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Piano seul [ 116914 ]
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Harpe [ 2705 ]
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Flûte à Bec [ 2383 ]
Hautbois [ 2212 ]
Partie séparée [ 2129 ]
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Tous Les Instruments [ 629 ]
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CD [ 513 ]
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Orgue et Orchestre [ 227 ]
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Trio à cordes [ 195 ]
Cor, Orchestre [ 193 ]
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Piano Quintette: piano, 2 violons, alto, violoncelle [ 179 ]
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Trio à cordes: 3 violins [ 174 ]
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Instruments en Mib [ 162 ]
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Instruments Sib, Mib et Do [ 146 ]
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Trompette, Orchestre [ 128 ]
Hautbois et Orchestre [ 127 ]
Trio de Cuivres [ 123 ]
Clarinette, Violoncelle, Piano (trio) [ 120 ]
Quatuor de Cuivres: 2 trompettes, Cor, trombone [ 119 ]
Orchestre à Plectres [ 117 ]
Batterie-Fanfare [ 114 ]
Mariachi [ 107 ]
Quintette à cordes: 2 violons, 2 altos, violoncelle [ 98 ]
Partitions De Groupes [ 95 ]
Basson, Orchestre [ 90 ]
Hautbois, Violin, Alto et Violoncelle (Quatuor) [ 89 ]
Accordéon et Orchestre [ 86 ]
Quatuor à cordes: 4 violons [ 84 ]
Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
Clarinette et Cordes [ 71 ]
Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
4 Percussions [ 66 ]
Quatuor à cordes : 4 altos [ 63 ]
Quintette à cordes : 2 violons, alto et 2 violoncelles [ 61 ]
Quintette à cordes: 2 violons, alto, violoncelle, basse [ 57 ]
Clarinette, Violon, Violoncelle, Piano [ 54 ]
Ensemble de Violons [ 52 ]
Quatuor à Vent : 4 instruments à vents [ 50 ]
Trombone et orchestre [ 47 ]
3 Percussions [ 46 ]
Contrebasse, Orchestre [ 45 ]
Harpe, Orchestre [ 42 ]
Soli et Orchestre [ 42 ]
2 Hautbois et Cor anglais [ 40 ]
Flûte, Violon, Piano [ 40 ]
Piano, Violon, Bandoneon, Guitare, Contrebasse [ 38 ]
Violon, Cor et Piano [ 37 ]
Saxophone et Orchestre [ 36 ]
Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
Quintette de Cuivres: autres combinaisons [ 29 ]
Tuba et Orchestre [ 28 ]
Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
Quatuor Instruments Mixtes [ 27 ]
2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
Hautbois, Basson et Piano [ 24 ]
Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Xylophone ou Marimba ou Vibraphone (12)
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Solistes STBarB, Choeur SATB, 2 Flûtes Traversiè… (10)
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Théorie de la musique (10)
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2 Pianos, 4 mains (10)
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Solistes SATB, Choeur SATB, 4 (2) Hautbois, 2 Bass (6)
Instrumentation Flexible (6)
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ENS::Ensemble (6)
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Clavecin, 2 Flûtes A Bec Et Instrument(s) A Corde… (5)
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Trio de Flûtes: 3 flûtes (5)
Aucune valeur (5)
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Piano Quatuor: piano, violon, alto, violoncelle (4)
Flûte Traversière, Clarinette, Harpe et Quatuor … (4)
Flûte Traversière, Hautbois, Clarinette, Cor et … (4)
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Quatuor de Cuivres (4)
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Alto, Flûte Traversière (Aussi Flûte Alto et Pi… (4)
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3 Violons, Bas Viol et Basse Continue (4)
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Orgue, Voix (4)
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Piano Quintette: piano, violon, alto, violoncelle,… (3)
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Ensemble Flexible à 5 Parties (2)
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SSAX/STR QUARTET::Saxophone Soprano/Quatuor À Cor… (2)
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3 Flûtes à bec (trio) (2)
Piano(s) & Other Instruments (In Ensemble) (2)
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2 Bassons (duo) (2)
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B FLAT INST/BC INST/C INST/E FLAT INST::Instrument… (2)
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Maillets (1)
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1 ou 2 Flûtes à Bec Soprano et Accompagnement Pi… (1)
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FLUTE & PIANO, OBOE & PIANO, LYONS C CLARINET, VI… (1)
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CTEN/STR INST::Contretenor/Instruments À Cordes (1)
3 Sopran-Blockflöten oder andere Melodie-Instrum… (1)
Flûte A Bec Alto (1)
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VCE/ALL INST::Voix/Tous Les Instruments (1)
FLT/OB/VLA::Flûte Traversière/Oboe/Viola (1)
Tous instruments (1)
TSAX/ACDN::Saxophone Tenor, Accord‚on (1)
Choeur d'Enfants et Piano (1)
Piano(s) OU/OR Piano Préparé (Prepared Piano) / … (1)
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Alto Solo, Grand Ensemble en 6 groupes: 1) Contreb (1)
Ensemble Flexible, Piano Ad Libitum (1)
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Streicher (1)
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Accordéon et Percussion (1)
Soprano Solo, Cordes Et Basse Continue (1)
Voix, 2 Flûtes A Bec Soprano Et Orff-Instruments (1)
2 Trombones, Piano (1)
Une ou Plusieurs Flûtes à bec Alto (1)
Instruments Mélodiques (1)
Ensemble d'Instruments à Vent (1)
Soprano Et Contrebasse (1)
CLT(3)/BASS CLT::Clarinet (Trio), Bass Clarinet (1)
Instrument en Ut (Flute ou Trombone) (1)
Hautbois et Cor Anglais (1)
Flûte A Bec Et Instruments Divers (1)
2 Saxophones, Piano (1)
4 Guitares (Quatuor) (1)
VLN/VLC/ACDN::Violon/Violoncelle/Accord‚on (1)
Guitare Electrique (1)
Instruments Divers Et Piano (1)
2 A 4 Flûtes A Bec (1)
Vocal Score (1)
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Contrebasse, Piano (1)
Instruments Acoustiques (1)
:: (1)
Mélodie pour Instruments variés (1)
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Cor et Orgue (1)
Orchestre et Piano (1)
Percussions Diverses (1)
Guitare et Accompagnement Piano (1)
Guitare (Fingerpick) (1)
FLT(ALL INST)::Flûte (1)
Saxophone Alto et Instruments en Sib (1)
Flûte, Clarinette (duo) (1)
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1 Piano, 6 mains (1)
2FLT/HN/TPT/TBN/2DB/PERC::Cor/Trompette/Trombone/P… (1)
2 Violons (2 Flûtes Traversières) Et Basse Conti… (1)
VLA/ACDN::Viola, Accord‚on (1)
Hautbois, Basse continue (1)
SATB div. Et Percussion (1)
Voix, Flûtes à Bec et Percussion (1)
Woodwind Quartet (1)
Bläsinstrumenten (2 Oboe, 2 Klarinette in b, 2 H… (1)
2 Clarinettes, 2 Cors Et 2 Bassons (1)
PF/OTHER INST::Piano Solo (1)
2 Flûtes Traversières ou Violons (1)
2 Guitares et Electronique (1)
SSAX/DB::Saxophone Soprano, Contrebasse (1)
Voix Soprano, Piano (1)
Flexible Wind Ensemble (1)
Quatuor à Cordes et Orchestre (1)
4 Trumpets, Horn, 4 Trombones, Tuba (1)
Saxophone soprano en Sib et Piano (1)
Instruments en C, Bb, Eb et Clé de Fa (1)
Soprano et Ensemble (1)
Euphonium Ou Saxhorn Et Piano (1)
Partition D'Ensemble (1)
2 Violons et Basse continue (1)
5-String Banjo (1)
Instruments Mélodiques en Do (Fl/Gtr/Pf) (1)
Vibraphone, Piano (1)
Voix et Instruments (1)
Clarinette Basse (1)
Piano (1)
2 Mandolines (1)
Bongos (1)
Flûte Alto, Mezzo-Soprano et Live Electronics (1)
Trombone, Baryton ou Tuba BC (1)
2 Clarinettes, Piano (1)
2 Mandolines (duo) (1)
Saxophone et violoncelle (1)
HARM/PFA::Harmonica/Accompagnement Piano (1)
Voix duo (1)
Streichsextett - 2 Violinen, 2 Violen, 2 Violonce… (1)
1-2 Altos et Piano (1)
Klavierauszug - Soli, Gemischter Chor 1 & 2 und K… (1)
Violoncelle, Basse continue (1)
Flûte Et Basson (1)
Mains, Doigts et Pieds (1)
Soprano, Choeur Mixte A 4 Voix, Instruments A Cord… (1)
Choeur Mixte et Instrument Divers (1)
Carillon (1)
B FLAT INST/BC INST/C INST/E FLAT INST::B Flat Ins… (1)
REC/VIOL::Fl–te … Bec, Viole (1)
Dance - Songbooks (1)
SOP/CLT/PFA::Soprano/Clarinette/Accompagnement Pia… (1)
PF/ENS/VCE::Piano Solo/Ensemble d'École/Voix (1)
Ensemble de Clarinettes (1)
Guitare (Flatpick) Et Plectre (1)
Piano Accompagnement (1)
Cromorne (1)
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Biographie (1)
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Bass drum and Cymbal (1)
STR ORCH/WIND INST(6)::Orchestre De Cordes/Instrum… (1)
Hautbois [Flûte, Clarinette, Saxophone Soprano] e… (1)
Flûte (1)
ENS::Ensemble d'cole (1)
Contrebasse Solo, 3 Contrebasses et Orchestre de C (1)
PERC(3)::Percussion (Trio) (1)
1 à 20 Pianos & Other Instruments (In Ensemble) (1)
Soprano, Piano (1)
VCE/ENS::Voix/Ensemble d'École (1)
Flûte Et Instruments Divers (1)
Alto (Viole) (1)
Trombone basse (1)
Ensemble (1)
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Coffret Scores (BEATLES THE)
141.40
Coffret Scores (BEATLES THE)
Conducteur
[Partition]
-
Intermédiaire
Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...
(+)
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
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Music for Children Vol. 5 (ORFF CARL / KEETMAN GUNILD)
16.10
Music for Children Vol. 5 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Conducteur]
Schott
Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
(+)
Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Paralipomena (ORFF CARL / KEETMAN GUNILD)
18.31
Paralipomena (ORFF CARL / KEETMAN GUNILD)
Voix et Instruments
[Conducteur]
Schott
Orff-Schulwerk. Par ORFF CARL / KEETMAN GUNILD. Orff-Schulwerk has been translat...
(+)
Orff-Schulwerk. Par ORFF CARL / KEETMAN GUNILD. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils. A miscallaneous collection of material: works not included in the original edition of Schulwerk, later compositions which reflect the developments of new forms, the use of new instruments (bass xylophones and metallophones) and the integration of traditional instruments (strings, wind, bass) plus a number of compositions written fo a recording series, are published here for the first time. / Méthode / Répertoire / Voix et Instruments
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Take The Lead Plus. Pop Hits
15.60
Take The Lead Plus. Pop Hits
Instruments en Mib
[Partition]
I.M.P.
Eight great flexible arrangements in two parts, for E Flat Instruments, includin...
(+)
Eight great flexible arrangements in two parts, for E Flat Instruments, including Alto and Baritone Saxophone with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied E Flat arrangements for two parts in score format. Compatible with other editions in the series. / Rép International / Recueil / Instruments en Mib
15.60 EUR - vendu par LMI-partitions
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Chansons Enfantines (KEETMAN GUNILD)
11.10
Chansons Enfantines (KEETMAN GUNILD)
Voix, Flûte à Bec et Orff-Instruments
[Conducteur]
Schott
14 French Songs for Children. Par KEETMAN GUNILD. Orff-Schulwerk has been transl...
(+)
14 French Songs for Children. Par KEETMAN GUNILD. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activities and experiences of their pupils. Fourteen original French songs for voice with Orff instruments and recorders./ Recueil / Voix, Flûte à Bec et Orff-Instruments
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Take The Lead Plus. Pop Hits
15.60
Take The Lead Plus. Pop Hits
Instruments en Sib
[Partition]
I.M.P.
Eight great flexible arrangements in two parts, for B Flat Instruments, includin...
(+)
Eight great flexible arrangements in two parts, for B Flat Instruments, including Trumpet, Clarinet, Tenor Saxophone, with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied B Flat arrangements for two parts in score format. Compatible with other editions in the series. / Rép International / Recueil / Instruments en Sib
15.60 EUR - vendu par LMI-partitions
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Where The Good Sounds Live (SINGLETON ALVIN)
132.09
Where The Good Sounds Live (SINGLETON ALVIN)
Ensemble d'Instruments à Vent
[Conducteur]
Schott
For Wind Ensemble. Par SINGLETON ALVIN. Where The Good Sounds Live brings Alvin ...
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For Wind Ensemble. Par SINGLETON ALVIN. Where The Good Sounds Live brings Alvin Singleton’s distinctive sonic imprint to the symphonic wind band world, with an extended fanfare that defies presumptions. This compelling piece takes musicians and audiences into a world unlike any other found in the band repertoire./ Répertoire / Ensemble d'Instruments à Vent
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African Songs and Rhythms for Children
12.77
African Songs and Rhythms for Children
Voix et Orff-Instruments
[Conducteur]
Schott
A Selection from Ghana. Orff-Schulwerk has been translated and adapted for use i...
(+)
A Selection from Ghana. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils. Discover the Orff-Schulwerk in the African tradition, a selection from Ghana by W. K. Amoaku. Based entirely on African material./ Recueil / Voix et Orff-Instruments
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Musica para Crianças Vol. 1 (ORFF CARL / KEETMAN GUNILD)
23.30
Musica para Crianças Vol. 1 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Orff-Instruments
[Conducteur]
Schott
Pentatónico. Par ORFF CARL / KEETMAN GUNILD. Orff-Schulwerk has been translated...
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Pentatónico. Par ORFF CARL / KEETMAN GUNILD. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils./ Répertoire / Voix, Flûte à Bec et Orff-Instruments
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Cançoes para as Escolas
9.99
Cançoes para as Escolas
Voix et Orff-Instruments
[Conducteur]
Schott
Ten popular Portugese songs. Orff-Schulwerk has been translated and adapted for ...
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Ten popular Portugese songs. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activities and experiences of their pupils. Ten popular Portuguese songs./ Recueil / Voix et Orff-Instruments
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Wolf-Gang (MARTLAND STEVE)
27.75
Wolf-Gang (MARTLAND STEVE)
Octuor d'Instruments à Vent
[Conducteur]
Schott
Six Mozart Opera Arias. Par MARTLAND STEVE. With Wolf-Gang, the British composer...
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Six Mozart Opera Arias. Par MARTLAND STEVE. With Wolf-Gang, the British composer Steve Martland, ironizingly, follows the 18-century tradition of wind music ensembles with which underpaid musicians made some money on the side. Martland arranged six arias from Don Giovanni, The Magic Flute and Le Nozze di Figaro for wind octet, adapting them to today‘s possible playing techniques. By adding cor anglais and soprano saxophone, it was possible to have each aria played by a different combination of instruments so that each aria stands out against the others with regard to the sound. While rearranging the instrumentation, Martland left the musical material of Mozart untouched./ Répertoire / Octuor d'Instruments à Vent
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Mozart: Kirchensonaten (MOZART WOLFGANG AMADEUS)
58.61
Mozart: Kirchensonaten (MOZART WOLFGANG AMADEUS)
Instruments à Cordes et Orgue
[Partition]
Carus Verlag
Par MOZART WOLFGANG AMADEUS. Seventeen single-movement instrumental works by Wol...
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Par MOZART WOLFGANG AMADEUS. Seventeen single-movement instrumental works by Wolfgang Amadeus Mozart are referred to as 'church sonatas' or 'epistle sonatas'. Some are simple trios for two violins and bass, others more lavish concertante pieces with obbligato organ. Only Leopold Mozart took up the epistle sonata in isolated pieces that have survived in fragmentary form. Mozart's sonatas thus form a musically significant repertoire without parallels elsewhere./ Répertoire / Instruments à Cordes et Orgue
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Music For Celebrations
49.29
Music For Celebrations
Ensemble à instrumentation variable
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
11 Celebratory Pieces For Weddings And Other Occasions. Qu'il s'agisse d'anniver...
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11 Celebratory Pieces For Weddings And Other Occasions. Qu'il s'agisse d'anniversaires, de mariages ou de funérailles, il y a de nombreuses occasions qui font appel à la musique de cérémonie pour ensembles de cuivres. Que l'instant se prête à la gaieté ou au recueillement, Music for Celebrations, de Markus Schenk, est l'ouvrage idéal puisqu'il rassemble des oeuvres classiques connues et moins connues, spécialement arrangées pour cette édition. Ces oeuvres complètes se distinguent par leur diversité de style et de caractère, mais aussi par leur durée en partant du court choral de Bach jusqu'à la pièce de concert plus longue. Cette collection polyvalente est donc adaptée à un large éventail d'interprétation. Aussi disponible pour ensemble à vent - instrumentation variable (DHP 1145593-070). / Niveau : Intermédiaire / Recueil / Ensemble à instrumentation variable
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A. Jakob: Five Into Jazz: Wind Ensemble: Instrumental Album
16.50
A. Jakob: Five Into Jazz: Wind Ensemble: Instrumental Album
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
[Partition]
-
Intermédiaire
Spartan Press
A very attractive single movement jazz waltz that includes an optional final pse...
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A very attractive single movement jazz waltz that includes an optional final pseudo 'jazz improvisation' section (where all the notes are actually written out!). Playable by conventional wind quintet (fl ob cl bn hn) or in many other instrumental combinations as required. Score and 16 parts included. Warmly recommended.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.
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Selections from Star Wars: The Rise of Skywalker (WILLIAMS JOHN / VINSON JOHNNIE (Arr)
96.62
Selections from Star Wars: The Rise of Skywalker (WILLIAMS JOHN / VINSON JOHNNIE (Arr)
Instrumentation Flexible
[Partition]
Hal Leonard
Score Parties. Par WILLIAMS JOHN / VINSON JOHNNIE (Arr.). The final installmen...
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Score Parties. Par WILLIAMS JOHN / VINSON JOHNNIE (Arr.). The final installment of the storied Star Wars saga brings us another masterful score from John Williams. Here's a terrific medley scored for flexible instrumentation that features favorite themes from the earlier films along with dramatic new material./ Répertoire / 5 Parties Flexibles Cordes en option
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Klavierkonzert a-moll Op (GRIEG EDVARD)
19.87
Klavierkonzert a-moll Op (GRIEG EDVARD)
Orchestre et Piano
Breitkopf & Härtel
Par GRIEG EDVARD. The piano concerto in a minor stands out in Edvard Grieg’s o...
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Par GRIEG EDVARD. The piano concerto in a minor stands out in Edvard Grieg’s oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg’s lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto’s size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Günter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. / Date parution : 2022-07-20/ Répertoire / Orchestre et Piano
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Bent Sørensen: Shadowland Chamber: Chamber Ensemble: Score
Musique De Chambre
[Partition]
Wilhelm Hansen
Work for Chamber Ensemble dating from 1989.The composer writes: The Title SHADOW...
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Work for Chamber Ensemble dating from 1989.The composer writes: The Title SHADOWLAND refers on the one hand to a blurred ‘Landscape’ of shadows where small shadows are formed behind other shadows and where the outlines are constantly disintegrating. On the other hand the title refers to the fanciful and unreal landscapes I felt in the music while I was writing it. SHADOWLAND has four movements with proportions 4-7-4-3. These proportions can be found on various levels from the smallest cell to the largest form. The first movement is divided into four parts which have exactly the same proportions as the whole pjece and behind the fastrunning melodies and trills thatdominate the whole movement one can hear in the second third and fourth parts anticipations of the second third and fourth movements respectively. The second movement begins at the edge of silence with almost unperceptible glissandi and indistinct chorales. Gradually the hushed landscape is drowned out by sudden expressive melodic outbursts and ends with violent dance rhythms. The third movement is built up of clouds of staccato tones and is a further development of the pointillistic ideas from CLAIROBSCUR. In th last movement the horn plays a long soloistic melody line which the other instruments imitate and echo. These echoes swamp the horn line from time to time. SHADOWLAND was commissioned by and dedicated to The London Sinfonietta.
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
408.32
Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestre
[Partition]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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Nico Muhly: Step Team: Ensemble: Score
24.99
Nico Muhly: Step Team: Ensemble: Score
Ensemble d'École
St Rose Music Publishing
Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost m...
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Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost militaristic dancing involving the entire body as well as the voice. The routines are highly choreographed and precise but maintain an expressive freedom that comes out of the energy required to pull off the moves. In writing this piece for the Chicago Symphony MusicNOW I wanted to avoid too much delicate pointillistic writing and instead focused on making the nine players function as one team with a singular rhythmic agenda. Whenever the Chicago Symphony comes to New York I am always impressed with the massive steakhouse-style proportions of the brasssound so this score features the Bass Trombone as a guide for the harmonic and lyrical material.At a certain point in the piece the rhythmic unisons begin to break down and individual players or groups of players start slowing down or speeding up against the pulse. The Bass Trombone works as a unifying element here announcing the changes between sections. Some scattered pulses ensue and the brass section continuously shepherds the other instruments back into line. Step Team ends with a duet between the Bass Trombone and the Piano with a series of ornaments from the other players.' - Nico MuhlyInstrumentation: Flute Bassoon Horn in F Tenor Trombone Bass Trombone Piano Violin Viola Cello
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Mat Marucci: Drum Rudiments: A Simple Approach: Snare Drum: Study
9.99
Mat Marucci: Drum Rudiments: A Simple Approach: Snare Drum: Study
Piano, Violon, Bandoneon, Guitare, Contrebasse
Mel Bay
The drum rudiments are the language of drummers. They are to us what scales and ...
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The drum rudiments are the language of drummers. They are to us what scales and chords are to the other instruments. Understanding the rudiments allows the drummer to communicate with other drummers and also have the ability tointerpret terminology and rhythms that are so often seen in music and music publications. This book is designed for drummers of all levels who would like knowledge of the snare drum rudiments but haven’t had the advantage ofstudying them formally. It is a quick simple approach that can be learned by any drummer who can do single strokes and double strokes [strokes using the stick rebound]. While this method is not meant to be a substitute for thetraditional way of learning the drum rudiments which I totally recommend one of the advantages of it is that it is a fast easy alternate method that will give an understanding of the how the rudiments are played and shouldsound. If nothing else this book will improve the drummer’s overall technique and playing. After studying the approach described it will be an easy transition to take the study of the rudiments further learning to play themin the traditional way and apply them to the drumset.
9.99 GBP - vendu par Musicroom GB
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Helen Grime: Into The Faded Air for String Sextet (Full Score): String Ensemble:
14.99
Helen Grime: Into The Faded Air for String Sextet (Full Score): String Ensemble:
Orchestre à Cordes
[Partition]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime
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Signs, Games And Messages (KURTAG GYORGY)
41.09
Signs, Games And Messages (KURTAG GYORGY)
Hautbois et Cor Anglais
[Partition]
EMB (Editio Musica Budapest)
Solo And Chamber Works. Par KURTAG GYORGY. Signs, Games and Messages are series ...
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Solo And Chamber Works. Par KURTAG GYORGY. Signs, Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág’s music. Signs ties it with the composer’s period of study in Paris as a young man, when he could not compose, merely put graphic signs on the paper. Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works, in that these short pieces are meant to be diary-entries and missives to musicians and friends important to Kurtág. The collection - like the earlier five series for string instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or mixed with from Signs, Games and Messages written for other instruments./ Répertoire / Hautbois et Cor Anglais
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Asidled (1993) (DIGBY ANDREW)
48.60
Asidled (1993) (DIGBY ANDREW)
Saxophone Alto, 2 Trombones, Tuba, Violon, Alto et
[Partition]
Carus Verlag
Par DIGBY ANDREW. the same material is repeated in constantly varying configurat...
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Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision: simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. [Andrew Digby]/ Répertoire / Saxophone Alto, 2 Trombones, Tuba, Violon, Alto et
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Asidled (1993) (DIGBY ANDREW)
27.10
Asidled (1993) (DIGBY ANDREW)
Saxophone Alto, 2 Trombones, Tuba, Violon, Alto et
[Partition]
Carus Verlag
Par DIGBY ANDREW. the same material is repeated in constantly varying configurat...
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Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision: simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. [Andrew Digby]/ Répertoire / Saxophone Alto, 2 Trombones, Tuba, Violon, Alto et
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Lionel Richie: Kaleidoscope: Hello: Flexible Band: Instrumental Work
42.50
Lionel Richie: Kaleidoscope: Hello: Flexible Band: Instrumental Work
Orchestre d'harmonie
[Partition]
Chester
Kaleidoscope No. 4-(Richie) (Am) Edited by Nicholas Hare. Kaleidoscope will save...
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Kaleidoscope No. 4-(Richie) (Am) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination andthese varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whetherthere are five or fifty players every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a scoreplus around 50 parts each one carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demandingparts too for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-knowntitles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don’t forget we have Kaleidoscopebumper carol packs and seasonal gems for your Christmas Concert too!
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James Power: Three's A Crowd: Book 2 Brass: Brass Ensemble: Instrumental Album
9.99
James Power: Three's A Crowd: Book 2 Brass: Brass Ensemble: Instrumental Album
Ensemble de cuivres
[Partition]
-
Facile
Power Music Company
Here are 19 easy-intermediate arrangements of familiar melodies in classical fo...
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Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Clarinet and Violin editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three brass players - with or without accompaniment Mayalso be used with matching arrangements in Book 2 editions of this series for Flute Saxophone Clarinet or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use
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Antonín Dvo?ák: Sonata For Violin And Piano In F Op.57: Orchestra: Instrumental
Orchestre
Simrock
A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's onl...
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A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's only Violin Sonata and is a relaxed almost tranquil affair with the two instruments interlaced and complementing each other.
15.50 GBP - vendu par Musicroom GB
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Pascal Proust: Six Cocktails: Wind Ensemble: Score and Parts
24.99
Pascal Proust: Six Cocktails: Wind Ensemble: Score and Parts
Ensemble à vent
De Haske Publications
The six-part suite Six Cocktails by French composer Pascal Proust offers somethi...
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The six-part suite Six Cocktails by French composer Pascal Proust offers something for every taste: some familiar flavours from closer to home mingle with those from lands afar. In additionâ??as per standard in the Music Box seriesâ??all four parts are flexible and can be combined with each other and supplemented by percussion instruments as required ensuring the perfect mix in a convivial atmosphere: shaken or stirred!
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Haunted Carousel, The (C/B)
91.10
Haunted Carousel, The (C/B)
Orchestre d'harmonie
[Conducteur et Parties séparées]
Alfred Publishing
Winner of the 2014 National Band Association Young Band Composition Contest, 'Th...
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Winner of the 2014 National Band Association Young Band Composition Contest, 'The Haunted Carousel' was conceived as a piece for band utilizing the sound of a theremin, an electronic instrument often used in old science fiction and horror movies. The part is optional and all critical material is doubled with other instruments of the band. The theremin part is designed to be performed live on an amplified iPad with the GarageBand application. This is one Halloween piece your entire audience will be talking about long after the concert! (4:20) / Concert Band
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Erik Morales: Finding You Here: Ensemble: Score and Parts
ENS::Ensemble
[Partition]
-
Facile
FJH
This easy swing ballad pays homage to the great Neal Hefti and his classic Liâ...
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This easy swing ballad pays homage to the great Neal Hefti and his classic Li’l Darlin’ which was written for the Count Basie orchestra and is now standard repertoire in the big band genre. There is plenty of ensemble work along with a great written tenor sax solo (also with chord symbols). For greater performance flexibility an optional solo sheet is included for other instruments as well. A great vehicle for teaching the most basic elements of jazz in a musical setting! (3:00)
45.95 GBP - vendu par Musicroom GB
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