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The Top Ten Film Themes To Play On Piano
17.73
The Top Ten Film Themes To Play On Piano
Piano seul
[Partition]
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Intermédiaire
Amsco Wise Publications
The Top Ten Film Themes To Play On Piano is part of a series that has been speci...
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The Top Ten Film Themes To Play On Piano is part of a series that has been specially designed to help pianists of all levels to find the repertoire they really want to play.Featuring some of the world's greatest pieces of music, from a variety of different genres, the 'Top Ten' series contains music for everyone. Whether you're a beginner who wants to know the best classical pieces to learn or a more experienced player looking for the ultimate Piano songs to add to your repertoire, we have a 'Top Ten' for you! Each piece comes with interesting background notes to give you that extra bit of insight.The pieces in this book will transport you to a variety of exhilarating eras and locations. In no particular order, they include a gladiatorial arena in Ancient Rome, Juliet's balcony as she calls out for Romeo, bombed-out Warsaw in the dark days of the Second World War, the gritty world of Scandi-noir, and a secluded Pacific island where a team of scientists just happen to be breeding dinosaurs...So make sure your vaccinations are up to date, and enjoy the ride!This collection features Monty Norman's James Bond Theme, The King's Speech by Alexandre Desplat, Henry Mancini's Pink Panther Theme, Michael Nyman's The Heart Asks Pleasure First from The Piano and more. / Piano
17.73 EUR - vendu par LMI-partitions
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Jazzin' The Blues (COROZINE VINCE)
26.13
Jazzin' The Blues (COROZINE VINCE)
Piano seul
Mel Bay
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
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Laverne A. - Chords In Motion - Piano
24.60
Laverne A. - Chords In Motion - Piano
Piano seul
Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...
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Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne
24.60 EUR - vendu par Woodbrass
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John W. Schaum: John W. Schaum Piano Course Pre-A: The Green Book: Piano:
8.95
John W. Schaum: John W. Schaum Piano Course Pre-A: The Green Book: Piano:
Piano seul
Alfred Publishing
For the Earliest Beginner-Learn to play the Piano in the most enjoyable and natu...
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For the Earliest Beginner-Learn to play the Piano in the most enjoyable and natural way with the progressive tried-and-tested John W. Schaum Piano Course. This Green Book is aimed at the absolute beginner with no previous musical knowledge. Many teachers who use a tutor book to enhance their own pedagogical methods tend to try out a number of different titles but those who try John W. Schaum rarely move on to any other. These books are guaranteed to keep young beginners interested and motivated while also most importantly of all enjoying their playing. The book is very simple and easy-to-use moving logically through the conceptsthat any beginning pianist needs to know. This will ensure a solid foundation for when pupils move on to the next level of the Piano Course. The colourful pictures help to keep the sometimes difficult concepts exciting and the words that accompany the simplistic melodies are specifically aimed at young people creating tunes that beginners will genuinely enjoy playing. The John W. Schaum Piano Course lays out a clear and straightforward path for beginners to the Piano with this book aimed at those who have no prior knowledge helping them to lay the groundwork before they progress to Grade One. For an efficient effective and most of all enjoyable way to teach young beginners to play the Piano you'd be hard-pressed to find a better quality tutor than John W. Schaum's Piano Course. With such a wealth of Piano tutor books out there it's difficult to know who to trust. Schaum's course was first completed back in 1945 and it's still a favourite today and we know you'll be amazed at how swiftly your child or pupil picks up the Piano with this tutor.
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Contact (VAN NUETEN GUY)
25.95
Contact (VAN NUETEN GUY)
Piano seul
Metropolis Music Publishers
Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of bei...
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Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano
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The Best Songs Ever - 8th Edition
28.58
The Best Songs Ever - 8th Edition
Piano seul
[Partition]
-
Facile
Hal Leonard
E-Z Play Today Volume 200. The updated 8th edition of this bestseller includes 7...
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E-Z Play Today Volume 200. The updated 8th edition of this bestseller includes 71 great favorites, all in our world-famous E-Z Play® notation: At Last · Bohemian Rhapsody · Candle in the Wind · Edelweiss · Hallelujah · I Dreamed a Dream · Moon River · My Way · Night and Day · Over the Rainbow · Piano Man · Send in the Clowns · Somewhere · Tears in Heaven · Unchained Melody · When I Fall in Love · Yesterday · and many more. / Niveau : Facile / Recueil / Piano, Orgue ou Clavier
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50 Worship Standards: Piano: Mixed Songbook
15.99
50 Worship Standards: Piano: Mixed Songbook
Piano seul
Hal Leonard
A great collection of 50 worship classics arranged in our large easy-to-read E-...
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A great collection of 50 worship classics arranged in our large easy-to-read E-Z Play® Today notation. Includes: Above All � Awesome God � Come Let Us Worship and Bow Down � Here I Am to Worship � His Name Is Wonderful � How Great Thou Art � I Need You More � I Will Call upon the Lord � I Will Celebrate � In Christ Alone � O Magnify the Lord � Open the Eyes of My Heart � Step by Step � There Is a Redeemer � Worthy Is the Lamb � You Are My All in All � You're Worthy of My Praise � and more.
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Piano PlayBook : Cocktail Piano
26.50
Piano PlayBook : Cocktail Piano
Piano seul
[Partition]
Amsco Wise Publications
Compilations regroupant les plus grands titres d'un genre musical spécialement ...
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Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste plat sur le support du piano. / Partition /
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Keys for the Kingdom - Performance Book Level C: Piano: Instrumental Tutor
7.99
Keys for the Kingdom - Performance Book Level C: Piano: Instrumental Tutor
Piano seul
Shawnee Press
A Progressive Piano Method for the Christian Student. Keys for the Kingdom is a ...
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A Progressive Piano Method for the Christian Student. Keys for the Kingdom is a fully-graded piano pieces series designed especially for the Christian student. While learning the basic concepts of piano playing, the student is introduced to many styles of sacred music: the wealth of great hymnody, songs and psalms of the church, as well as great classics in piano literature that every student needs to excel in musical study. The multi-key, stylistically diverse series introduces basic concepts of rhythm, intervals, scales, chords, music theory, artistry and improvisation. Each method book establishes a gradual, steady pace for the developing student. Calling on decades of teaching experience, the authors have fashioned new ways of reaching proven concepts. Performance Book Level C includes 22 songs: America the Beautiful · The Chariot Race · Deep River · Jesus Loves the Little Children · Just a Closer Walk with Thee · The Royal Procession · To Be like Jesus · We Worship and Adore You · and more.
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Easiest Piano Course : First Australian Songs
19.91
Easiest Piano Course : First Australian Songs
Piano seul
Amsco Wise Publications
This book of First Australian Songs follows the world-renowned John Thompson's E...
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This book of First Australian Songs follows the world-renowned John Thompson's Easiest Piano Course method that has helped thousands of beginners learn the Piano. Now you can learn all of those famous Australian pop and folk songs with ease.The John Thompson's Easiest Piano Course is one of the best-selling Piano methods ever, and for good reason. The collection of repertoire books that are intended as supplementary material for these tutors are equally deserving of their praise, with the way they enable students to put what they've learned into practice through familiar and famous songs. This particular songbook is made up of those Australian Songs that remind you of a beautiful beach with white sands and a crystal clear ocean, while also representing the natural beauty of the flora and fauna of the great island.Popular tunes like I'd Like To Teach The World To Sing, Kookaburra Sits In The Old Gum Tree and Waltzing Matilda perfectly supplement students working through parts 2, 3 and 4 of the Easiest Piano Course, with the songs are also ideal for use as sight-reading practice by more advanced students. Other familiar melodies include Waltzing Matilda, Skippy The Bush Kangaroo and, of course, The Australian National Anthem. By learning and playing fun songs from this book, students will be more motivated to play the Piano and will become more musical as a result.What's more, this book is great in the sense that it creates a natural progression for beginners. The pieces become more difficult as they go on, meaning players have something to strive for. Also, because techniques like dynamics and phrasing (though essential) are not introduced until the later parts of the course, they have been omitted from the earlier parts of this songbook, so that initially the student remains focused on accuracy in the notes and rhythm.To enhance learning through fun-to-play popular songs, the First Australian Songs book will bring a taste of down-under to your fingertips. These jaunty melodies and happy tunes will get you playing, and improving, in no time at all. / Piano
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The Worship Piano Method Songbook - Level 1
11.83
The Worship Piano Method Songbook - Level 1
Piano seul
Hal Leonard
The Worship Piano Method is designed for beginning piano students who desire to ...
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The Worship Piano Method is designed for beginning piano students who desire to praise God through His gift of music. Using solid pedagogy, appealing songs and fun activities, this course provides a strong foundation to develop both piano skills and a lifestyle of worship. This songbook corresponding to Book 1 features a dozen songs with access to practice and performance audio tracks you can download online. / Piano
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Piano Gefällt Mir! - Book 2 - Spiral Bound
29.57
Piano Gefällt Mir! - Book 2 - Spiral Bound
Piano seul
Bosworth
This new and modern book by Hans-Günter Heumann is the follow-up to the bestsel...
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This new and modern book by Hans-Günter Heumann is the follow-up to the bestselling first book. This new edition is now spiral bound for the utmost convenience. It combines 50 up to date chart and film hits from Bruno Mars to Skyfall. All songs are set in easy arrangements for Piano. / Piano
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Toy Box - Very First Pieces
Piano seul
-
Facile
Pianissimo Publishing
Toy Box - Very First Pieces For Piano contains 26 simple yet impressive Piano so...
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Toy Box - Very First Pieces For Piano contains 26 simple yet impressive Piano songs composed by experienced teacher June Armstrong. This book is ideal for a beginner to put theory into practice with a wide variety of pieces in a number of styles.Each title in this songbook is evocative of the way the piece is meant to be played, with songs like Ballerina, Hula Hoop and Kaleidoscope suiting the instructions that Armstrong has provided like ?Daintily? and ?Steadily?. Unique touches like this make Toy Box perfect for a young child who is working their way towards grade one standard, as the composer has skilfully attempted to represent the nature of various toys through the medium of music. This will help a young musician to learn the basic concepts of musical theory in a fun and familiar context, with songs like Jumbo and Slinky sure to entertain all who are within earshot through humour and musicality. If you would like to listen to audio recordings of all the songs included in Toy Box, they are all available to download free of charge from the author's website.What sets this songbook apart from other beginner books is the personality and dedication that June Armstrong brings to her compositions, noting that her pieces are all inspired by her own Piano students and giving detailed and informative notes for each song at the beginning of the book. For the song Dinosaur, Armstrong writes that ?You will want to create a very scary atmosphere?The right hand note heads are strange bird calls in the forest. The left hand Ds, Es and Fs are the dinosaur??. The care that has been put into creating this sheet music shows that Armstrong is acutely aware of the best way for students to learn, and that she truly wants students to learn effectively, but in a fun and light-hearted way.Each song in Toy Box occupies a single page making it easy for a player to track their progress and learning, while there are additional helpful bits of information peppered throughout to clarify anything that may be unfamiliar to the student. Armstrong is keen on developing a student's ear for tone and atmosphere, so these extra notes not only reinforce how to play the piece physically, but also how to include emotion and feeling in music, for example how to conjure imagery like that of Blowing Bubbles. The songbook will be perfect for a child who already understands basic musical terms, will be able to play in a few keys other than C Major and is able to play in simple time signatures. As a first step into new compositions, Toy Box will introduce new concepts as well as reinforce what a student is already accustomed to, nevertheless, Armstrong's message is clear - ?Have fun!?. / Piano
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Good Ol' Southern Gospel: Easy Piano: Instrumental Album
13.99
Good Ol' Southern Gospel: Easy Piano: Instrumental Album
Piano seul
Hal Leonard
Easy Piano-Easy arrangements of 29 traditional songs of faith: Amazing Grace - C...
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Easy Piano-Easy arrangements of 29 traditional songs of faith: Amazing Grace - Church in the Wildwood - His Eye Is on the Sparrow - Just a Closer Walk with Thee - In the Garden - Precious Memories - Rock of Ages - Shall We Gather at the River' - Sweet By and By - There Is Power in the Blood - When We All Get to Heaven - more.
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Spielregeln - Sielräume (NAUMANN SIRGID)
33.19
Spielregeln - Sielräume (NAUMANN SIRGID)
Piano seul
[Partition]
Breitkopf & Härtel
Leichte Klavierstücke Aus Vier Jahrhunderten Mit Anregungen Zum Improvisieren. ...
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Leichte Klavierstücke Aus Vier Jahrhunderten Mit Anregungen Zum Improvisieren. Par NAUMANN SIRGID. 'Spielregeln - Spielräume” (Rules of the Game - Rooms of the Game) is a dual invitation for free music-making at the piano. We begin with an invitation to discover a work: Sigrid Naumann offers 'improvisational preliminary exercises” that pave the way to the various pieces and are helpful for learning it. The stylistic palette is extraordinarily varied here. The pieces encompass all epochs from Baroque to classical modernity (Bartók, Kabalevsky, Kurtág, B. Heller)- in addition, there are also traditionals and pieces from presentday piano pedagogy. Afterwards we distance ourselves again, for the second invitation goes out to the thematically grouped pieces that open up a variety of possibilities for free formative shaping. The new 'Spielregeln - Spielräume” have proven themselves in practice and are supplied with insightful comments./ Recueil / Piano
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First 50 4-Chord Songs You Should Play on the Piano
28.58
First 50 4-Chord Songs You Should Play on the Piano
Piano seul
[Partition]
Hal Leonard
50 well-known songs that beginning pianists can play with just four chords, incl...
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50 well-known songs that beginning pianists can play with just four chords, including: Brave - Cecilia - Despacito - Fields of Gold - Good Riddance (Time of Your Life) - Ho Hey - I'm Yours - Let It Be - Mean - Peaceful Easy Feeling - Roar - Stand by Me - Toes - Viva La Vida - With or Without You - You Raise Me Up - and more./ Recueil / Piano
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The Ultimate Easy Piano Songbook
24.16
The Ultimate Easy Piano Songbook
Piano seul
[Partition]
-
Facile
Faber Music Limited
The Ultimate Easy Piano Songlist is a bumper collection of over 40 of the best-s...
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The Ultimate Easy Piano Songlist is a bumper collection of over 40 of the best-selling songs of all time from the 50s to the present day, all specially arranged for easy piano. The collection includes hits such as 7 Years by Lukas Graham and Let It Go from Disney's Frozen, alongside classics such as Nat King Cole's Let There Be Love to Space Oddity by the late, great David Bowie. / Niveau : Facile / Recueil / Piano
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Rags Scott Joplin Didn't Write: Piano: Instrumental Album
8.99
Rags Scott Joplin Didn't Write: Piano: Instrumental Album
Piano seul
Kevin Mayhew
Alabama Dream George D. Barnarda Ragtime Nightmare Tom Turpinchopsticks Eu...
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Alabama Dream George D. Barnarda Ragtime Nightmare Tom Turpinchopsticks Euphemia Allencotton Bolls Chas Huntercreole Belles J. Bodewalt Lampeheliotrope Bouquet Louis Chauvin/Scott Joplinjust AskMe Chas Hunterpossum And Taters Chas Hunterqueen Of Love Chas Hunterrag Medley No. 1 John W Boonerag Medley No. 2 John W Boonesure Fire Rag Henry Lodgethe St Louis Rag Tom Turpintickled ToDeath Chas Hunter forewordthe Latter Half Of The Nineteenth Century Was A Period Of Great Development In American Music. Ragtime Became Extremely Popular And It Dominated The Popular Music Of The Early TwentiethCentury. One Tends To Imagine That Scott Joplin Was The Only Ragtime Composer But There Were Many Others. The Recent Revival Of Ragtime Has Led To The Rediscovery Of Many Lost Compositions. The Manner In Which RagtimeDeveloped Is A Matter Of Conjecture. Some Suggest That The Catalyst Was 'Chopsticks' Which Was Written By A 16 - Year - Old English Girl Euphemia Allen. It Was Published In 1877 And Became An 'Overnight Success'. The TechniqueNeeded To Play It Is In Some Ways Similar To That Which Is Needed For Ragtime.ragtime Undoubtedly Has Afro-american Roots. The Great Ethno- Musicologist Trebor Jay Tichenor Has Written That The End Of The Civil War Gave BlackMusicians Much Greater Access To Keyboard Instruments And That This Was A Factor In Ragtime's Development. It Was However Preceded By Dances Known As 'Cakewalks'. They Became All The Rage And Were So Called Because Black CouplesWould Dress Up In Their Finest Clothes And Parade About Town - The Best Dressed Were Said To 'Take The Cake'. Needless To Say As Ragtime Developed Many Prudes Condemned It As The 'Music Of Satan' - One Recalls SimilarReactions To 'Rock And Roll'. Ragtime Achieved A Vitality And Spontaneity Which Transformed Popular Music. It Led To A Great Craze For 'Animal Dances' - The Foxtrot Is A
8.99 GBP - vendu par Musicroom GB
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Piano Gefällt Mir! 2 ? 50 Chart und Film Hits
29.57
Piano Gefällt Mir! 2 ? 50 Chart und Film Hits
Piano seul
[Partition]
Bosworth
Von Bruno Mars bis Skyfall - Spiralbindung. Par HEUMANN HANS-GUNTER. The second ...
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Von Bruno Mars bis Skyfall - Spiralbindung. Par HEUMANN HANS-GUNTER. The second book in the Piano Gefallt Mir! series brings you 50 more chart and film hits, all arranged for easy piano by renowned composer Hans-Günter Heumann. / Date parution : 2023-07-31/ Recueil / Piano
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Divers : Easy Tunes You've Always Wanted To Play (Slipcase Edition)
51.00
Divers : Easy Tunes You've Always Wanted To Play (Slipcase Edition)
Piano seul
[Partition]
-
Facile
Chester
Une superbe collection en trois volumes de plus de 115 morceaux faciles à...
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Une superbe collection en trois volumes de plus de 115 morceaux faciles à jouer pour le Piano Solo. Contient des morceaux pop, des musiques de spectacles, de jazz de la collection Tunes You've Always Wanted To Play, rassemblés ici pour une edition spéciale. / Variétés / Coffret Partition /
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The Classical Piano Method
22.13
The Classical Piano Method
Piano seul
Schott
Ce troisième volume de La Méthode de piano classique est destiné aux étudian...
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Ce troisième volume de La Méthode de piano classique est destiné aux étudiants qui ont terminé Method Book 2, ou pour ceux qui ont déjà une base solide dans le piano et sont de retour à l'instrument. Clairement énoncée et progresser par petites étapes gérables le livre comporte répertoire intéressant, varié et bien connu de l'époque baroque, classique et romantique époques Comprend un enregistrement sur CD de toutes les pièces offrant des performances de modèle pour vous aider à apprendre. Peut être complété par un répertoire supplémentaire, Duo et livres de fitness doigts. / Piano
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People Get Ready: The Piano Collection
12.32
People Get Ready: The Piano Collection
Piano seul
[Partition]
Faber Music Limited
This ground-breaking and unmissable piano collection celebrates the music of ico...
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This ground-breaking and unmissable piano collection celebrates the music of iconic black songwriters. Including acclaimed songs such as People Get Ready (Curtis Mayfield), A Change is Gonna Come (Sam Cooke), Blinded By Your Grace Part 1 (Stormzy), I Wish I Knew How It Would Feel To Be Free (Nina Simone), Redemption Song (Bob Marley), and more. All of the pieces are idiomatically arranged for intermediate-level piano solo (approximately Grade 3-5). The nature, style and genre of the songs vary widely, but the aim is to introduce players to a range of musicians and works that may well be new to them but are nevertheless important classics. The song People Get Ready was written during a time of civil unrest in America. Curtis Mayfield was increasingly infusing his songs with social commentary and it was written to give a message of hope, that change is on the way and there will be better times ahead./ Recueil / Piano
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Night And Day : The Jazz Piano Player (KEMBER JOHN)
18.80
Night And Day : The Jazz Piano Player (KEMBER JOHN)
Piano seul
[Partition + CD]
Faber Music Limited
Arrangement: Kember John. Par KEMBER JOHN. Un ouvrage indispensable à tous les ...
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Arrangement: Kember John. Par KEMBER JOHN. Un ouvrage indispensable à tous les pianistes de jazz, avec 16 standards de jazz présentés chacun en deux formats: - La première version de chaque chanson comprend la mélodie, les paroles et le structure basique des accords, idéale pour l'improvisation. - La seconde version propose un superbe arrangement pour piano solo, adapté aux pianistes de niveau intermédiaire. - Toutes les chansons sont dans leur tonalité standard, pour que les pianistes puissent jouer avec d'autres musiciens de jazz. - Un CD gratuit permet d'entendre tous les arrangements pianistiques. / Date parution : 2010-06-17/ Recueil / Piano
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James Booker: The James Booker Collection: Piano: Instrumental Work
19.99
James Booker: The James Booker Collection: Piano: Instrumental Work
Piano seul
-
Intermédiaire/avancé
Hal Leonard
James Booker III was born in New Orleans in December, 17 1939. He was classicall...
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James Booker III was born in New Orleans in December, 17 1939. He was classically trained on piano from the age of six, at which time his astounding talents were already evident, and he was considered a child prodigy. He found his way into the local music scene as a young teenager recording his first single, Doin' the Hambone, at fourteen. Although it failed commercially, Booker got extensive studio work as a result, including uncredited 'ghost' piano tracks for Fats Domino. Throughout high school, booker played regularly with many local and regional bands, while still maintaining an excellent academic record. After graduating, Booker hit the road with Joe Tex, and spent the next several years gigging with various bands including Earl King, Dee Clark and Huey 'Piano' Smith and the Clowns (actually replacing Huey who preferred not to tour). In 1960, Booker recorded what would be his most commercially successful song, the organ-driven instrumental 'Gonzo'. Despite reaching number 10 on the Billboard RandB charts, the single failed to spawn a successful solo career for Booker, who spent the rest of the decade backing up many obscure acts and several better-known ones, including Wilson Pickett and Aretha Franklin. In 1970, Booker was arrested on drug charges, and went to prison for several years. Upon his release, he spent some moderately successful years in New York and los Angeles. He performed and recorded with such diverse artists as Ringo Starr, T-Bone Walker, Jerry Garcia, Lionel Hampton and even Dr. John, who'd been an informal student of Booker's several years earlier. At some point during this period, he lost his left eye. There are varied stories as to how this happened: a street fight over a financial dispute, a prison brawl, or the use of a dirty syringe. Ultimately no one knows for sure. Booker retuned to New Orleans in 1975, and played a highly successful solo set at the Jazz and Heritage Festival that same year. That performance proved to be a turning point in his career, leading to a
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