With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano

With Piano Accompaniment. The Easy Classics books were written to provide beginning to intermediate violinists with an enjoyable introduction to some of the greatest classical melodies. This book features 16 solos and duets in keys suitable for the Violin with Piano accompaniment. Some of the popular titles include: Ode to Joy by Beethoven, Sleeping Beauty Waltz by Tchaikovsky, Eine kleine Nachtmusik by Mozart and more. A solo part is provided with Piano accompaniment as a PDF download online. / Niveau : Facile / Recueil / Violon et Piano

10 Easy Compositions With Creative Performace Ideas. Par IGUDESMAN ALEKSEY. Aleksey Igudesman has always enjoyed writing pieces inspired by animals. His latest collections 'In the Zoo” and 'In the Zoo 2” were great fun and had the bonus of concealing useful technical studies in the music so that young players could improve their technique without knowing they were working hard! Aleksey wondered how he could follow these books and decided to choose animals that few people even knew existed. So, in 'Funny Animals”, for violin and piano, we meet such creatures as the Panda Ant, the Aye-Aye and the Dumbo Octopus! The animals are introduced with texts and pictures by his friend Magdalena Hoffmann. Aleksey says that, if you only want to play the music, that's great but he provides lots of theatrical instructions for a stage performance. You might find yourself blowing kisses to the audience or playing while standing on one leg! If you have the nerve to do this and film yourself for YouTube he says you should mention his name and tag him and you will find yourself featured on his own homepage. Do this, he says, and your route to stardom is guaranteed! The music does not demand great technical ability from the player but maybe… on one leg? / Niveau : Facile / Recueil / Violon et Piano

The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg

Piano accompaniments and violin duet parts-All the Piano Accompaniments and Violin Duet parts for Mary Cohen's Superstart Violin Books 1 - 2.

with marked and unmarked string part-Just like many other violin virtuosos of the 19th century Pablo de Sarasate also composed a series of pieces for violin and piano (or orchestra) for his own concert use. Highly virtuosic salon pieces with echoes of national folkmusic traditions from all over Europe are at the centre. Sarasate published his eight Spanish dances in four books between 1878 and 1882. They alternate between fiery passion and a yearning expressiveness and are undoubtedlyamong his most successful compositions. In masterly fashion Sarasate here mixes up Spanish folk tunes with arrangements of popular compositions of the time. As in the case of the Henle Urtext edition of Sarasate???s Zigeunerweisen(HN 573) a violin wizard of our own time is responsible for the fingerings and bowings: Ingolf Turban.

These flexible arrangements are designed to be enjoyed with the companion viola and cello books. Each book contains the melody and a harmony part along with a piano accompaniment. Suggested uses include: solo violin with pianoaccompaniment violin duets violin and cello duets trios with cello or with a string quartet. Includes Ding Dong Merrily on High; Oh Come All Ye Faithful; Angels We Have Heard on High; and many more.

Beriots Concert No. 9-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist's repertoire as well as many study books for the instrument. The Violin solo line of Concerto No. 7 makes use of extended techniques including harmonics bow techniques aritculations and handpositions. Catherine's series First Solos Extracted From The Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.