Par WUORINEN CHARLES. Charles Wuorinen\'s Second Piano Trio was found on his desk at the time of his passing in March 2020. A single, nine-minute movement, it is characterized by a complex, lively rhythmic interplay between the three instruments, in particular a wittily repeated figure of sixteenth-note quintuplets. Upon reviewing Wuorinen\'s third and final draft for this piece posthumously, three of Wuorinen\'s close musical confidant his student, composer Anthony Cornicello, who edited and engraved the work; his partner and manager, Howard Stokar; and his frequent collaborator, cellist Fred Sherry have decided unanimously that while Wuorinen would certainly have added small details to the score, what he has left behind is a complete and substantial piece. It is published for sale as a full piano score with violin and cello parts. This is the last known work completed by Charles Wuorinen. / Date parution : 2022-09-07/ Répertoire / Violon, Violoncelle et Piano

Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt

for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commissioned by the Nova Trio of Norfolk, Virginia. The ethnic diversity of the group influenced the writing of the composition. The first movement is a lament commemorating the Jewish holocaust. The theme presented in the violin occurs in every movement. The second movement scherzo leads directly into the finale, a lively dance in an irregular (11/8) meter. Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-04-01/ Répertoire / Violon, Violoncelle et Piano

Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano

Piano Trio no. 2 in c minor op. 66. After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively short period in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part). Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from the volume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.

A delightful collection of well-loved piano solos (and one song) by Haydn, Mozart, and Beethoven; arranged - with equal difficulty parts - for violin, cello and piano. Whether just for pleasure, or a public concert, or as GCSE/A-level ensembles, these pieces will be very useful, with the added bonus of having familiarity in another form. They would also make appealing encores for amateur or professional chamber musicians. Level: Grades 6-7; Early Advanced-Advanced. / Ensemble Music, Instrumental Music / Recueil / Piano, Violon et Violoncelle