Jazz Play-Along Vol.47. Tous niveaux amusantes et éducatives ! Explore les principes fondamentaux de jouer les changements de rythme (I Got Rhythm) dans toutes les clés. Pendant des décennies, les grands du jazz ont utilisé ces progressions comme tremplins de nouvelles interprétations et improvisations. Charlie Parker pratiqué I Got Rhythll 12 touches et enregistre ces progressions à 28 reprises ! Tous les 12 touches comprennent une mélodie écrite ainsi qu'une section solo. Section spéciale contient des morceaux enregistrés lente unique conçu pour vous aider à bien comprendre les harmonies. Le livre incltep-by-step instructions et les exemples de common ' rythmique 'techniques et la pratique, y compris l'utilisation de Blues, réduites, Pentatonic et autres échelles ainsi que jouer les ' changements. ' Cet ensemble a tout ce que vous devez obtenir une véritable performance-qualitrstanding i modifications Got Rhythm ! Parfait pour les joueurs de rythme à partir ! Section rythmique est Jim McNeely-piano, Todd Coolman-basse et Steve Davis-batterie. / Rép International / Recueil / Tout Instrument

Edite In Vita Di A. Vivaldi Op. IV - vol. I. Par VIVALDI ANTONIO. / Répertoire / Ensemble Instrumental

Choralkantate I. Par BORNEFELD HELMUT. BoWV 50/ Répertoire / Solo S (T) et Orgue (Choeur SATB et Instrument)

Choralkantate I. Par BORNEFELD HELMUT. BoWV 50/ Répertoire / Solo S (T) et Orgue (Choeur SATB et Instrument)

Répertoire International - Style : Jazz Instrument : Instruments en Fa Support : Livre THE Real Book, une sélection des plus grands thèmes de ces 60 dernières années, arrangés en Fa. 464 pages Agua De Beber Alice In Wonderland All Blues Angel Etes April Joy Beauty And The Beast Big Nick Black Nile Blue Bossa Blues For Alice Brazil Celia A Child Is Born Crazy Daahoud Day Waves Deluge Django Don't Know Why East Of The Sun El Gaucho Everything Happens To Me Fall Falling In Love Again A Fine Romance 502 Blues For All We Know Four Freedom Jazz Dance Get Happy Gloria's Step Good Evening Mr. And Mrs. America Got A Match' grooving' High Heart And Soul Hot Toddy House Of Jade How My Heart Sings I Don't Know Why I Mean You I Remember Clifford I Wanna Be Loved I Wished On The Moon I Won't Dance I'll Be Around I'll Be Seeing You I'll Never Smile Again I'm Your Pal Icarus Impression Indian Lady Invitation Iris It's So Nice To Have A Man Around The House Jelly Roll Jordu Joy Spring Jump Monk Kelo Lady Bird Lazy River Let's Get Away From It All litha Little Waltz Lang Ago Lush Life Love Letters Maiden Voyage A Mand And A Woman Mas Que Nada Maybe I Should Change My Ways Meditation Michelle Milano Moon And Sand My Ideal My Way Naima Nardis Nefertiti Naver Will I Marry Night Train No Moon At All Nobody Else But Me Nostalgia In Times Square The Old Country oleo On A Slow Boat To China Once I Loves One Finger Snap One Note Samba Orbits Out Of Nowhere Paper Doll Peace Peggy's Blue Skylight Peri's Scope Pinocchio Pretend Pussy Cat Dues Put On A Happy Face Quiet Now Quizas, Quizas, Quizas Red Clay Red Top Reflections Road Song Ruby, My Dear Satin Doll Scotch And Soda Sea Journey Seven Steps To Heaven Shawnuff Sidewinder Sister Sadie Small Fry So What Solar Some Day My Prince Will Come Some Other Spring Somebody Loves Me Song For My Father Song Of The Jet Speak No Evil The Sphinx The Song Is You Speak No Evil Steps Stuff A Sunday Kind of Love Sweet Georgia Bright Take Five Teach Me Tonight Thanks For The Memory That Old Feeling Think On Me three Flowers Topsy Tune Up Twisted Blues Unchain My Heart Uniquity Road Up Jumped Spring Valse Hot Very Early Virgo Waltz For Debby wave We'll Be Together Again Well you Needn't West Coast Blues What Was When Sunny Gets Blue Whispering Wild Flower Windows Witch Hunt Woodchopper's Ball Yes And No Yes Indeed You Don't know What Love Is Young at Heart You've Change

For Bass Clef Instruments-The ultimate resource for studying the work of Miles Davis. For Bass Clef instruments.The Miles Davis Omnibook contains 50 note-for-note transcriptions of his recorded solos for: Airegin • All Blues • All of You • Au Privave • Bags' Groove • Billie's Bounce (Bill's Bounce) • Blue Haze • Budo • But Not for Me • Bye Bye Blackbird • Diane • Dig • Doxy • E.S.P. • Footprints • Four • Freddie Freeloader • A Gal in Calico • Green Haze • I Waited for You • I'll Remember April • If I Were a Bell • It Could Happen to You • It's Only a Paper Moon • Jeru • K.C. Blues • Love Me or Leave Me • Miles Ahead • Milestones • My Funny Valentine • Oleo • On GreenDolphin Street • The Serpent's Tooth • Seven Steps to Heaven • Sippin' at Bells • So What • Solar • Some Day My Prince Will Come • Stablemates • Stella by Starlight • Stuff • Summertime • The Surrey with the Fringe on Top • The Theme • Trane's Blues • Tune Up • Walkin' • Well You Needn't (It's over Now) • Woodyn' You and Yesterdays.

Jazz Play-Along Vol.110. Mélodies en flèche, en agitant les harmonies et les paroles poétiques défini les ballades enchanteurs du siècle dernier. Cette collection historique, une progression naturelle de la populaire Volume 32 ballades, représente une douzaine de normes passionnées de l'écriture de chanson doré. Section rythmique : Harry Pickens (Piano) - Tyrone Wheeler (basse) - Jonathan Higgins (batterie). / Rép International / Recueil / Tout Instrument

Par GRIFFIN MICHAEL. When it comes to musical skill, why is it that some people achieve so much more than others? We are frequently led to believe this is because of a talent hardwired into their DNA. Now, music educator Michael Griffin dismisses that age-old notion in favour of another known factor: practice. His new book, Learning Strategies for Musical Success illustrates how the quantity and quality of practice is the greatest predictor of musical success so that aspiring musicians of all ages and abilities can best bring about expert performance. This inspiring, accessible guide will equip students, teachers, adult learners, and parents with the methods and mindset to improve the likelihood of learning music successfully. 'Deeply impressive - the breadth of research is fascinating!' - Victorian Music Teachers Association 'Terrific...eminently practical...excellent discussion...I came away inspired and excited.' - The Music Trust, Australia 'This book really does deliver' - American Music Teacher 'I can't think of any other book that draws on so many resources to create a new understanding of learning music. Every serious music student, music teacher, and parent of a music student will find important information in this book. Griffin gives clear examples of how concepts are applied that make for enjoyable reading. This book has a potential for making lifelong differences in the lives of music students, parents and teachers.” - Roy Ernst, PhD, LLD Professor Emeritus, Eastman School of Music of The University of Rochester 'A must buy for every music teacher and music student. Bravo on a most stimulating read. This draws together old wisdom and the latest research. I am re-reading this excellent book for the third time, highlighter pen in hand.' 5 stars (Amazon Rank) - William Bruce, Guildhall UK. 'A most stimulating read that has given me a great deal to think about.' - Nicholas Carpenter, Prebendal, UK. 'Fantastic book...simply brilliant!' - Ian Cooper, Norfolk Music Service, UK. 'A must read for all music educators. Michael Griffin has collected lessons from his own experience - which is extensive, and pertinent, recent research to provide a detailed overview of how we learn, and how students can be empowered and trained to become effective, efficient and independent learners. The book is well documented, making it convenient to go on to further reading about the topics of each chapter. The language is concise and easily understood, yet deeply practical and useful.' - 5 stars Robert Adams, Music Educator, New Haven, USA. 'Don't miss this opportunity!' - 5 stars Mary George, USA./ Méthode / Tout Instrument

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians students teachers and all those who take a general interest in this field of music.The focus of this series is on the language of instrumental music nowadays performed in Brazil based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music which are presented in the following versions:1. Complete takes in other words the full versions of the pieces included in the book which are performed by all the instruments playing simultaneously;2. Without melody / solo part so that the melodic instruments can play along with the recording executing their own interpretations and practicing improvisations;3. Without harmony so that the harmonic instruments can practice the language of accompaniment especially with regard to the rhythmic vocabulary of each style.4. Without bass so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects;5. Without drums so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations.Each book contains the scores in the form of lead sheets in four different versions: in C Bb Eb and bass clef. Due to the widely defined concept of this method it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution.The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos rhythmic comping phrases bass lines and drum grooves for instance can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition