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Antonín Dvo?ák: Rusalka Op.114 (Vocal Score): Mixed Choir: Vocal Score
36.00
Antonín Dvo?ák: Rusalka Op.114 (Vocal Score): Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
Barenreiter
Performance material available for hire.With ?Rusalka? one of the best-loved an...
(+)
Performance material available for hire.With ?Rusalka? one of the best-loved and most frequently performed works in the Czech operatic repertoire Dvorak reached an exceptional level of lyrical depth and dramatic effectiveness. The opera portrays the fairy tale-like drama around the unhappy love of the nymph Rusalka for a human.So that she can love and be loved she has to renounce her watery kingdom. Through the magical powers of a witch she is transformed into a human at the price of losing her speech.The Prince soon grows tired of her silent cold beauty and his heart turns towards a foreign princess. The despairing Rusalkawants to return to her watery kingdom. The disappointed Prince once more feels attracted to Rusalka?s magic. He returns to her by the forest lake. Rusalka?s deathly kiss brings him the release he longs for.The vocal score by Karel Solc based on the Complete Edition is published for the first time with a German singing translation of the text by Eberhard Schmidt. One of the best-known Czech operas Vocal score by Karel Solc Newly underlaid with German singing translation by Eberhard Schmidt
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A Christmas Carol
29.03
A Christmas Carol
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Boosey and Hawkes
Raising the curtain on Christopher Norton's Micromusicals - exciting and accessi...
(+)
Raising the curtain on Christopher Norton's Micromusicals - exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12, each production lasts around 30 minutes and can be learned, rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:Succinct casting and direction suggestionsOptional props list with a wealth of additional downloadable resourcesStraightforward and catchy songs, with complete demonstration and backing tracks on an accompanying CDVoice and piano scores with guitar chordsA wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or bandPhotocopiable lyric sheets (also available as downloads for printing or projection)Wide-ranging cross-curricular teaching and classroom activity suggestionsA customisable poster to publicise performancesA Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England, as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption, the abridged story is told through drama and song. / Choeur Mixte Et Piano
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Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA)
238.39
Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Ricordi
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDI...
(+)
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres, churches, and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona, which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo, who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted, along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction, which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission, genesis, premiere, and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia, and an aria for the third act whose text does not appear in the original printed libretto, are provided as appendices. / Date parution : 1905-07-09/ Répertoire / Solistes, Choeur et Orchestre
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Siehe, Das Ist Gottes Lamm (II)
3.30
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
4.50
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
4.50
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
4.50
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
3.80
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
3.80
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
4.50
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Siehe, Das Ist Gottes Lamm (II)
17.70
Siehe, Das Ist Gottes Lamm (II)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.)...
(+)
Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
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Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
17.50
Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Barenreiter
Charpentier composed ?In Nativitatem Domini Canticum? during his period as maît...
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Charpentier composed ?In Nativitatem Domini Canticum? during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi and his contemporaries but is more easily described as a ?Grand Motet? or ?Histoire sacrée? a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had a liturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful the actual story of the birth of Jesus and the adoration ofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work prepared by the acknowledged Charpentier expert Joel Schwindt is presented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- First Urtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score performance material (BA7673) & Vocal score (BA7673-90) available for sale.
17.50 GBP - vendu par Musicroom GB
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
33.96
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
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BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Piano
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
435.96
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
[Set de Parties séparées]
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
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BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Orchestre
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Missa solemnis (BRUCKNER ANTON)
99.54
Missa solemnis (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...
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WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
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Missa solemnis (BRUCKNER ANTON)
27.66
Missa solemnis (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...
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WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
27.66 EUR - vendu par LMI-partitions
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
15.05
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
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BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB
15.05 EUR - vendu par LMI-partitions
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Benjamin Britten: The World Of The Spirit (Full Score): SATB: Score
69.99
Benjamin Britten: The World Of The Spirit (Full Score): SATB: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Conducteur]
Chester
This concert version has been prepared by Donald Mitchell for Soprano Alto Ten...
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This concert version has been prepared by Donald Mitchell for Soprano Alto Tenor and Baritone soloists 1 or 2 speakers SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts.The first performance ofthis concert version was given on 27th June 1998 in the Snape Maltings Concert Hall as part of the Aldeburgh Festival by Janice Watson (Soprano) Catherine Wyn-Rogers (Mezzo-Soprano) Timothy Robinson (Tenor) Neal Davies(Baritone) and David Evans (Speaker) with the Joyful Company of Singers and the City of London Sinfonia conducted by Steuart Bedford.Orchestration is for 2 Flutes2 Oboes2 Clarinets in B flat2Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimppaniSuspended CymbalClashed CymbalsGongSide DrumBass DrumTambourineHarpOrganStrings
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El Niño
230.90
El Niño
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Conducteur et Parties séparées]
Boosey and Hawkes
/ Choeur D'Enfants Et Orchestre
230.90 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Saint-Saens Christmas Oratorio Chant/Piano
9.90
Saint-Saens Christmas Oratorio Chant/Piano
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Hal Leonard
Partitions piano et chant (choeur et soliste) de Christmas Oratorio de Camille S...
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Partitions piano et chant (choeur et soliste) de Christmas Oratorio de Camille Saint-Saëns. Version angalise / Chant Et Piano
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Kantate 87 Bisher Habt Ihr (BACH JOHANN SEBASTIAN)
7.30
Kantate 87 Bisher Habt Ihr (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
[Partition]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Todt, Bernhard/ Répertoire / S...
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Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Todt, Bernhard/ Répertoire / Soliste, Choeur Mixte et Orchestre
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Kantate 87 Bisher Habt Ihr
2.30
Kantate 87 Bisher Habt Ihr
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
/ Soliste, Choeur Mixte Et Orchestre
2.30 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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