Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Alto vous pourrez découvrir l'oeuvre ayant pour titre VIOLA FUN / Dinie Goedhart, arr. Nico Dezaire - Alto qui a été éditée par la maison d'édition De Haske Publications. / Alto / 24 pages / niveau : Très Facile / Partition + Cd

Viola part. Par SUZUKI SHINICHI. 20 classical pieces for viola. / Niveau : Débutant / Rép Classique / Méthode / Alto

16 Easy viola pieces for the first year. Par GOEDHART DINIE. Ces seize pièces faciles peuvent être exécutées seules ou accompagnées des pistes audio disponibles en ligne au format MP3. Idéales pour votre premier mini-concert, vous obtiendrez un succès garanti en les présentant à votre famille et à vos amis. / Niveau : Facile / Date parution : 2023-08-12/ Recueil / Alto

A vast and effective collection of progressive studies in Melodic Double stops by Richard Hofmann. Double stops are performed by depressing and playing two separate strings together to form a dual tone and create harmonic interest. This is a fantastic volume for students and performers enabling either to further their ability by working from simple and uncomplicated lines and building up gradually to playing simultaneous melodic lines with double stops and also triple and quadruple stops known as multiple stopping. Hofmann’s Studies have been transcribed here for Viola by Alan Arnold.

The Art Of Bowing consists of Fifty Variations on a Gavottte by Corelli by Guiseppi Tartini. As excercises they test and improve bowing technique and have been adapted for Viola by Alan Arnold.

Beginning level. Book 3 in the Beginner Viola Theory for Children series is an engaging resource that allows students to develop a deeper understanding of important theory concepts. Key signatures enharmonic diatonic andchromatic semitones whole tones major scales musical terms and symbols plus how to write music are all covered in this workbook. Unique to this book are detailed fill-in-the-blank diagrams of each major scale played on theviola. These diagrams allow students to visualize their scale and its theoretical structure in an easy-to-understand format. With this book there will be no complaints about theory homework.

Written as a companion to the wildly popular Fiddle book this method opens up the world of Fiddling to the beginning/intermediate Violist. Finally Fiddlers Violists and Cellists can jam together! Unlike many books for Violasand Cellos which simply transpose the tunes the authors went to considerable effort arranging the tunes to be both playable and true to the original melody and key.Variations to the tunes are included illustrating how theycan serve as a basis for improvisation. Ensemble skills are taught with chords and lyrics basic music theory and demonstrations of such skills as backup and lead playing in this playfully- illustrated book.A high quality multi-instrumental audio for listening and play-along captures the excitement of the music. Like its Fiddle counterpart this method is destined to be a classic. Includes access to online audio.

Titles: Concerto No. 2, 3rd Movement (F. Seitz) * Concerto No. 5, 1st Movement (F. Seitz) * Tonalization: Lullaby, Wiegenlied, Op. 98, No. 2 (F. Schubert) * Tonalization: Lullaby, Wiegenlied, Op. 49, No. 4 (J. Brahms) * Concerto in D Minor, 1st Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (A. Vivaldi) * Concerto in D Minor, 3rd Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (A. Vivaldi) * Concerto in G Major (Largo, Allegro, Andante, Presto) (G.P. Telemann) * Concerto in G Major for Two Violas (Lento, Allegro, Largo, Vivace) (G.P. Telemann). This title is available through SmartMusic.

Par PUSCOIU COSTEL. Great performers have proven that the viola can be successfully used for playing not only classic music, but also symphonic or chamber music from the classical, romantic or modern 36 period just as well as any other musical instrument. No longer is the contemporary repertoire considered unfit for the viola. This collection contains music which has been adapted and arranged especially for the viola. Ideal for the beginning player, it focuses on simple, well known melodies which are both easy and enjoyable. The arranger has carefully chosen the best keys for viola and therefore many songs are not in the keys in which they were originally written. A number of other adaptations have also been introduced to make the music more suitable for performance on the viola. The structure of the music has not been altered. The selections in the beginning of this book use more the treble clef than alto clef, making them easier for beginners and violinists transferring to viola. The piano accompaniment is available as a free download. / Niveau : Débutant / Classic - Solos / Recueil / Alto

La collection Best of Viola Classics - 16 Famous Concert Pieces pour alto et piano présentée par Schott contient une sélection d'?uvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts.Georg Philipp Telemann: Sonata B-Dur / Bb major aus / from: Der getreue Music-MeisterLuigi Boccherini: Minuetto aus / from: Sonata c-Moll / C minorJohann Nepomuk Hummel: Allegretto moderato aus / from: Sonata Es-Dur / Eb major, op. 5/3Robert Schumann: Märchenbild Nr. 3 / Fairy-Tale Picture No. 3, op. 113/3Märchenbild Nr. 4 / Fairy-Tale Picture No. 4, op. 113/4Friedrich Kiel: Romanze Nr. 2 / Romance No. 2, op. 69/2Romanze Nr. 3 / Romance No. 3, op. 69/3Emanuele Muzio: AndanteAnton Rubinstein: Morceau de Salon No. 2Joseph Joachim: Hebräische Melodie Nr. 1 / Hebrew Melody No. 1, op. 9/1Hebräische Melodie Nr. 2 / Hebrew Melody No. 2, op. 9/2Heinrich von Herzogenberg: Legende Nr. 1 / Legend No. 1, op. 62/1Robert Fuchs: Phantasiestück Nr. 2 / Fantasy Piece No. 2, op. 117/2Alexander Sergej Tanejew: Feuillet d?album / Albumblatt / Album Leave, op. 33Johanna Senfter: Scherzo aus / from: Viola-Sonata F-Dur / F major, op. 41Volker David Kirchner: Paso doble aus / from: Nostalgia / Alto / Schott

Quite possibly the largest collection of fiddle music for viola ever published! Contains a wealth of material for fiddlers seeking a transition to the viola and/or violists in search of a collection of traditional fiddle music.Designed to meet the rising popularity of the viola's role in folk music the tunes in this book are grouped into C G D F B-flat and E-flat major fingering. The music in this book is printed on parallel staffs. The top istraditional viola notation in the alto clef while the bottom is the same music in transposing violin notation allowing fiddlers who read the G or treble clef to play the viola by fingering it as if it were a fiddle.