Published in 1978, the Swedish pop group ABBA released as a B-side, Thank You For The Music, originally created as part of the mini-musical 'The Girl With The Golden Hair' and was initially only played live. This unaccompanied SSATB arrangement by Carsten Gerlitz features 10 vocal scores of this evergreen hit. / Choeur Mixte (SSATB)

Whether in the church or in the concert hall, the motets in Heinrich Schütz's 'Geistliche Chor-Music? have long maintained a firm place in the choral repertoire.Now, following upon the two-volume new edition (BA 5901 and 5902), Bärenreiter are publishing selected motets in revised separate editions. Based on BA 5901, these editions will present the motets in their original key with an integrated continuo realization - all with modern engraving and spacious layout. / Choeur Mixte (SSATB) Et Basse Continue

Edited by Thurston Dart23 madrigals for SSA by Bateson, Byrd, East, Hilton, Holborne, Johnson, Jones, Morley, Porter, Tomkins, Ward, Weelkes, Wilbye and Youll.CONTENTSBATESON, Thomas NightingaleBYRD, William BenedictusEAST, Michael See Amaryllis shamed How merrily we liveHILTON, John If it be loveHOLBORNE, William Gush forth, my tears Since Bonny-boots was deadJOHNSON, Robert Full fathom five Where the bee sucksJONES, Robert Sweet KateMORLEY, Thomas It was a lover and his lass Lady, those eyes See mine own sweet jewel This love is but a wanton fit Though Philomela lost her lovePORTER,Walter When first I saw theeTOMKINS, Thomas Sure there is no god of loveWARD, John Fly not so fast Go wailing accentsWEELKES, Thomas Those sweet delightful lilies Though my carriage be but carelessWILBYE, John Away, thou shalt not love meYOULL, Henry While joyful springtime lasteth

Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge. Released by Secret Garden in 2005, the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit, You Raise Me Up . This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012. The piece is perfect for choruses looking to take their singing forward, with specific directions for staggered breathing throughout offering an added challenge for ensembles. Although designed to be sung A Cappella, the arrangement includes a piano reduction for easy rehearsal. / Choeur SSATBB