Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

Official theme song for 'Music In Our Schools Month' March 1989. This soprano/alto arrangement would be a great addition to any music library.2. Also sold with voicings of SATB - HMC1021 SAB - HMC10233. Instrumentation Sold As Follows:A. Band HMC1025a B. Orchestra HMC1025bC. Full Score HMC1025fs4. Instrumentation Sold Separately:HMC1025e01 Violin I HMC 025e02 Violin II HMC Viola HMC 1025e04 Cello HMC 1025e05 String Bass HMC 1025e06 Flute HMC 1025e07 Oboe HMC 1025e08 Clarinet I HMC 1025e09 Clarinet II HMC 1025e10 Clarinet III HMC 1025e11 Alto Clarinet HMC 1025e12 Bass Clarinet HMC 1025e13 Bassoon HMC 1025e14 F Horn I HMC 1025e15 F Horn II HMC 1025e16 Trombone I HMC 1025e17 Trombone II HMC 1025e18 Trombone III HMC 1025e19 Alto Saxophone I HMC 1025e20 Alto Saxophone II HMC 1025e21 Tenor Saxophone HMC 1025e22 Baritone SaxophoneHMC 1025e23 Coronet/Trumpet I HMC 1025e24 Coronet/Trumpet II HMC 1025e25 Coronet/Trumpet III HMC 1025e26 Baritone Treble Clef HMC 1025e27 Baritone Bass Clef HMC 1025e28 Basses HMC 1025e29 Timpani HMC 1025e30 Drums HMC 1025e31 Mallets (Bells)

Par le biais de leur haut degré de cohérence et de maturité, les duos de chambre de Haendel constituent un point fort de ce genre.Les six duos de chambre pour soprano et alto sélectionnés pour ce volume ont été écrits en 1710-1712 à Hanovre (HWV 178, 185, 197) et de 1740 à 1745 à Londres (HWV 181, 190, 186). Ils sont musicalement exigeants et structurés en contrepoint: les travaux antérieurs sont plus strictes, plus savante et plus élaborée en matière de contrepoint mais magistrale dans leur savoir-faire. Les suivants sont constitués un peu plus libre, mais plus compact.- Edition Urtext basée sur la 'Halle Handel Edition'- Effacer, réalisation idiomatique de la partie de continuo- Comprend une partie de continuo séparé sans réalisation / Soprano, Alto Et Basse Continue