Par KREBS JOHANN LUDWIG. Like his teacher, Johann Sebastian Bach, Johann Ludwig Krebs also composed a four-part Clavier-Übung. The second part of his Clavier-Übung, the twelve-movement Suite in C, was published between 1744 and 1756. While stylistically Kreb’s organ music was still oriented towards the work of his teacher, his piano music was marked by the musical changes which were occurring around 1750./ Répertoire / Clavecin ou Piano ou Orgue

Canaanite Fantasy No. 3. Par LEEF YINAM. Similiar to its two sister-works, ELEGY looks back to the past and to ancient musical colors and ideals, combining musical ornamentations of nature within contemporary Western modes of expression. The composer accounts that 'the most interesting and attractive challenge for me was to try to relate to the special characteristics of the harpsichord - its rather confined range of dynamics on the one hand, and the great richness of the single tone on the other - and to attempt to formulate a contemporary view towards the historical and stylistic connotations of this instrument. The work combines some typical music structures, such as repetitions and sequential patterns, within ageneral improvisatory feeling, and leads, as the climax resolves, to a short quation from J.S. Bach's 'The Art of Fugue', which gradually disintegrates into the central motif of the work. The title ELEGY invokes a looking backwards, with a sense of longing and maybe even sadness, to a world of sounds that has perhaps lost its glitter, to a past era, but not without a certain hope for its renewal.'/ Répertoire / Clavecin

für Cembalo (Pianoforte) and Viola da Gamba, herausgegeben von Thomas Fritzsch und Günter von Zadow. Diese Kammermusiken von Johann Christian Bach waren lange verschollen und wurden 1992 von dem griechischen Reeder Kulukundis bei Sotheby?s ersteigert. Erstausgabe. Edition Güntersberg / Viole de gambe / Guntersberg