SKU: HP.C5019C
UPC: 763628144807.
Tradi tional Spiritual Sure to cross over to the school concert venue, this lively swing version of the two favorite spirituals - Good News! the Chariot's Comin' with Swing Low, Sweet Chariot - is brimming with excitement and promise. The orchestral track featuring the brass and saxes is phenomenal.
SKU: GI.G-10141G
Text by Adam M. L. Tice.
SKU: LP.765762217805
UPC: 765762217805.
A praise and worship anthem ideally suited for Communion services arranged by Dave Williamson. This sparkling arrangement reminds us to remember to proclaim His death until He comes again. Features a beautiful low voice solo.
SKU: HL.49044873
ISBN 9790220136948. UPC: 841886027619. 8.25x11.75x0.05 inches. English.
Barry joins a simple unison melody in high and then low voices with a sparse keyboard accompaniment to create a carol of intoxicating harmony reminiscent of early polyphony. Available for the first time from Schott Music, this carol is suitable for choirs of any level.
SKU: CL.012-3481-75
This classic march is a patriotic toe-tapper from start to finish! Mature bands will enjoy tackling this challenging march, which features solid trumpet-and-drum passages, powerful low brass lines, and a dazzling woodwind obbligato. This is a real powerhouse march which is an excellent choice or any concert performance. Outstanding!
About Heritage of the March
Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: BA.BA11027
ISBN 9790006542673. 41.4 x 29.5 cm inches. Language: German.
The title “Guarda in gui†(Look Down) works on two levels. On the one hand it refers to looking into one’s own self and on the other hand to the low base of this composition which is conceived from the bass and is rich in overtones. The seemingly endless pulsating pedal tones and the spatial impact of the piece are supported by the freely-composed non semantic syllables which have a compelling effect. The text lacks a semantic meaning but is rich in abundant colourfulness and an immense force of expression. The intricacy of voices above the bass which combines differentiated vowel sounds as well as noise sounds reflects Charlotte Seither's perception of the voice as the most direct human form of expression.