Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites, David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by, brimming with the swing and swagger of the Barbershop style. Arranged for a quartet of Alto, Tenor, Baritone and Bass voices, each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing. The close-harmony style not only presents a uniquely satisfying and playful challenge to the singers, but will also delight and amuse audiences everywhere, no matter what the occasion! / Voix Masculines

Brahms' celebrated setting of a text by W.G.Rothery is arranged here by John E. West for men's voices.

Version for Alto Tenor and Bass Voices-A version for Alto Tenor and Bass voices.

Written for TTBarB and Piano (or Organ). Words adapted from psalms 81 47 68 150 and 96. Composed for the Morriston Orpheus Choir.

In thankfulness for a providential escape of the King from shipwreck the Rev John Gostling who had been of the royal party put together some verses from the Psalms in the form of an anthem and requested Purcell to set them to music. The work is a very difficult one including a passage which traverses the full extent of Gostling's voice beginning on the upper D and descending two octaves to the lower.

Vaughan Williams' setting of English folksong for men's voices. A Piano part is provided for rehearsal purposes.

Volume One - Humour-Three Men's Songs: Volume One- Humour (Purcell Was No Household Detergent) contains thirteen settings of classical instrumental pieces for ATB selected edited or arranged by Peter Giles.