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Piano seul [ 116914 ]
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1 Piano, 4 mains [ 6734 ]
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2 Pianos, 4 mains [ 2829 ]
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Partie séparée [ 2129 ]
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4 Guitares (Quatuor) [ 1433 ]
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Tous Les Instruments [ 629 ]
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CD [ 513 ]
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Orgue et Orchestre [ 227 ]
2 Violons, Piano [ 224 ]
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Instruments en Sib [ 216 ]
Alto et orchestre [ 215 ]
Flûte, Clarinette (duo) [ 208 ]
Trio à cordes [ 195 ]
Cor, Orchestre [ 193 ]
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Clarinette, Orchestre [ 183 ]
Piano Quintette: piano, 2 violons, alto, violoncelle [ 179 ]
Violoncelle , Guitare (duo) [ 177 ]
Trio à cordes: 3 violins [ 174 ]
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Instruments en Mib [ 162 ]
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Instruments Sib, Mib et Do [ 146 ]
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Trompette, Orchestre [ 128 ]
Hautbois et Orchestre [ 127 ]
Trio de Cuivres [ 123 ]
Clarinette, Violoncelle, Piano (trio) [ 120 ]
Quatuor de Cuivres: 2 trompettes, Cor, trombone [ 119 ]
Orchestre à Plectres [ 117 ]
Batterie-Fanfare [ 114 ]
Mariachi [ 107 ]
Quintette à cordes: 2 violons, 2 altos, violoncelle [ 98 ]
Partitions De Groupes [ 95 ]
Basson, Orchestre [ 90 ]
Hautbois, Violin, Alto et Violoncelle (Quatuor) [ 89 ]
Accordéon et Orchestre [ 86 ]
Quatuor à cordes: 4 violons [ 84 ]
Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
Clarinette et Cordes [ 71 ]
Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
4 Percussions [ 66 ]
Quatuor à cordes : 4 altos [ 63 ]
Quintette à cordes : 2 violons, alto et 2 violoncelles [ 61 ]
Quintette à cordes: 2 violons, alto, violoncelle, basse [ 57 ]
Clarinette, Violon, Violoncelle, Piano [ 54 ]
Ensemble de Violons [ 52 ]
Quatuor à Vent : 4 instruments à vents [ 50 ]
Trombone et orchestre [ 47 ]
3 Percussions [ 46 ]
Contrebasse, Orchestre [ 45 ]
Harpe, Orchestre [ 42 ]
Soli et Orchestre [ 42 ]
2 Hautbois et Cor anglais [ 40 ]
Flûte, Violon, Piano [ 40 ]
Piano, Violon, Bandoneon, Guitare, Contrebasse [ 38 ]
Violon, Cor et Piano [ 37 ]
Saxophone et Orchestre [ 36 ]
Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
Quintette de Cuivres: autres combinaisons [ 29 ]
Tuba et Orchestre [ 28 ]
Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
Quatuor Instruments Mixtes [ 27 ]
2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
Hautbois, Basson et Piano [ 24 ]
Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Wim Laseroms: Variousity: Concert Band: Score
9.99
Wim Laseroms: Variousity: Concert Band: Score
Orchestre d'harmonie
Scherzando
S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim L...
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S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.
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Wim Laseroms: Variousity: Concert Band: Score & Parts
73.99
Wim Laseroms: Variousity: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Scherzando
S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim L...
(+)
S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.
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Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
16.41
Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Conducteur]
Schott
Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Fantasy In F Minor, K. 594
34.20
Fantasy In F Minor, K. 594
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Hal Leonard
These two extraordinary works of late Mozart, KV 594 and KV 608, were both compo...
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These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They are also variously titled 'Adagio und Allegro in f für ein Orgelwerk? and 'Allegro und Andante (Fantasie in f) für eine Orgelwaltze.?The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. / Quintette A Vent
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Fantasy In F Minor, K. 608
34.20
Fantasy In F Minor, K. 608
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Hal Leonard
These two extraordinary works of late Mozart, KV 594 and KV 608, were both compo...
(+)
These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They are also variously titled 'Adagio und Allegro in f für ein Orgelwerk? and 'Allegro und Andante (Fantasie in f) für eine Orgelwaltze.?The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. / Quintette A Vent
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Crazy Music In The Air (DE HAAN JACOB)
84.60
Crazy Music In The Air (DE HAAN JACOB)
Ensemble de cuivres
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Par DE HAAN JACOB. This composition in two parts is one of the first successful ...
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Par DE HAAN JACOB. This composition in two parts is one of the first successful works Jacob de Haan published for brass band. Somewhat under the influence of Ted Huggen’s Choral and Rock Out which was an overwhelming success at the time, the still very young Jacob de Haan wrote this composition. The first part (Air) exists of a choral melody with baroque grace notes, supported by a pop rhythm in the drums. The second part (Crazy Music) is a swinging bossa nova, in which various instrument groups present themselves in the continuously varying themes. The famous Black Dycke Mills Band contributed to the success of Crazy Music in the Air by regularly putting the piece on its tour programmes. This composition in two parts is one of the first successful works Jacob de Haan published for Brass Band. Somewhat under the influence of Ted Huggen’s Choral and Rock Out which was an overwhelming success at the time, the still very young Jacob de Haan wrote this composition. The first part (Air) exists of a choral melody with baroque grace notes, supported by a pop rhythm in the drums. The second part (Crazy Music) is a swinging bossa nova, in which various instrument groups present themselves in the continuously varying themes. The famous Black Dycke Mills Band contributed to the success of Crazy Music in the Air by regularly puttingthe piece on its tour programmes. / Niveau : 3 / Musique légère originale / Répertoire / Brass Band
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Jerry B. Bensman: My First Solo: Concert Band: Score
9.50
Jerry B. Bensman: My First Solo: Concert Band: Score
Orchestre d'harmonie
Gobelin Music Publications
You only have had a couple of months of lessons and already you are to play a so...
(+)
You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.
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Schola Vitae
222.50
Schola Vitae
Concert Band / Harmonie
[Conducteur et Parties séparées]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Jerry B. Bensman: My First Solo: Concert Band: Score & Parts
49.99
Jerry B. Bensman: My First Solo: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Gobelin Music Publications
You only have had a couple of months of lessons and already you are to play a so...
(+)
You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.
49.99 GBP - vendu par Musicroom GB
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Le opere attestate in antologie compilate in vita (GABRIELI ANDREA)
133.90
Le opere attestate in antologie compilate in vita (GABRIELI ANDREA)
Orchestre
Ricordi
Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in ...
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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre
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Jerry B. Bensman: My First Solo: Brass Band: Score
7.99
Jerry B. Bensman: My First Solo: Brass Band: Score
Ensemble de cuivres
Gobelin Music Publications
You only have had a couple of months of lessons and already you are to play a so...
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You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.
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Johann Pfeiffer: Concerto in B-flat Major: Orchestra: Score and Parts
15.70
Johann Pfeiffer: Concerto in B-flat Major: Orchestra: Score and Parts
Orchestre
[Conducteur et Parties séparées]
Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...
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German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto). German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto).
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Brian Balmages: Phantom Tangos: String Orchestra: Score and Parts
Orchestre à Cordes
[Partition]
FJH
This serious festival work relies heavily on various elements of the tango set ...
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This serious festival work relies heavily on various elements of the tango set in a more contemporary framework. While the title mainly refers to the way various tangos come and go (through multiple transitional devices) it also references the opening and closing sections which include a 'phantom sound' through the use of mild dissonance and sudden dynamic changes that seemingly appear out of nowhere. Highly creative and unique!
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Johann Pfeiffer: Concerto in B-flat Major: Orchestra: Score and Parts
34.80
Johann Pfeiffer: Concerto in B-flat Major: Orchestra: Score and Parts
Orchestre
[Conducteur et Parties séparées]
Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...
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German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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Jerry B. Bensman: My First Solo: Brass Band: Score & Parts
47.50
Jerry B. Bensman: My First Solo: Brass Band: Score & Parts
Ensemble de cuivres
Gobelin Music Publications
You only have had a couple of months of lessons and already you are to play a so...
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You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.
47.50 GBP - vendu par Musicroom GB
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Paganini Jazz op. 5c (SAY FAZIL)
32.71
Paganini Jazz op. 5c (SAY FAZIL)
Violon, Piano, Guitare Basse et Percussion
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Schott
Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The...
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Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion
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Thomas Doss: Reverie: Concert Band: Score
21.50
Thomas Doss: Reverie: Concert Band: Score
Orchestre d'harmonie
[Conducteur]
Mitropa Music
for Solo Bb Euphonium (or Baritone ad lib.) and Concert Band-Reverie is a small...
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for Solo Bb Euphonium (or Baritone ad lib.) and Concert Band-Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities. Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities.
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Tension
208.30
Tension
Ensemble de cuivres
Norsk Musikforlag
Par SCHJELDERUP FREDRICK. Tension is a thematic work for brass band, commissione...
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Par SCHJELDERUP FREDRICK. Tension is a thematic work for brass band, commissioned by Eikanger-Bjørsvik Musikklag for their Summer Band Camp (called Feriespel) in 2014. The theme is moved around in various groups in the band, surrounded by different rhythms, time signatures and cluster chords. The title describes the tonality and character of the piece, but can also illustrate a young musician or audience meeting of tight cluster tonality. / Date parution : 2023-10-31/ Répertoire / Concert Band
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Steven Winteregg: TGV (Train á Grande Vitesse): Concert Band: Score
7.50
Steven Winteregg: TGV (Train á Grande Vitesse): Concert Band: Score
Orchestre d'harmonie
Lauren Keiser Music Publishing
This exciting work follows a ride on the TGV France's bullet train. It opens wi...
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This exciting work follows a ride on the TGV France's bullet train. It opens with the sounds of a French railway station and parallels a journey with various accelerations and speed shifts. (Grade 4) Dur: 3:00
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Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
9.50
Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
Violin 1 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, St...
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Violin 1 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
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Jerry B. Bensman: Just for Friends: Concert Band: Score
9.50
Jerry B. Bensman: Just for Friends: Concert Band: Score
Orchestre d'harmonie
Gobelin Music Publications
The rock ballad Just for Friends is a gem for the conductor and the band. A marv...
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The rock ballad Just for Friends is a gem for the conductor and the band. A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.
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String Quartet With Orchestra H 207 / Sinfonia Concertante No. 2 H 322 (MARTINU BOHUSLAV)
390.60
String Quartet With Orchestra H 207 / Sinfonia Concertante No. 2 H 322 (MARTINU BOHUSLAV)
Orchestre et Quatuor à Cordes
[Partition]
Barenreiter
Score Hardcover. Par MARTINU BOHUSLAV. 'To tell the truth, I'm a concerto grosso...
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Score Hardcover. Par MARTINU BOHUSLAV. 'To tell the truth, I'm a concerto grosso type,” Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orchestra included in the 'Quadruple Concertos” volume. The works were written nearly twenty years apart and are quite different in style, having been inspired by various influences: Handel and Haydn, the Baroque period, and Classicism. The considerable time gap between the compositions is also evident in Martinu's compositional technique, which transformed fundamentally throughout the decades. The sixth BMCE volume includes an extensive preface describing the genesis of the works, the circumstances of their first publication, and their historical reception in the context of the composer's oeuvre, as well as a detailed critical report by the editors. The facsimile section provides high-quality reproductions of musical and non-musical sources, which document selected editorial issues, historical performance practice, and abandoned versions. 'Quadruple Concertos” is the last editorial accomplishment of brilliant Martinu expert and world-famous conductor Christopher Hogwood - a work that he collaborated on during his many years of research on Martinu./ Répertoire / Orchestre et Quatuor à Cordes
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Wim Laseroms: Mountain March: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Scherzando
A fanfare introduces This festive march is introduced by a lively fanfare which ...
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A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first playful melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo the first theme returns. The initial theme performed by piano and cantabile trio later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march but will also gain much appreciation on the concert platform.
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Ryan Fraley: Adirondack Park: Concert Band: Score and Parts
Orchestre d'harmonie
[Partition]
-
Intermédiaire
FJH
Excellent for festival or contest this exciting new overture-style work has a h...
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Excellent for festival or contest this exciting new overture-style work has a haunting classic march tempo. Features interesting harmonic twists mysterious themes and various textures. Modest range demands make this an easy Grade 3.
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Konzert In A-Dur Für Flöte, Violine, Violoncello, Streicher Und Basso Continuo (TELEMANN GEORG PHILIPP)
34.00
Konzert In A-Dur Für Flöte, Violine, Violoncello, Streicher Und Basso Continuo (TELEMANN GEORG PHILIPP)
[Conducteur]
BARENREITER
for Flute, Violin, Violoncello, Strings and Basso continuo. Par TELEMANN GEORG P...
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for Flute, Violin, Violoncello, Strings and Basso continuo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
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Hymn Of Faith (BOURGEOIS LOUIS)
18.50
Hymn Of Faith (BOURGEOIS LOUIS)
Ensemble de cuivres
[Conducteur]
-
Intermédiaire
De Haske Publications
St. Michael. Par BOURGEOIS LOUIS. The French composer Louis Bourgeois lived from...
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St. Michael. Par BOURGEOIS LOUIS. The French composer Louis Bourgeois lived from c. 1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourgeois published a number of psalm collections, and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed, are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael, which is why this melody hasbeen used for various texts, written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice, the second verse being embellished in the tenor register. After a short interlude verse three follows, played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse, which concludes the work in a brilliant tutti. / Niveau : 3 / Hymnes et chorals / Répertoire / Brass Band
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Gustav Holst: St. Paul's Suite: Orchestra: Instrumental Work
74.99
Gustav Holst: St. Paul's Suite: Orchestra: Instrumental Work
Orchestre
Schirmer
Score and Parts-Includes well-known original repertoire and arrangements. Refre...
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Score and Parts-Includes well-known original repertoire and arrangements. Refreshing ideas for your concert performance. Various Pieces For String ensemble.
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Ralph Vaughan Williams: Five Variants On 'Dives And Lazarus': String Ensemble:
8.25
Ralph Vaughan Williams: Five Variants On 'Dives And Lazarus': String Ensemble:
Orchestre à Cordes
Oxford Univertsity Press
Paperback-Vaughan Williams fist encountered the old English folk song Dives and...
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Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.
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St. Nelson J. Rollins: Christmas Favourites: Concert Band: Score and Parts
Instrumentation Flexible
[Partition]
Obrasso
A Band Book For Beginners-The most common problem facing Junior Bands is usually...
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A Band Book For Beginners-The most common problem facing Junior Bands is usually an unbalanced instrumentation. All the pieces in this collection have been conceived with young players in mind and the parts are available in different transpositions so that various combinations of instruments are possible.InstrumentationPart 1:in C (8va) Flutein C Oboe/Piccoloin Eb Soprano Cornet/Eb Clarinetin Bb Clarinet/Trumpet/CornetPart 2:in Bb Clarinet/Trumpet/Cornetin Eb Eb Horn/Alto Saxophonein F French HornPart 3:in Eb EbHorn/Alto Saxophonein F French Hornin Bb Euphonium/Baritone/Trombone/Bass Clarinet/Tenor Saxophonein C Euphonium/Trombone/Baritone/BassoonPart 4:in Bb Euphonium/Baritone/Trombone/Bass Clarinet/Tenor Saxophone/Bb Bassin Eb Eb Bass/Baritone Saxophonein C Tuba/Bassoon/Euphonium/Trombone/BaritonePercussion
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First Year Charts Collection for Jazz Ensemble: Jazz Ensemble: Score and Parts
158.00
First Year Charts Collection for Jazz Ensemble: Jazz Ensemble: Score and Parts
Ensemble Jazz
Alfred Publishing
Best of Belwin Jazz-Best of Belwin: First Year Charts Collection For Jazz Ensemb...
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Best of Belwin Jazz-Best of Belwin: First Year Charts Collection For Jazz Ensemble is an assortment of twelve outstanding jazz ensemble arrangements for younger jazz musicians. Each chart is written by experienced educational arrangers and composers in various styles and tempos.This superb collection is written for full instrumentation: 5 Saxophones 3 Trumpets 3 Trombones and 4 Rhythm.All solos are written out in improvised sections. The conductor???s book includes full-length CD recordings of all titles.
158.00 GBP - vendu par Musicroom GB
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