SKU: KN.64046S
UPC: 822795640465.
This new advanced level edition is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continues to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, however Basie never made the record, instead suggesting that Thad start his own band. Low Down still maintains that swinging Basie mindset and is a 32- measure AABA form. Its basic foundations are a relaxed but powerful rhythm section with a driving ride cymbal beat and crisp hi-hat, underpinning saxes and brass that are tight, and always on the back of the beat. Duration 3:40.
SKU: KN.SN70155S
UPC: 822795701555.
Sammy Sammy Nestico, one of the most important figures in the evolution of the big band sound, has arranged this holiday classic for the Count Basie Orchestra recording A Very Swingin' Basie Christmas (Concord Records). This great medium advanced swing arrangement exemplifies the timeless Basie/Sammy Nestico style, and is a must-have for any holiday gig. Ad lib solo space is provided for 2nd Trumpet. Duration 2:30.
SKU: KN.02345S
UPC: 822795023459.
As recorded by the Count Basie Orchestra on their Basie Big Band album, this easy swing excursion for proficient players has all the ingredients you'd expect from a classic Basie chart -- tasteful piano fills, lots of solid ensemble work, and a full-length solo for trumpet (as written or ad lib). Rhythm section parts are partially notated with chords cued. Duration 5:45.
SKU: KN.64044S
UPC: 822795640441.
This classic chart is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continue to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, but Basie never made the record, and suggested that Thad start his own band instead. From that advice, Thad formed the Thad Jones-Mel Lewis Orchestra. Based on the chord changes to I Got Rhythm, this uptempo advanced level chart maintains the swinging Basie mindset and is in a 32-measure AABA form. Duration 8:50.
SKU: KN.64044
SKU: KN.64006S
UPC: 822795640069.
This advanced level edition is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continues to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, however Basie never made the record, instead suggesting that Thad start his own band. This extended 16-bar blues still maintain that swinging Basie mindset in a straight-ahead blues style. Its basic foundations are a relaxed but powerful rhythm section with a driving ride cymbal beat and crisp hi-hat, underpinning saxes and brass that are tight, and always on the back of the beat. Duration 4:40.
SKU: KN.SN70155
SKU: KN.SN70140S
UPC: 822795701401.
After a 35 year hiatus, multi-Grammy winning composer/arranger Sammy Sammy Nestico has joined forces with the Count Basie Orchestra to arrange this chart for the A Very Swingin' Basie Christmas CD (Concord Records). This swing arrangement exemplifies the timeless Basie/Sammy Nestico style and is a must-have for all medium-advanced groups. Ad lib solo space is provided for 1st Tenor Saxophone. This is the perfect addition to any holiday gig. Duration 3:20.
SKU: KN.64006
SKU: KN.61714
UPC: 822795617146.
Inspi red by the music Sammy Nestico wrote for Count Basie, this medium swing chart features the saxophones and trumpets in strong unison melodies. Naturally, written or ad lib solos are assigned to piano and tenor sax (or trumpet). Standard instrumentation with optional vibesTrumpet Range = C6Trombone Range = G4.
SKU: KN.SN70140
SKU: KN.61720S
UPC: 822795617207.
Here' s an effective bright swing piece scored in the popular Count Basie style that is designed to make advancing groups sound their very best. As in many Basie-style works, dynamics and articulations play a key role in any presentation. For optimum results in achieving a tight ensemble sound, the rhythm section sets the pace in the opening moments of the introduction. Since the drummer enters after 24 measures, the guitarist and bass lock tempo with the pianist, giving them the chance to learn self-reliance without the drummer policing the time and groove. The horns will fall easily into place once this feel is established. Each set includes a guitar chord chart by Jim Greeson. Duration 3:15. Available in SmartMusic.
SKU: KN.02592S
UPC: 822795025927.
Origi nally recorded in 1975 by Count Basie and titled because Basie loved to eat orange sherbert, this fresh setting features easy registers, strong jazz figures, and a bright, free-swinging style. A written or ad lib trumpet solo in the midsection and an ensemble shout before the final chord are highlights. Rhythm section parts are notated with chords cued, and a guitar chord chart by Jim Greeson is included. Duration 2:30.
SKU: KN.SN70142S
UPC: 822795701425.
Origi nally recorded by Count Basie and revised for the SWR Big Band CD Basie-cally Sammythe tempo is very bright and features solo tenor sax. It also includes several places for up-front drum work and even allows room for an extended drum solo, if desired.
SKU: KN.02420S
UPC: 822795024203.
Recor ded by Count Basie on his Basie-Straight Ahead album, the Moocho Fasto! style marking at the start of this fast swing outing for proficient players sums it up pretty well. Improvised solos for piano, tenor sax and drums are highlights, along with the solid ensemble scoring that we've all come to expect from the pen of Sammy Sammy Nestico. Rhythm section parts are partially notated with chords cued.
SKU: KN.02390S
UPC: 822795023909.
As recorded on the great Basie-Straight Ahead album of 1968 by Count Basie, this swing outing features solid section and full-ensemble writing, brass buckets, sax scoops, drum fills, and piano in the solo role. The tempo is not taxing (quarter = 120) and paying careful attention to changes in dynamics will be especially important. Rhythm section parts are partially notated with chords cued.
SKU: KN.52515S
Recorded in 1967 by Count Basie & His Orchestra on the album Basie Straight Ahead, this beautiful tune featuring alto sax includes written solo lines for players lacking improvisation confidence or experience. Covering the full range of dynamics from pianissimo to fortissimo, playing this music with sensitivity and a well-supported sound is vital.
SKU: CL.SCM-1074-00
Andy has become one of our best selling writers and this impressive chart proves why. Here’s a delightful tune that could have come straight out of the Count Basie library, except for the fact that it was composed to match student levels. The four bar hi-hat solo leads to a strong ensemble intro. A unison tenor sax/ trombone section soli theme follows until the bridge section shows us the sax section for four bars then the full ensemble which leads to the last sax/trombone theme. Written or ad lib solos follow then it’s a classic Basie style shout chorus with four measure drum solo fills. A great style-teaching-tool, and a perfect opener for any festival or concert performance. Optional high/low Trumpet parts are provided on this publication.
SKU: KN.SN70148S
UPC: 822795701487.
First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their Basie-cally Sammy CD, this popular blues tune was originally written for Sweets Edison and features solo trumpet throughout. Some very soft and very big ensemble sections create striking dynamic contrasts and generate plenty of excitement.
SKU: CL.SCM-1074-01
SKU: KN.02350S
UPC: 822795023503.
As recorded by the Count Basie Orchestra on their classic Basie-Straight Ahead album, this swingin' number will bring a smile to players and listeners alike as solo piano takes center stage from start to finish. Some suggested solo lines are provided, and the ensemble writing features quintessential figures and voicings for all. Rhythm section parts are partially notated with chords cued.