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Johann Sebastian Bach: Kantate 014 Wär Gott Nicht Mit Uns Diese Zeit: Vocal
7.90
Johann Sebastian Bach: Kantate 014 Wär Gott Nicht Mit Uns Diese Zeit: Vocal
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
Kantate 014 Wär Gott Nicht Mit Uns Diese Zeit
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Regina Coeli In C (MOZART WOLFGANG AMADEUS)
7.40
Regina Coeli In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina ...
(+)
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kontrastierende Sätze aufweisen. / Hymnes et chorals / Date parution : 1990-02-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Regina Coeli In C (MOZART WOLFGANG AMADEUS)
10.90
Regina Coeli In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Carus Verlag
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina ...
(+)
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kontrastierende Sätze aufweisen. / Hymnes et chorals / Date parution : 1990-02-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Regina Coeli In C (MOZART WOLFGANG AMADEUS)
18.90
Regina Coeli In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina ...
(+)
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kontrastierende Sätze aufweisen. / Hymnes et chorals / Date parution : 2000-10-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Regina Coeli In C (MOZART WOLFGANG AMADEUS)
9.90
Regina Coeli In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina ...
(+)
Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kontrastierende Sätze aufweisen. / Musique religieuse / Date parution : 2001-01-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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César Franck: Die Sieben Worte: Mixed Choir: Vocal Score
16.10
César Franck: Die Sieben Worte: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
Carus Verlag
Jesu am Kreuz-Franck's Die Sieben Worte for SATB.Unlike the well-known settings ...
(+)
Jesu am Kreuz-Franck's Die Sieben Worte for SATB.Unlike the well-known settings of the 'Seven Last Words' by Schütz or Haydn in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the 'Stabat Mater'. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: ?different-sized ensembles exciting orchestration formal variety and sophisticated harmony. Laments simple passages for the choir in unison passages with great drama melodic shapes filled with sweetness convey to the listener a multi-layered impression of acomposition stamped by a strongly personal will to expression.? Württembergische Blätter für Kirchenmusik 1/1991
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Wolfgang Amadeus Mozart: Le nozze di Figaro (Die Hochzeit des Figaro) KV492:
418.00
Wolfgang Amadeus Mozart: Le nozze di Figaro (Die Hochzeit des Figaro) KV492:
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Sammelband]
Barenreiter
Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna ...
(+)
Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozart’s and Lorenzo Da Ponte’s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart’s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the work’s spread outside the German-speaking countries. At least equally responsible for the opera’s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozart’s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ‘New Mozart Edition’ volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Kraków significant portions of the original sets of parts and acts 2 to 4 of the conductor’s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ‘New Mozart Edition’ reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm & Facsimile (BVK1882) available for saleV43 Performance material (BA4565-72) available to hire
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Missa In C (MOZART WOLFGANG AMADEUS)
44.10
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
17.60
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
6.10
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
13.00
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
13.70
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often helpto clarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
41.40
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
6.60
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
6.10
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
6.60
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
7.01
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often helpto clarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
6.60
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
6.10
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...
(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa In C (MOZART WOLFGANG AMADEUS)
12.00
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Carus Verlag
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt s...
(+)
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Wolfgang Amadeus Mozart: Vesperae Solennes De Confessore: Mixed Choir: Vocal
9.20
Wolfgang Amadeus Mozart: Vesperae Solennes De Confessore: Mixed Choir: Vocal
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Carus Verlag
Mozart's Vesperae solennes de Confessore for SATB.contents: Dixit Dominus (Ps 10...
(+)
Mozart's Vesperae solennes de Confessore for SATB.contents: Dixit Dominus (Ps 109) in C major. Confitebor (Ps 110) in E flat major Beatus vir (Ps 111) in G major Laudate pueri (Ps 112) in D minor Laudate Dominum (Ps 116) in F major Magnificat in C major The present new critical editon of the 'Vesperae solennes de Confessore' KV 339 edited by Wolfgang Horn is the first edition since the publication of the ?old? Complete Edition from 1880 to be based on Mozart?s autograph score. It was thought to have been lost after the second world war but for the past several years it is again accessible through the Biblioteka Jagiellonska in Kraków. This work is now availablein carus music the choir app!
9.20 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Score
29.00
Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Der Freischütz Op. 77 Jv 277 (WEBER CARL MARIA VON)
43.29
Der Freischütz Op. 77 Jv 277 (WEBER CARL MARIA VON)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Eulenburg
Par WEBER CARL MARIA VON. Langue: German, Format: ETP small/ Répertoire / Solis...
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Par WEBER CARL MARIA VON. Langue: German, Format: ETP small/ Répertoire / Solistes, Choeur et Orchestre
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Kantate 14 Wär Gott Nicht Mit
4.30
Kantate 14 Wär Gott Nicht Mit
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
/ Soliste, Choeur Mixte Et Orchestre
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Mozart W.a. - Don Giovanni Kv 527 - Soloists, Choir And Orchestra
51.70
Mozart W.a. - Don Giovanni Kv 527 - Soloists, Choir And Orchestra
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Eulenburg
Opera Instrument : soloists, choir and orchestra Type : study score Series : Eu...
(+)
Opera Instrument : soloists, choir and orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 688 Content : Vorwort - Revisionsbericht - Preface - Editorial Notes - Ouvertüre - 1. Akt - 2. Akt
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Ratswahlkantaten I
189.10
Ratswahlkantaten I
Deutsch
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partitur; Gesamtausgabe]
Barenreiter
/ Divers
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Mozart W.a. - La Clemence De Titus Kv 621 - Vocal Score
55.20
Mozart W.a. - La Clemence De Titus Kv 621 - Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
BARENREITER
Opera seria in 2 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (...
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Opera seria in 2 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (italienisch/deutsch)
Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Giegling, Franz
Binding : paperbound
Instrumentation : 4 Soprano solo, Tenor solo, Bass solo, Mixed Choir, Orchestra Hn, 2 Trumpet, Kettledrum, Strings, Basso continuo
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Mozart W.a. - Litaniae Lauretanae B.m.v. Kv 195 (186d) - Reduction Chant, Piano
13.20
Mozart W.a. - Litaniae Lauretanae B.m.v. Kv 195 (186d) - Reduction Chant, Piano
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
BARENREITER
Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Federhofer, ...
(+)
Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Federhofer, Hellmut.Federhofer-Königs, Renate
Binding : stapled
Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Orchestra, Basso continuo
Kyrie
Sancta Maria
Salus infirmorum
Regina angelorum
Agnus Dei
13.20 EUR - vendu par Woodbrass
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