This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriteridiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: FullPerformance and Part Dominant MP3's are for the SATB voicing only.

A terrific setting of Mother Julian of Norwich's text for unccompanied SSAA choir by Betty Roe. A dynamic and driven piece that audiences and performers are sure to enjoy!

'Hey Brother' 'Levels' and 'Without you' are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.

The Storm Hound is a fantastic musical fable for Narrator Upper Voices Percussion and Piano. With the libretto by Marian Lines and Music by Betty Roe this is another fabulous musical experience by this influential and productive partnership. This Vocal Score contains all the narrated parts and the Vocal and accompaniment scores with full lyrics.

Jane and Cassandra Austen wrote these poems along with their mother. They were the result of a parlor game in which each line ended in a rhyme with the word 'rose'. Canadian composer Eleanor Daley scored these poems for unaccompanied treble (SSAA) chorus.

Now available for SSAA voices! Your choir will make a joyful noise indeed as they sing the vibrant gospel rhythms for this energized setting of Psalm 98. Three part triads trade phrases with the other part as the work builds intoa jubilant shout chorus for an inspirational conclusion.

This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handbells Percussion or Organ.Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper Voices. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody in 6/8 metre through each of the Voice parts with each verse ending in the lilting refrain 'Lully by by lullay'. The carol may be sung unaccompanied though for added sparkle there is an optional part for Handbells (or Percussion or Organ).

Aejlies which means ?Holy? was originally composed as part of a commissioned work for the Sámi church festival in Norway in 2013. The theme for the festival was ?Holy Ground! Holy World? referring to the understanding among our Sámi ancestors as well as other indigenous groups that the land we are living on - Mother Earth - is Holy and should be treated with respect and honour. The theme is also inspired by the biblical words ?Take your sandals off your fee for the place where you are standing is holy ground!? (Exodus 3 5) which resonates with how indigenous traditions relate to nature.Only one word is sung in this work which takes inspiration from the Sámiyoik tradition where one often only uses very few words in combination with so called yoik syllables. These syllables have no linguistic meaning but are an important part of this ancient vocal tradition allowing the human voice to describe something without the limitations words and language sometimes have.

This song by Josh Groban with Ladysmith Black Mambazo is absolutely breath-taking! Perform it accompanied or a cappella the rich harmonies will resound through your performance space and inspire your singers and audience!Available separately: SATB SSAA TTBB. Duration: ca. 2:35.

The Waiting Sky by Oliver Tarney for SSAA unaccompanied.Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. The evocative text by Lucia Quinault depicts a rural winter scene and is skilfully set to music by Oliver Tarney to create a lucidly reflective piece. There is a sense in both the text and the music of waiting for the 'shining star' and while it would make a beautiful addition to a concert programme at other times of the year the setting is perfect as a reflective carol for Advent anticipating the wonder of the birth of Christ.

The new 2018 Edition of John Høybye's The Slow Spring from 1977. Dedicated to Thomas Morley in memory of his beautifuland optimistic madrigal “Now is the Month of Maying” The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosivepossibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants.

True to the sprightly percussive character of Orbans music this work for unaccompanied treble chorus in four parts is sure to become a hit for all ages!Translation:Philomel O Philomel adorable and bright singing singing in the night.Rattling a leaf and trembling a nest:lo it is smoldering the light of the west.Cherry berry cherry berry cherry berry lines little road main road folded twines.Leopard ocelot: shade of a catwind of the north: the wings of bat.Two miles three miles midnight whirl why do you tag me tear me curl?Philomel O Philomel aquiet in the thorn silent silent in the morn.

(from Newsies)-Now in an exciting a cappella setting! This showstopper from the award-winning composer Alan Menken was featured in the Disney film and Broadway musical Newsies. Featuring a powerful brotherhood text it begins with a compelling chorale-like opening and then explodes into rhythm that encourages us all to seize the day! Duration: ca. 2:20

Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

This brand new offering from master arranger Kirby Shaw combines the romantic lyric and thoughtfully crafted and singable melody with the arranger's own signature treatment. The result is a stellar chart featuring a strong lead part that stays true to the original 2015 smash hit.