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Missa In A-Dur
16.20
Missa In A-Dur
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Missa in A-Dur qui a été écrite pourSoli (SAB), Choeur Mixte (SATB), Orchestre Et Orgue. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5183 . / Soli (SAB), Choeur Mixte (SATB), Orchestre Et Orgue / Partition
16.20 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Missa In G-Dur
16.90
Missa In G-Dur
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Missa in G-Dur qui a été écrite pourSoli (SATB), Choeur Mixte (SATB), Orchestre Et Orgue. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5185 . / Soli (SATB), Choeur Mixte (SATB), Orchestre Et Orgue / Partition
16.90 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
14.50
Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
14.50 GBP - vendu par Musicroom GB
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Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
15.00
Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositi...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).
15.00 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Vocal Score
10.00
Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Barenreiter
Urtext edition-Vocal score and performance material available for sale.Lavishly ...
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Urtext edition-Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
10.00 GBP - vendu par Musicroom GB
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3 Uncharacteristic Pieces
32.58
3 Uncharacteristic Pieces
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
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Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orchestre
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
45.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
45.00 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Part
4.50
Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...
(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
4.50 GBP - vendu par Musicroom GB
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
6.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
7.50
Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
7.50 GBP - vendu par Musicroom GB
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
6.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa Brevis In D Minor K.65: Mixed Choir: Score
14.50
Wolfgang Amadeus Mozart: Missa Brevis In D Minor K.65: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Barenreiter
Baroque tradition remained alive in the music of Salzburg Cathedral into the fir...
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Baroque tradition remained alive in the music of Salzburg Cathedral into the first decades of the nineteenth century. This called for the inclusion of three trombones playing colla parte with the alto tenor and bass in the tuttis. Although not expressly noted in the autographs of the Masses the participation of trombones is authentically documented for K. 65 (61a).- Urtext of the New Mozart Edition- Full score performance material (BA5341) and vocal score (BA5341-90) available for sale.
14.50 GBP - vendu par Musicroom GB
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Psalm 110 (VIVALDI ANTONIO)
2.60
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
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Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-04-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
2.60 EUR - vendu par LMI-partitions
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Psalm 110 (VIVALDI ANTONIO)
6.10
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
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Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-09-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
6.10 EUR - vendu par LMI-partitions
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Psalm 110 (VIVALDI ANTONIO)
23.40
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
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Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-10-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
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Psalm 110 (VIVALDI ANTONIO)
2.30
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
(+)
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-04-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
2.30 EUR - vendu par LMI-partitions
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Psalm 110 (VIVALDI ANTONIO)
2.60
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
(+)
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-04-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
2.60 EUR - vendu par LMI-partitions
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Psalm 110 (VIVALDI ANTONIO)
2.60
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
(+)
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-04-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
2.60 EUR - vendu par LMI-partitions
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Psalm 110 (VIVALDI ANTONIO)
2.30
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
(+)
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-04-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
2.30 EUR - vendu par LMI-partitions
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Psalm 110 (VIVALDI ANTONIO)
2.60
Psalm 110 (VIVALDI ANTONIO)
Soli, choeur mixte et accompagnement
[Partition]
Carus Verlag
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of...
(+)
Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited. / Date parution : 1990-04-01/ Répertoire / Solistes ATB, 2 Hautbois, 2 Violons, Alto et Basse
2.60 EUR - vendu par LMI-partitions
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Zelenka - Missa Dei Patris In C Major Zwv 19 - Vocal Score
25.20
Zelenka - Missa Dei Patris In C Major Zwv 19 - Vocal Score
Soli, choeur mixte et accompagnement
[Vocal Score]
Breitkopf & Härtel
Missa Dei Patris in C major ZWV 19 Breitkopf Urtext edited by Paul Horn and Rein...
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Missa Dei Patris in C major ZWV 19 Breitkopf Urtext edited by Paul Horn and Reinhold Kubik [solos,mix ch,orch] 70' solos: SATB ' choir: SATB ' 0.2.0.1. ' 0.0.0.0. ' str ' bc The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. The musical text of the present conductors score is based on that of Volume 93 of the Denkmäler edition Das Erbe deutscher Musik. The new piano-vocal score has been edited by the reputable expert Andreas Köhs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting' I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)
25.20 EUR - vendu par Woodbrass
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Wolfgang Amadeus Mozart: Ascanio In Alba K.111: Voice: Vocal Score
59.00
Wolfgang Amadeus Mozart: Ascanio In Alba K.111: Voice: Vocal Score
Soli, choeur mixte et accompagnement
[Partition]
Barenreiter
On the occasion of the marriage of her son Archduke Ferdinand of Austria to the ...
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On the occasion of the marriage of her son Archduke Ferdinand of Austria to the Princess Maria Ricciarda Beatrice of Modena the Empress Maria Theresia commissioned the young Mozart to compose the work Serenata Teatrale “Ascanio in Alba”. The librettist the Viennese Abate Guiseppe Parini one of the most outstanding poets of the 18th century wrote a baroque-designed libretto which paid homage to and congratulated the royal couple.Mozart wrote the music in only a few weeks from the end of August until 23 September 1771. The first performance took place on 17 October 1771 in Milan to rousing success. Shortly thereafter LeopoldMozart wrote that his son's composition had so overpowered the main performance of Hasses opera “Il Ruggierio ” from the previous day that he could hardly describe it.- Urtext of the New Mozart Edition- Full score (BA4504-01) and vocal score (BA4504-90) available for sale- Performance material (BA4504-72) available for hire
59.00 GBP - vendu par Musicroom GB
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MISSA OMNIUM SANCTORUM IN A-MOLL ZWV 21 (ZELENKA JAN DISMAS) (ZELENKA JAN DISMAS)
30.52
MISSA OMNIUM SANCTORUM IN A-MOLL ZWV 21 (ZELENKA JAN DISMAS) (ZELENKA JAN DISMAS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Breitkopf & Härtel
Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass...
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Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the ?Das Erbe deutscher Musik? series, from which Breitkopf and Härtel also took over both its informative preface as well as the critical report. 'Zelenka?s artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting' I think that he still has several surprises for us.' (Schweizerische Musikzeitung) 'Zelenka?s Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach.' (Die Welt) / Date parution : 2023-06-16/ Répertoire / Choeur Mixte SATB et Piano
30.52 EUR - vendu par LMI-partitions
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