Gilbert Tinner s?est inspiré d?une impressionnante parade de Marching Bands pour composer cette marche moderne. Les rythmes swing en 6/8 sont efficaces et simples à interpréter ; les thèmes sont entraînants et ornés d?éléments caractéristiques du blues. Leur association contribue à un développement énergique et toujours en mouvement. Combinant de façon idéale le swing à la structure de la marche Step Out and Swing! enrichit votre répertoire de marches.

Classic rock from the group Queen and often used in movies and commercials this exceptional chart for smaller bands opens slowly then gets crankin' all the way to the high-energy finish.

This creative production number starts with the ominous Jaws theme and then our hero arrives to save the day. Great-sounding chart for young bands.

Originally recorded by Buster Poindexter here's a hot version of this familiar hit for mature bands that will absolutely blow the doors down! Combining sassy licks in the brass with an energetic percussion score by Will Rapp you'll have the stadium rockin' with this one!

I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA I decided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication the event featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion. A Bulgar is a Romanian Jewish Dance thatwas very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewish ornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The 'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba and percussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majestic conclusion. --Hankus Netsky

Motown is back! And Jay Bocook brings all the excitement to the marching arena in this rockin' arrangement. The moderate tempo makes it perfect for dance features.