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Couverture
Jesu, Meine Freude - Gloria Sei Dir Gesungen - Anon.: Alta Trinita Beata - Burck: Nun Laßt Uns Gott, Dem Herren (DIVERS AUTEURS / BACH JOHANN SEBASTIAN / BURCK JOA)
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Jesu, Meine Freude - Gloria Sei Dir Gesungen - Anon.: Alta Trinita Beata - Burck: Nun Laßt Uns Gott, Dem Herren (DIVERS AUTEURS / BACH JOHANN SEBASTIAN / BURCK JOA)
Chorale SATB
[Partition]
Carus Verlag
Gloria sei dir gesungen - Alta trinita beata. Par DIVERS AUTEURS / BACH JOHANN S...
(+)
Gloria sei dir gesungen - Alta trinita beata. Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN / BURCK JOA. Gattungen: Hymnen, Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Ende des Kirchenjahres -/ Répertoire / Choeur Mixte
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Chorale SATB
satb (soli), SATB (chœur), Clavier
[Vocal Score]
Carus Verlag
Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein fe...
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Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein feste Burg ist unser Gott for SATB and Orchestra.Bach's Reformation cantata based on what is probably Martin Luther's most famous hymn evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716 now missing which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730 Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on in the 1730s or 1740s Bach replaced the introductory chorale movement with achorale setting which was unique spacious and motet-like in its style; this uniquely in this respect incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets timpani as playing score) by Wilhelm Friedemann Bach are available.
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The Novello Book Of Hymns: SATB: Vocal Score
19.99
The Novello Book Of Hymns: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
50 Hymn Arrangements for SATB Choir and Congregation-The Novello Book Of Hymns i...
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50 Hymn Arrangements for SATB Choir and Congregation-The Novello Book Of Hymns is a collection of 50 favourite hymns inspiringly and engagingly written for SATB Choirs. Edited by David Hill all the arrangements in this book are designed to be singable by congregations without music and can be used in any church or school service.As well as providing uplifting versions of hymns these arrangements also work well as easy anthems enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd John Bertalot David Hill Stephen Jackson Philip Moore Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers Musical Director of the Bach Choir Chief Conductor of the Southern Sinfonia Associate Guest Conductor of the Bournemouth Symphony Orchestra Music Director of Leeds Philharmonic Society and Professor of Choral Conducting at Yale University.
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Liebster Immanuel, Herzog Der Frommen (BACH JOHANN SEBASTIAN)
10.33
Liebster Immanuel, Herzog Der Frommen (BACH JOHANN SEBASTIAN)
Chorale SATB
SATB, Piano
[Partition]
Carus Verlag
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata...
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Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Piano
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Liebster Immanuel, Herzog Der Frommen (BACH JOHANN SEBASTIAN)
37.80
Liebster Immanuel, Herzog Der Frommen (BACH JOHANN SEBASTIAN)
Chorale SATB
SATB, Orchestre
[Partition]
Carus Verlag
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata...
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Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Orchestre
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Wohl Dem, Der Sich Auf Seinen Gott (BACH JOHANN SEBASTIAN)
12.34
Wohl Dem, Der Sich Auf Seinen Gott (BACH JOHANN SEBASTIAN)
Chorale SATB
[Partition]
Carus Verlag
Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIA...
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Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout - this is followed by a lively tenor aria 'Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria 'Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello./ Répertoire / Chœur Mixte et Piano
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Johann Sebastian Bach: Jesu Priceless Treasure: SATB: Vocal Score
10.99
Johann Sebastian Bach: Jesu Priceless Treasure: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
-
Intermédiaire/avancé
Novello & Co Ltd.
Jesu Priceless Treasure is one of very few Bach motets which are in five parts....
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Jesu Priceless Treasure is one of very few Bach motets which are in five parts. Of all of Bach's motets it is the longest the most varied and has the greatest emotional range. It is founded on the hymn Jesu Meine Freude by Johannes Franck and the melody which Bach has used as the main feature of this motet is the one set to Franck's hymn by Johann Cruger and appeared first in his Praxis Pietatis Melica. The motet seems to have been written for the funeral of Frau Reese in 1723.This piece for SSATB voices can be sung unaccompanied or with the Piano Accompaniment provided in this edition.
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Johann Sebastian Bach: Now Thank We All Our God: SATB: Vocal Score
2.25
Johann Sebastian Bach: Now Thank We All Our God: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Now Thank We All Our God was a hymn first written by the German priest Martin Ri...
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Now Thank We All Our God was a hymn first written by the German priest Martin Rinkart in the 1630s. It has been adapted many times over the years most famously by Mendelssohn as a hymn tune. The version here was created as the third movement of Bach's Cantata BWV 79 (The Lord is a Sun and Shield) written for Reformation Day in 1725. It has been arranged for SATB choir with keyboard accompaniment presented here with the popular English text.J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organistand choirmaster and wrote many ecclesiastical works.
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Bach J.s. - Now My Soul Exalts The Lord Bwv 10 - Vocal Score
9.50
Bach J.s. - Now My Soul Exalts The Lord Bwv 10 - Vocal Score
Chorale SATB
[Partition]
Barenreiter
Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast ...
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Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast of Visitation B. V. M. With his cantata 'Meine Seel erhebt den Herren' which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the 'New Bach Edition'. - Festive cantata based on the Urtext of the 'New Bach Edition' - With a duration of 20-25 minutes Edition no.: BA 10010-90 ISMN: 9790006561520 Editor: Wolf, Uwe Arranger: Grünert, Matthias Language(s) of work: German, English Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 33 S. - 27,0 x 19,0 cm
9.50 EUR - vendu par Woodbrass
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Nun Danket Alle Gott (BACH JOHANN SEBASTIAN)
9.67
Nun Danket Alle Gott (BACH JOHANN SEBASTIAN)
Chorale SATB
[Partition]
Carus Verlag
Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun dan...
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Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig)./ Répertoire / Chœur Mixte et Piano
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Herbert Howells: Hymnus Paradisi (Full Score): SATB: Score
49.99
Herbert Howells: Hymnus Paradisi (Full Score): SATB: Score
Chorale SATB
SATB, Orchestre
[Partition]
-
Intermédiaire/avancé
Novello & Co Ltd.
This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for...
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This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for Soprano and Tenor Soli SATB chorus and orchestra. Now available for the first time in print this score has been prepared from the known sources revised and edited with critical commentary and includes a preface by Paul Spicer and introductory notes by Sir David Willcocks. Four of the choral movements (II-V) are settings of Latin and English texts. These are drawn from the Psalms and the 'Miss pro defunctis' the book of Common Prayer and are immemorial reflections upon the transient griefs and indestructible hopes of mankind. All are appropriate to the mood and purpose ofa Requiem. Movement VI is a setting of lines from the Salisbury Diurnal used here in the translation by Dr G. H. Palmer appearing at the end of Robert Bridges' Anthology The Spirit of Man. The first performance was at the Three Choirs Festival at Gloucester on 7th September 1950 which the composer conducted. The Bach Choir gave the first London performance early in 1951 and recorded the work in 1970 with the Philharmonia Orchestra under Sir David Willcocks.
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Johann Sebastian Bach: O Come O Come Emmanuel: SATB: Vocal Score
14.25
Johann Sebastian Bach: O Come O Come Emmanuel: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
It is believed that the melody of this stately hymn was of French origin possib...
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It is believed that the melody of this stately hymn was of French origin possibly as far back as the Advent Antiphons of the 8th cent. For this arrangement it is possible to add rhythmic variations to add spice to this classic hymn.
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The Novello Book Of Hymns
29.39
The Novello Book Of Hymns
Chorale SATB
Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...
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The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
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Sing Choirs! Anthems Psalms And Hymns For Choirs: SATB: Vocal Score
16.99
Sing Choirs! Anthems Psalms And Hymns For Choirs: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Psalms And Hymns For Choirs-Sing Choirs! is a library in miniature. It contains...
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Psalms And Hymns For Choirs-Sing Choirs! is a library in miniature. It contains many of the Christian church’s popular traditional anthems including at least one example that will be suitable for each of the major services of the year.A number of Anglican chants (Psalms Magnificat and Nunc Dimittis) are included set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services.Many of the works in Sing Choirs! are presented in their original form such as Bruckner’s Locus Iste and Mozart’s LaudateDominum. Others are arrangements adaptations or longer pieces abridged to bring them into the scope of a useable anthem including choral arrangements of Handel’s Largo the Ave Marias by Schubert and by Bach and Gounod and Franck’s Panis Angelicus amongst many others.This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard.Much of the music in Sing Choirs! will be suitable for special occasions making this an indispensable volume for choirs singing at weekly church services weddings funerals and in the concert hall.
16.99 GBP - vendu par Musicroom GB
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David Lantz III Herb Frombach: Our Many Hymns of Thanks: SATB: Vocal Score
12.50
David Lantz III Herb Frombach: Our Many Hymns of Thanks: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Here is an original concept from Herb Frombach set to beautiful music by the tal...
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Here is an original concept from Herb Frombach set to beautiful music by the talented David Lantz. The author has taken the titles of great hymns of faith and crafted a lyric of blessing and praise: “Now we give our praiseand thanksgiving to the Lord our King for His creation of every living thing.” This skillful reminder of the many blessings of our lives could be the quintessential anthem for the season of thanksgiving or for any time agrateful church turns their hearts and minds above. Flowing melodic lines and a sensitive call and response-style counterpoint make this piece easily learned but hard to forget. “Our Many Hymns of Thanks” will touchyour congregation.
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Choral From Cantata No. 79 (BACH JOHANN SEBASTIAN)
29.57
Choral From Cantata No. 79 (BACH JOHANN SEBASTIAN)
Chorale SATB
[Conducteur et Parties séparées]
-
Facile
De Haske Publications
Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. Nun Danket Alle Gott / Niveau :...
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Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. Nun Danket Alle Gott / Niveau : 2.5 / Hymnes et chorals / Date parution : 1905-06-25/ Répertoire / SATB
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Sollt Ich Meinem Gott Nicht Singen (BACH JOHANN SEBASTIAN / SCHOP JOHANN)
1.80
Sollt Ich Meinem Gott Nicht Singen (BACH JOHANN SEBASTIAN / SCHOP JOHANN)
Chorale SATB
[Partition]
Carus Verlag
Tonalité : D-Moll - Bwv 413. Par BACH JOHANN SEBASTIAN / SCHOP JOHANN. Gattunge...
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Tonalité : D-Moll - Bwv 413. Par BACH JOHANN SEBASTIAN / SCHOP JOHANN. Gattungen: Kirchenlieder, Sätze - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN SEBASTIAN / NICOLAI PHILIPP)
1.80
Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN SEBASTIAN / NICOLAI PHILIPP)
Chorale SATB
[Partition]
Carus Verlag
Aus: Wachet Auf, Ruf Uns Die Stimme. Par BACH JOHANN SEBASTIAN / NICOLAI PHILIPP...
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Aus: Wachet Auf, Ruf Uns Die Stimme. Par BACH JOHANN SEBASTIAN / NICOLAI PHILIPP. Alternative text to 'Gloria sei dir gesungen' from the cantata / Hymnes et chorals / Répertoire / Choeur SATB
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Choral From Cantata No. 79 (BACH JOHANN SEBASTIAN)
3.69
Choral From Cantata No. 79 (BACH JOHANN SEBASTIAN)
Chorale SATB
[Partition]
-
Facile
De Haske Publications
Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. Nun Danket Alle Gott / Niveau :...
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Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. Nun Danket Alle Gott / Niveau : 2.5 / Hymnes et chorals / Date parution : 1905-06-25/ Répertoire / SATB
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Ich Ruf Zu Dir, Herr Jesu Christ (LINKENBACH KLAUS)
4.50
Ich Ruf Zu Dir, Herr Jesu Christ (LINKENBACH KLAUS)
Chorale SATB
[Partition]
Carus Verlag
Choralpartita. Par LINKENBACH KLAUS. Eine Choralpartita in fünf Sätzen: Coro 4...
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Choralpartita. Par LINKENBACH KLAUS. Eine Choralpartita in fünf Sätzen: Coro 4stg, 2stg, 2stg, 3stg, 4stg / Hymnes et chorals / Répertoire / Choeur SATB
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Bob Chilcott: St John Passion: SATB: Vocal Score
15.25
Bob Chilcott: St John Passion: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Oxford University Press
Bob Chilcott's mighty setting of words from the Gospel of St John is a dramatic ...
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Bob Chilcott's mighty setting of words from the Gospel of St John is a dramatic yet optimistic retelling of the Passiontide story. As with Bach's great Passion settings the role of the Evangelist is taken by the tenor soloist who provides a melodious narrative throughout the work in arioso style. The words of Jesus and Pilate are performed by solo baritones. Within the narrative the SATB chorus becomes a crowd or a group of soldiers commenting on the story in short outbursts although the larger role of the choir is to perform the four meditations and five hymns that support the story. For the meditations-two of whichinclude soprano solos-Chilcott has selected English poems from the 13th to the early 17th centuries.The five well-known hymn texts are set to new original melodies which are also intended for performance by an audience or congregation.
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Holy Holy Holy: SATB: Vocal Score
1.99
Holy Holy Holy: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Daybreak Music
incorporating Sleepers Awake-What better combination than a traditional hymn in...
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incorporating Sleepers Awake-What better combination than a traditional hymn in a Baroque setting? Bach's “Sleepers Awake” from Cantata No. 140 in the background will be familiar allowing you to present a new and comfortable rendition of thebeloved Holy Holy Holy. A ChoirTrax and Instrumental Pak (strings) provide optional rehearsal and/or performance options. Available separately: SATB ChoirTrax CD. Score and Parts for Strings available digitally (80042).Duration: ca: 4:30.
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John Joubert: St. Mark Passion: SATB: Vocal Score
8.99
John Joubert: St. Mark Passion: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and th...
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POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine
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David M. Cherwien: Christ Jesus Lay in Death's Strong Bands: SATB: Vocal Score
2.99
David M. Cherwien: Christ Jesus Lay in Death's Strong Bands: SATB: Vocal Score
Chorale SATB
[Vocal Score]
MorningStar Music Publishers
This solid and stately setting has instructions for tracking through both the LS...
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This solid and stately setting has instructions for tracking through both the LSB (7 verses) and ELW (5 verses) version of this hymn but is useful for any congregation wanting a festive Easter setting. An extended organ/brassintroduction version based on Bach's setting of 'Christ Lag in Todesbaden' from the Orgelbuchlein is also available. Instrumental Parts include Two Trumpets in C or B-flat Horn in F Two Trombones [Trombone 2 with F attachementor Bass Trombone] and Timpani.
2.99 GBP - vendu par Musicroom GB
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Mack Wilberg: I Sing The Mighty Power Of God: Mixed Choir: Vocal Score
2.95
Mack Wilberg: I Sing The Mighty Power Of God: Mixed Choir: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Oxford University Press
This anthem will feel immediately familiar to many listeners! Wilberg has adapte...
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This anthem will feel immediately familiar to many listeners! Wilberg has adapted the words of a traditional hymn and set them to the melody of O little town of Bethlehem. With a lively accompaniment and spirited counter-melody the result is a sparkling and jubilant work that will suit both concerts and services of thanksgiving throughout the year.Mack WilbergMack Wilberg is the Music Director of the Mormon Tabernacle Choir. He was appointed Music Director in March 2008 having served as Associate Music Director since May 1999. He is a former professor of music at Brigham Young University where he received his bachelor's degree; his master'sand doctoral degrees are from the University of Southern California. In addition to his conducting responsibilities he is active as a pianist choral clinician composer arranger and guest conductor throughout the United States and abroad. In addition to the many compositions he has written for the Mormon Tabernacle Choir his works have been performed by artists such as Renée Fleming Frederica von Stade Bryn Terfel The King's Singers and narrators Walter Cronkite and Claire Bloom. Wilberg's arrangements and compositions are performed and recorded all over the world. With their grandeur energy and craftsmanship they inspire performers and audiences everywhere.
2.95 GBP - vendu par Musicroom GB
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Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
3.99
Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...
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'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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John Gardner: Just A Closer Walk With Thee: SATB: Vocal Score
2.50
John Gardner: Just A Closer Walk With Thee: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
From Gardner's 'Six American Hymns In A Free Style'Here he pairs familiar text ...
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From Gardner's 'Six American Hymns In A Free Style'Here he pairs familiar text with an accompaniment derived in part from Bach's Herz Und Mund Und That Und Leben.
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Bo Holten: Danske Julesalmer og -Sange: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Wilhelm Hansen
Danske Julesalmer og -Sange is a collection of 50 christmas hymns and songs arra...
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Danske Julesalmer og -Sange is a collection of 50 christmas hymns and songs arranged for Mixed Choir SATB by Bo Holten Bendt Kallenbach Jørgen Lauritsen Henrik Metz and Finn Viderø.
22.99 GBP - vendu par Musicroom GB
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Anthems Old And New Vol.1
Chorale SATB
Kevin Mayhew
/ Choeur Mixte (SATB)
43.49 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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