By James Mansfield. Piano. Sacred Piano. Published by Lorenz Publishing Company.

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

(10 Expressive Arrangements of Favorite Hymns). Arranged by Kenon D. Renfrow. For Piano. Piano Collection; Piano Supplemental. Sacred Performer Collections. Hymn; Sacred. Advanced. Book and CD. 40 pages. Published by Alfred Music Publishing

10 Expressive Arrangements of Favorite Hymns. Arranged by Kenon D. Renfrow. Piano Collection; Piano Supplemental. Sacred Performer Collections. Hymn; Sacred. Book. 40 pages. Alfred Music #00-21371. Published by Alfred Music

Jazz Piano Solos Series Volume 47. Composed by Various. Jazz Piano Solos. Softcover. 96 pages. Published by Hal Leonard

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

(23 Praise and Worship Favorites). By Tim Conyers. For piano. Sacred. Moderate. Published by Lillenas Publishing Company

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

By Gustav Mahler (1860-1911). Arranged by Douglas Sparkes. For Tuba and Piano. Romantic Solo. Intermediate. Solo part and Piano. Published by Cherry Classics

For organ. Ascension, Eastertide, General, Holy communion, Holy Week, Lent, Palm Sunday, Sacred. 3-staff. Sacred organ

(Guitar/Lyrics/Chords). For Guitar. This edition: Guitar/Lyrics/Chords. Artist/Personality; Book; Guitar Personality; Guitar TAB. Country; Folk; Rock. 104 pages. Published by Alfred Music Publishing

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15132

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132).

ISBN 9790004214688. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin 1 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15132-15

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 15132-15. Published by Breitkopf and Haertel (BR.OB-15132-15).

ISBN 9790004341940. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15133-07

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Study Score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15133-07. Published by Breitkopf and Haertel (BR.PB-15133-07).

ISBN 9790004214695. 6.5 x 9 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15133

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Study Score. Duration 25'. Breitkopf and Haertel #PB 15133. Published by Breitkopf and Haertel (BR.PB-15133).

ISBN 9790004214695. 6.5 x 9 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Woodwinds (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15132-30

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Set of parts. 68 pages. Duration 25'. Breitkopf and Haertel #OB 15132-30. Published by Breitkopf and Haertel (BR.OB-15132-30).

ISBN 9790004341995. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin 2 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15132-16

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 15132-16. Published by Breitkopf and Haertel (BR.OB-15132-16).

ISBN 9790004341957. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Voice, piano (Singing voice, Piano)

SKU: BA.BA07862

Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Stapled. Barenreiter Urtext. Singing Score. Opus 98. Baerenreiter Verlag #BA07862_00. Published by Baerenreiter Verlag (BA.BA07862).

ISBN 9790006566976. 30 x 23 cm inches. Language: German.

“My angel, my all, my self”. With these words Beethoven, in July 1812, began his passionate love letter to a woman whose identity has eluded discovery to the present day. Was he perhaps addressing the same woman four years later when he composed “An die ferne Geliebte”, his song cycle on poems by Alois Jeitteles?

Barry Cooper discusses this and many other questions in the Introduction to his new edition of Beethoven’s only song cycle. Not only does he present a meticulously edited musical text, he also delves into questions of performance practice that previous critical editions have overlooked.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding