In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘O God my strength and fortitude’ from Ravencroft’s Psalter (1621) ‘O for a heart to praise’ from Este’s Whole Book of Psalms (1592) ‘O God of Truth’ from the Scottish Psalter (1635) and Orlando Gibbons’s Song 22 ‘Love of the Father’. These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s worksfor unison Voice and church music in particular his two settings of the Magnificat and Nunc Dimittis have remained active in the Anglican repertoire.

Par ASHDOWN AUDSLEY GEORGE. This 1921 classic provides a guide to the organ's numerous stops./ Livre / Livre Musical

In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: Orlando Gibbons’s ‘Forth in Thy name O Lord I go’ Pry’s Psalter (1621) ‘O Lord turn not away Thy face’ Thomas Campion’s ‘By the waters of Babylon’ and ‘God moves in a mysterious way’ from the Scottish Psalter (1635). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voiceand church music in particular his two settings of the Magnificat and Nunc Dimittis have remained active in the Anglican repertoire.

Sir George Thalben-Ball was organists of the Temple Church in London for over sixty years. Also a music advisor to the BBC his compositions include Elegy Tune In E In The Style Of John Stanley Variations On Psalm And Hymn Tunes and Variations On A Theme By Paganini For Organ Pedals.

La référence GB3161 de l'éditeur Billaudot dont l'auteur célèbre est Delerue Georges, qui a pour titre SONATE, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Orgue. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Orgue / Partition

Organ-For Organ.Published 2005.Commissioned by George Chittenden.First performance: George Chittenden St Patrick's Cathedral Dublin 6th August 2005.Score.

The Sonata in A Minor is in classic three movement form moderato con moto adagio espressivo and maestoso.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.

A collection of works written for Organ by various composers including Francis Jackson George Thalben-Ball and others. Contents include: 'An Interlude' (Harold Darke) 'A Scherzetto For The Flutes' (Eric Thiman) 'Edwardia' (George Thalben-Ball)  'The Sweet Rivelet' (Francis Jackson)  'Trio' (W S Lloyd Webber) 'Canzonetta' (Arthur J Pritchard)  'Chimes' (Bernard Rose) and 'Epilogue' (Herbert Howells).

Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue

für die Silbermann-Orgel in der St. Georgenkirche Rötha-The composition ?Silberklänge? was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig. The composer noted: ?During my first visit to the Georgenkirche in Rötha I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721) the endless variety of possible timbre combinations the stellar acoustics of the church and the historic atmosphere which shaped and tamed my musical thoughts transporting me into my very own ?baroque? world.? This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with differentregistration possibilities will open up a new spectrum of possible timbres.

Anthem for SATB and organ with words by George Herbert. Commissioned for the Church of St Matthew Northampton and first performed on September 20 1965 under the direction of Michael Nicholas.

Written as a nocturne Evening Rest is a single-movement work for Organ in lyric style with a charming melody. Because of the range of the instrument for which it was composed Hollins includes alternate voicing for Organs without carillon parts for which are included throughout the work.English Organist and composer Alfred Hollins was active in the late 19th and early 20th centuries. Blind from birth Hollins was fortunate enough to attend the innovative Royal Normal College for the Blind outside London whose music-intensive curriculum suited his musical gifts. For more than forty years he was the Organist at the Free St George’s Church in Edinburgh and he travelledthe English-speaking world repeatedly on concert tours.