Hob.XX:2. Par HAYDN FRANZ JOSEF. The Seven Last Words of our Saviour on the Cross (Die Sieben letzten Worte unseres Erlösers am Kreuze) (Hob. XX:2) Oratorio (Vocal Version) The original orchestral version of 'The Seven Last Words' (Hob. XX:1A), probably composed in 1785/86, was later arranged by Haydn into an oratorio, probably in 1795/96. It is scored for SATB soloists, mixed chorus (SATB) and orchestra. Urtext from the Haydn Complete Edition Vocal score (BA4655-90) available for sale Full score & parts (BA4655) available for hire / Musique religieuse / Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

Oratorium. Par STOCKMEIER WOLFGANG. Oratorium/ Recueil / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshrouded / Christ lay in grim death's prison ) BWV 4Cantata for Easter Sunday - Urtext of the New Bach Edition. - Original German text with English singing translation. - Idiomatic and easy-to-play piano reduction. - Performance material (BA10004) vocal score (BA10004-90) & study score (TP1004) available for sale These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that forover five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.