Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of the 'New Mozart Edition'.Straightforward Piano reduction.Mozart's 'Missa in C major' (K. 220) nicknamed the 'Sparrow Mass' for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir' series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work's original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.

The Arrow and the Song. for SSSAAA unaccompanied This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies soarthrough the vibrant texture, and offer plenty of opportunities for soloists.

DR Pigekoret-Sange for Pigekor 4 redigeret af Phillip Faber og Jakob Faurholt (2017). Fra forord:Med serien Sange for pigekor ønsker vi at fokusere på bredden i ligestemmig sang og præsentere de bedste satser fra DR PigeKorets repertoire. Vi har samlet nye og gamle danske sange og dette hæfte spænder fra Carl Nielsen til Agnes Obel og Marie Key. DR PigeKoret har siden etableringen i 1938 været formidler af den danske sangskat og har med bestillinger af både originalværker og arrangementer været med til at forny den ligestemmige sang. DRs nodearkiv bugner afværker og arrangementer for pigekor og hvert år kommer der endnu flere til. Et udvalg af disse sange præsenterer vi i denne serie i håbet om at de kan være til glæde og inspiration for andre ligestemmige kor. Alle satserne i serien er blevet sunget af DR PigeKoret eller DR JuniorKoret og bag i hæftet findes der noter til et udvalg af sangene. Phillip Faber og Jakob Faurholt

What do you get when you give Mark Hayes two favorite winter songs to arrange? You get this incredible work of “Winter Wonderland” and “Let It Snow” together in one arrangement! The orchestration isspectacular as only Mark can do. Smart vocal lines that sing with the greatest of ease help make this a must-have choral for your holiday or winter program.

Bonk'apaphable is a tremendously fun arrangement by South African musicicians Michael Barrett and Mbuso Ndlovu. This celebratory isiZulu song is a quick learn that will pay dividends for audiences and choirs! Add percussion, clapping, and ululations to make the most of this work.

Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from theOrthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles'Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.

Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. Based on a text by Elizabeth Barrett Browning the piece is scored for SSAA treble voices with piano.

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.

English Choral Music 4 - 12 Christmas Carols for equal voices (SSAA) arrangered by David Willcocks. Lyrics in Danish and English.

A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.

We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

Similar to the superstitious Friday the Thirteenth Tuesday the Thirteenth is considered to be the day of bad luck in Spanish-speaking countries which is clearly illustrated in this proverb (Don't get married don't go on a trip and don't leave your house.). Rhythmic up-tempo and exploring the whole range of the women's choir Martes offers a great challenge for your more advanced singers.

A series of outstanding songs taken from the bestselling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs.Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal.

Novello Ladies Barbershop-A series of outstanding songs taken from the bestselling Close Harmony Ladies’ Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women’s choirs.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal.