Till's voraussichtlich letzter Streich. Par PUTZ MARCO. Voici la toute dernière plaisanterie de Till l‘espiègle, une personnage de fiction, saltimbanque malicieux et farceur de la littérature populaire du nord de l‘Allemagne. Une composition originale de Marco Puütz dans une version pour Quatuor de Cors ou de Trombones/Euphoniums. / Niveau : Intermédiaire à Avancé / Répertoire / 4 Cors

L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Suite. C'est une partition musicale composée par Bozza Eugène et qui est destinée aux joueurs de Cor. Le détail de l'instrumentation 4 Cors En Fa vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / 4 Cors En Fa / Partition Et Parties

Par SNYDER. For 4 horns (or 2 horns and 2 trombones)./ Répertoire / Quatuor de Cuivres

Par TIPPETT MICHAEL SIR. Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic genre of horn quartet into a modern tonal language: “All movements contain characteristic calls and triad arpeggios. Sometimes the call itself is the theme, as in the fugue. Sometimes the calls are the accompaniment to a solo, such as in the nocturne.” (Tippett) The forms of the four movements, however, are traditional. The structure of the ?rst movement is reminiscent of the form of a strophic song. The second movement is an allegro, the slow third a nocturne in the traditional ABA form. And ?nally the last movement is a capricious fugue./ Répertoire / 4 Cors

Love theme from Romeo and Juliet. Par ROTA NINO. / Date parution : 2022-05-31/ Répertoire / 4 Cors

Par TIPPETT MICHAEL SIR. Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic genre of horn quartet into a modern tonal language: 'All movements contain characteristic calls and triad arpeggios. Sometimes the call itself is the theme, as in the fugue. Sometimes the calls are the accompaniment to a solo, such as in the nocturne.' (Tippett) The forms of the four movements, however, are traditional. The structure of the fist movement is reminiscent of the form of a strophic song. The second movement is an allegro, the slow third a nocturne in the traditional ABA form. And fially the last movement is a capricious fugue./ Répertoire / 4 Cors

Yesterday - Ob La Di - Let It Be. Par LENNON JOHN / MCCARTNEY PAUL. Arrangeur: Steven Verhaert / Niveau : 5-6 / Pop and rock / Répertoire / 4 Cors