Theme (from DYNASTY) (Robert DiVall) - Feels So Good (Chuck Mangione) - The Godfather Waltz (from the Paramount Pictures THE GODFATHER, GODFATHER II, and GODFATHER III) (Sidney Lazar) - Grazing In The Grass (Hugh Masekela) - Hello, Dolly! (from HELLO, DOLLY!) (Louis Armstrong) - Holding Back The Years (Simply Red Feat. Tim Kellett) - Java (Al Hirt) - MacArthur Park (Maynard Fergusson) - Misirlou (Dick Dale and His Del-Tones Feat. Tommy Stewart) - Penny Lane (The Beatles Feat. David Mason) - Rise (Herb Alpert and the Tijuana Brass Feat. Herb Alpert) - Riverboat Shuffle (Frankie Trumbauer and His Orchestra Feat. Bix Beiderbecke) - Salt Peanuts (Dizzy Gillespie and His All-Stars) - So What (Miles Davis) - Spinning Wheel(Blood, Sweat and Tears Feat. Lew Soloff) - A String Of Pearls (from THE GLENN MILLER STORY) (The Glenn Miller Orchestra Feat. Bobby Hackett) - A Sunday Kind Of Love (Renee Olstead Feat. Chris Scott) - The Toy Trumpet (The Raymond Scott Quintette feat. Dave Wade) - Tubthumping (Chumbawamba Feat. Jude Abbott) - West End Blues (Louis Armstrong) - Zanzibar (Billy Joel Feat. Freddie Hubbard) / Trompette
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Quinque R. - Asa-methode - Trompette
45.30
Quinque R. - Asa-methode - Trompette
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Trompette
BIM
Level: easy / advanced Format: English / French / German Embouchure building S...
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Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.
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