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Handel - The King Shall Rejoice Saatbb - Satb
13.99
Handel - The King Shall Rejoice Saatbb - Satb
Orgue
[Partition]
-
Intermédiaire
Schirmer
Description For the occasion of the coronation of King George II and Queen Ca...
(+)
Description For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem No. 2 ('The King Shall Rejoice'), although less well-known than Anthem No. 1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous; a grandiose setting of 'Glory and great worship hast thou laid upon him'; and a lively fugal Alleluia as a conclusion. For six-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by William Herrman. Songlist The King Shall Rejoice
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20 Services for the Church Organist: Organ: Instrumental Album
23.99
20 Services for the Church Organist: Organ: Instrumental Album
Orgue
Hal Leonard
20 Services for the Church Organist. New interpretations of familiar hymns suita...
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20 Services for the Church Organist. New interpretations of familiar hymns suitable for the church or home. Includes services for Christmas, Lent, Easter and Thanksgiving.
23.99 GBP - vendu par Musicroom GB
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The Complete Organ Player : Hymn Book
17.73
The Complete Organ Player : Hymn Book
[Sheet music]
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Facile
Music Sales
Thirty-one of the best known hymns, with suggested registrations for each song a...
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Thirty-one of the best known hymns, with suggested registrations for each song and keyboard chord chart. / Paroles Et Accords
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The King Shall Rejoice Hwv 260
12.47
The King Shall Rejoice Hwv 260
Orgue
Barenreiter
Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest...
(+)
Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation.Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest? have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition?.- Bilingual Forewords (Ger/Eng)- Idiomatic piano reductions- Based on the Halle Handel Edition / Orgue
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Zadok The Priest Hwv 258
11.31
Zadok The Priest Hwv 258
Orgue
Barenreiter
Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest...
(+)
Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest? have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition?.- Bilingual Forewords (Ger/Eng)- Idiomatic piano reductions- Based on the Halle Handel Edition / Orgue
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
25.53
Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Orgue
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Arthur Wills: O Praise The Lord: SATB: Vocal Score
2.99
Arthur Wills: O Praise The Lord: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Anthem for SATB Choir and Organ taking the text of Psalm 117. Commissioned for ...
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Anthem for SATB Choir and Organ taking the text of Psalm 117. Commissioned for the opening service of the King's Lynn Festival 1967.
2.99 GBP - vendu par Musicroom GB
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Organ Works, Vol.4
29.58
Organ Works, Vol.4
Orgue
[Partition]
Barenreiter
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closel...
(+)
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue
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Pelle Gudmundsen-Holmgreen: Still. Leben: Organ: Instrumental Work
18.99
Pelle Gudmundsen-Holmgreen: Still. Leben: Organ: Instrumental Work
Orgue
[Partition]
Wilhelm Hansen
STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write f...
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STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ.Once I had finished STILL. LEBEN I didn't think I had achieved what I was looking for. True the two movements did not involve odd things but 'handy' isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more.And since I didn't think that was enough either I wrote the really simple pieces under the title IN TRIPLUM.Thethree series (eight pieces in all 2 + 3 + 3) sound very different but they all take their point of departure from the nature and tonal resources ofthe organ.Everywhere there is polyrhythm or hierarchical layering polychromaticism diatonics and melody (the last of these only sparingly and in some of the movements).Pelle Gudmundsen-Holmgreen
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Organ Works, Vol.9 (BACH JOHANN SEBASTIAN)
33.06
Organ Works, Vol.9 (BACH JOHANN SEBASTIAN)
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Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 470...
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Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue
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Honor and Majesty: Organ: Instrumental Album
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Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation...
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Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation-All Hail the Power of Jesus' Name); Treasures Bring Anthems Sing(We Three Kings and What Child is This?); Where Sorrow and Love Flow Mingled Down (When I Survey the Wondrous Cross and Beneath the Cross of Jesus); The Joys Awating (Jerusalem My Happy Home and When I Can Read My Title Clear); Morning Tribute (Morning Has Broken and When Morning Gilds the Skies); An Ever-Present Comfort (All Will Be Well and God Will Take Care of you); Amazing Infinite Love (The Love of God and My Savior's Love); Adoration to the King (We Worship and Adore You/O Come Let Us Adore Him/Joyful Joyful WeAdore Thee).
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The Oxford Book of Christmas Music for Organ, Bk 2
23.50
The Oxford Book of Christmas Music for Organ, Bk 2
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Oxford University Press
The Oxford Book of Christmas Music for Organ, Bk 2. The second Oxford Book of Ch...
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The Oxford Book of Christmas Music for Organ, Bk 2. The second Oxford Book of Christmas Organ Music comprises a diverse collection of seasonal organ music, covering the Church's year from Advent to Epiphany. The music is stylistically varied, and the pieces are drawn internationally from across the centuries with a mixture of established repertoire set alongside newly commissioned works.
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Rimmer: God Save The King: Organ: Instrumental Work
10.99
Rimmer: God Save The King: Organ: Instrumental Work
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Novello & Co Ltd.
God Save The King
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March From King's Birthday Ode, 1769 (BOYCE WILLIAM)
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March From King's Birthday Ode, 1769 (BOYCE WILLIAM)
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Par BOYCE WILLIAM. William Boyce’s March, from The King’s Birthday Ode (1769...
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Par BOYCE WILLIAM. William Boyce’s March, from The King’s Birthday Ode (1769), has been transcribed for Solo Organ by Alastair Mitchell./ Répertoire / Orgue
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Leo Sowerby: The Organ Music of Leo Sowerby - Volume 2: Organ: Instrumental
19.99
Leo Sowerby: The Organ Music of Leo Sowerby - Volume 2: Organ: Instrumental
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Celebrating the 100th birthday of one of America's greatest church musicians Fr...
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Celebrating the 100th birthday of one of America's greatest church musicians Fred Bock Music Company is privileged to release this second volume of works from Leo Sowerby. The excellence of this revered composer's music has long been recognized as a treasure for lovers of good sacred literature. Titles include: A Joyous March · Comes Autumn Time · Prelude on 'The King's Majesty' · Sonatina.
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The Oxford Book Of Wedding Music For Manuals (ARCHER MALCOLM)
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The Oxford Book Of Wedding Music For Manuals (ARCHER MALCOLM)
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Oxford University Press
Par ARCHER MALCOLM. Une compilation de pièces d'orgue populaire pour les mariag...
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Par ARCHER MALCOLM. Une compilation de pièces d'orgue populaire pour les mariages, dans des arrangements simplifiés pour les manuels seulement. Malcolm Archer a été instruit à l'école King Edward VII, Lytham, le Royal College of Music, et Jesus College de Cambridge, où il a été chercheur d'organes. Il a étudié l'orgue avec Ralph Downes, Gillian Weir et Nicolas Kynaston, et la composition avec Herbert Sumsion et Alan Ridout. Il est un compositeur prolifique avec plus de 200 ouvrages publiés, qui reçoivent régulièrement des spectacles sur la BBC radio et de télévision. Archer était auparavant organiste et directeur de musique à la cathédrale St Paul et est maintenant directeur de la musique chapelle à Winchester College./ Recueil / Orgue
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Edward Elgar: Prelude from 'The Kingdom' for Organ: Organ: Instrumental Work
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Edward Elgar: Prelude from 'The Kingdom' for Organ: Organ: Instrumental Work
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Prelude from 'The Kingdom' for Organ
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John Joubert: O Lorde The Maker Of Al Thing: SATB: Vocal Score
3.25
John Joubert: O Lorde The Maker Of Al Thing: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Anthem for SATB Choir and Organ taking the text of King Henry VIII. This anthem ...
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Anthem for SATB Choir and Organ taking the text of King Henry VIII. This anthem won the first prize in the Novello Anthem Competition in 1952.
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On Christmas Night
21.05
On Christmas Night
Chorale, Orgue
Peters
On Christmas Night is a collection of 32 carols and Christmas anthems selected f...
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On Christmas Night is a collection of 32 carols and Christmas anthems selected from the music of composers published by Edition Peters. Written for SATB choir, either a cappella or with organ accompaniment, the volume provides a rich and varied collection of music for carol concerts and Christmas services. All the pieces in the collection are also available separately. / Choeur
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Philip Glass: Satyagraha Act 3 - Conclusion: Organ: Instrumental Work
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Philip Glass: Satyagraha Act 3 - Conclusion: Organ: Instrumental Work
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The second in Glass' trilogy about men who changed the world Satyagraha's sub-t...
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The second in Glass' trilogy about men who changed the world Satyagraha's sub-text is politics. The opera is semi-narrative in form and deals with Mahatma Gandhi's early years in South Africa and his development of non-violentprotest into a political tool. (Satyagraha is a Sanskrit word meaning 'truth force'). Each act is dominated by a single historic figure (non-singing role) overlooking the action from above: the Indian poet Rabindranath Tagore inAct 1 the Russian author Leo Tolstoy in Act 2 the American civil rights leader Martin Luther King Jr. in Act 3. The music from the conclusion of Act 3 has been beautifully arranged and adapted for Organ solo by MichaelRiseman and Donald Joyce.
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Sir William Henry Harris: Saraband Processional: Organ: Instrumental Work
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Sir William Henry Harris: Saraband Processional: Organ: Instrumental Work
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This Saraband Processional reflects the renewed interest in the sarabande among ...
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This Saraband Processional reflects the renewed interest in the sarabande among composers of that time among them Britten Vaughan Williams and Howells. It is a majestic entrance piece.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
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Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
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Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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Toccata (HAKIM NAJI)
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Toccata (HAKIM NAJI)
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Schott
on the Introit of the Feast of the Epiphany. Par HAKIM NAJI. This toccata is bas...
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on the Introit of the Feast of the Epiphany. Par HAKIM NAJI. This toccata is based on the introit to the Christian Epiphany festival and solemnly announces the appearance of the Lord. As a toccata, the work is an introduction to Hakim's Adoration (Schott, ED 22614) for voice, flute and organ, a paraphrase of the first three introitus to Epiphany. The Toccata develops a series of symphonic variations with virtuoso movements that emphasize the expressiveness of the words of the Gregorian text: 'Ecce advenit dominator dominus: et regnum in manu ejus, et potestas, et empium. Deus, judicium tuum regi da: et justitiam tuam Filio regis. '(' Behold, the Lord, the ruler, comes: and the kingdom is in his hand, and the power and the dominion. 'God, give your judicial office to the king: and yours Justice to the son of the king. ') (Malachi 3: 1, I Chronicles 29:12, Psalm 71: 1, 10, 11). / Niveau : Intermédiaire / Répertoire / Orgue
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Organ Improvisations for Hymn Singing - Volume 2: Organ: Instrumental Album
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Hinshaw Music Inc.
Contents: 1. Azmon ('O For A Thousand Tongues To Sing')2. Beecher ('Theres A W...
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Contents: 1. Azmon ('O For A Thousand Tongues To Sing')2. Beecher ('Theres A Wideness In Gods Mercy')3. Birmingham ('Tell Out My Soul The Greatness Of The Lord')4. Grosse Gott (Te Deum) ('Holy God We Praise Thy Name')5. Hanover ('O Worship The King')6. Land Of Rest ('Jerusalem My Happy Home')7. Laudes Domini ('When Morning Gilds The Skies')8. Merrial ('The Day Thou Gavest Lord Is Ended')9. Moscow ('Come Thou Almighty King')10. Munich ('O Word Of God Incarnate')11. Old Hundredth ('All People That On Earth Do Dwell')12. Russia ('God The Omnipotent')13. St. Anne ('O God Our Help In Ages Past')14. St. Clement ('The Day Thou Gavest Lord Is Ended')15. St. Columba ('The King Of Love My Shepherd Is')16. Sicilian Mariners ('Lord Dismiss Us With Thy Blessing')17. Slane ('Be Thou My Vision')18. Toulon ('God Of The Prophets Bless The Prophets Heirs!')19. Westminster Abbey ('Chirst Is Made The Sure Foundation')
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Organ Music For Ascension Of Christ, Pentecost And Trinity
40.02
Organ Music For Ascension Of Christ, Pentecost And Trinity
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This volume, edited by Andreas Rockstroh, completes the organ music series for k...
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This volume, edited by Andreas Rockstroh, completes the organ music series for key times and occasions during the church year. As a collection of relatively easy 19th century works, it presents a rich assortment of compositions and arrangements for worship and concerts and is entirely oriented towards the actual practice of church music, addressing both part- and full-time organists.- Preface and biographical notes on composers (German/English)- Wide variety of both chorale-based and non-chorale based organ music from the 19th and early 20th centuries- High practical relevance - A treasure trove of inspiration that belongs on every organ stand! / Orgue
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Essential Wedding Music For Organ
38.60
Essential Wedding Music For Organ
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Kevin Mayhew
/ Orgue
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Sir William Henry Harris: Sonata In A Minor: Organ: Instrumental Work
14.99
Sir William Henry Harris: Sonata In A Minor: Organ: Instrumental Work
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Novello & Co Ltd.
The Sonata in A Minor is in classic three movement form moderato con moto adag...
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The Sonata in A Minor is in classic three movement form moderato con moto adagio espressivo and maestoso.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.
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Sir William Henry Harris: Four Short Pieces for Organ: Organ: Instrumental Album
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Sir William Henry Harris: Four Short Pieces for Organ: Organ: Instrumental Album
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Novello & Co Ltd.
Four Short Pieces for Organ was published in 1938 and includes Prelude Reverie ...
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Four Short Pieces for Organ was published in 1938 and includes Prelude Reverie Interlude and Scherzetto. Prelude was composed in 1931 at the Leipzig Thomaskirche where J S Bach was Kapellmeister and where his remains are interred.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.
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The Organist's Great Big Christmas Book
32.17
The Organist's Great Big Christmas Book
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Kevin Mayhew
Enfin, une collection de Noël définitive pour les organistes ! Ce nouveau livr...
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Enfin, une collection de Noël définitive pour les organistes ! Ce nouveau livre offre 31 pièces festives par certains des meilleurs compositeurs avec préludes, dernier verset arrangements et musique pour orgue après le dernier verset 33 des chants populaires - certains dans deux clés - faire un pare-chocs totale de 150 pièces ! Tous sont facilement sight-readable, qui en fait un incontournable pour l'organiste occupé. / Orgue
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