Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

This concert version has been prepared by Donald Mitchell for Soprano Alto Tenor and Baritone soloists 1 or 2 speakers SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts.The first performance ofthis concert version was given on 27th June 1998 in the Snape Maltings Concert Hall as part of the Aldeburgh Festival by Janice Watson (Soprano) Catherine Wyn-Rogers (Mezzo-Soprano) Timothy Robinson (Tenor) Neal Davies(Baritone) and David Evans (Speaker) with the Joyful Company of Singers and the City of London Sinfonia conducted by Steuart Bedford.Orchestration is for 2 Flutes2 Oboes2 Clarinets in B flat2Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimppaniSuspended CymbalClashed CymbalsGongSide DrumBass DrumTambourineHarpOrganStrings