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Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
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Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
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Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Mozart W.a. - Eine Kleine Nachtmusik Kv 525 - Facsimile
235.30
Mozart W.a. - Eine Kleine Nachtmusik Kv 525 - Facsimile
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Eine kleine Nachtmusik' '... written with ease, but skillfully refined' 'Eine k...
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Eine kleine Nachtmusik' '... written with ease, but skillfully refined' 'Eine kleine NachtMusick' is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing 'Don Giovanni', a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart's output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart's original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages ' in high-quality colour printing, each trimmed individually ' are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. 'The fact that it's all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.' (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary 'Facsimile of the autograph score KV 525 'Introduction: 'I. 1787: The work. Its background, genesis, significance and impact 'II. The Autograph. Its clear, its twisted paths 'Notes and References 'Einführung: 'I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung 'II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade 'Anmerkungen 'Watermark No. 55 'Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm
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Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score
14.99
Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score
Orchestre d'harmonie
Gobelin Music Publications
Durkle Bandrydge is the name of the composers imaginary world but it could very...
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Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!
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Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score & Parts
73.99
Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Gobelin Music Publications
Durkle Bandrydge is the name of the composers imaginary world but it could very...
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Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!
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Brian Balmages: When Spirits Soar: Concert Band: Score and Parts
Orchestre d'harmonie
[Partition]
-
Intermédiaire
FJH
Let the emotion pour off your stage with this powerful new composition by Brian ...
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Let the emotion pour off your stage with this powerful new composition by Brian Balmages. Combining the undeniable spirit of youth along with the emotional passing of a spirit this work will carry your audience through an array of emotions. Opening with exciting woodwind flourishes and contrasting fanfares the piece eventually moves into a sensitive passage featuring beautiful chamber writing. Special effects are employed (including tuned wine glasses and singing) in an ethereal presentation of the melody using piano bells and vibraphone. As the piece builds one final time the beautiful sweeping lines of the lyrical section return under soaring woodwind ostinatos. This worktruly soars! (6:12)
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Kevin Houben: Ray of Light: Concert Band: Score
25.99
Kevin Houben: Ray of Light: Concert Band: Score
Orchestre d'harmonie
[Conducteur]
Ray of light was composed for the 75th anniversary of the Royal Wind Band (De He...
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Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn?t only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn?t without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.
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Datura op. 57 (YE XIAOGANG)
37.74
Datura op. 57 (YE XIAOGANG)
Flute, Violin, Cello and Piano
[Conducteur et Parties séparées]
Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and w...
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Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano
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Poul Ruders: Manhattan Abstraction: Orchestra: Score
57.50
Poul Ruders: Manhattan Abstraction: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
New York is the city which fascinates and inspires Ruders. Time and again he goe...
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New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in other words. In spite of the rigidly fixed material Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis; the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile which under the clear sky materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to as well as a vision of this giant contraption of concrete glass and chrome.
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Joseph M. Martin: Morning Star: Orchestra: Parts
Orchestre
Shawnee Press
From the composers of The Winter Rose and A Time for Alleluia comes a work that ...
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From the composers of The Winter Rose and A Time for Alleluia comes a work that celebrates the birth of Jesus ? the Light of the world the bright and morning star. Joseph and Pamela Martin once again provide acantata rich with beautiful melodies and evocative narration. Using familiar carols as well as other anthems this dynamic work creates the perfect blend for seasonal programs. Brant Adams joins the Martins' creative team providing brilliant orchestrations and festive tracks for church performance. Let ?Morning Star? shine its beauty this Christmas for a resplendent and meaningful worship experience.
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André Waignein: Dunamis: Concert Band: Score & Parts
194.99
André Waignein: Dunamis: Concert Band: Score & Parts
Orchestre d'harmonie
Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...
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Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
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No Time to Die (from No Time To Die)
76.90
No Time to Die (from No Time To Die)
Instrumentation Flexible
[Conducteur et Parties séparées]
Hal Leonard
Delayed by the pandemic but scheduled for release in 2021, the much anticipated ...
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Delayed by the pandemic but scheduled for release in 2021, the much anticipated James Bond film No Time to Die features a darkly beautiful and moody theme song recorded by Billie Eilish. With hints of the signature Bond harmonic flavor and stylish setting, this already on its way to becoming a classic./ Répertoire / Ensemble Flexible à 5 Parties (Cordes en option)
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Vince Guaraldi Lee Mendelson: Christmas Time Is Here: Jazz Ensemble: Score &
44.99
Vince Guaraldi Lee Mendelson: Christmas Time Is Here: Jazz Ensemble: Score &
Ensemble Jazz
Hal Leonard
Although written for the Charlie Brown TV Christmas special in 1965 Christmas T...
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Although written for the Charlie Brown TV Christmas special in 1965 Christmas Time Is Here has gone on to become a popular modern day holiday standard. Here's a beautiful setting by Mark Taylor that features creative scoring and harmonies giving it a more sophisticated sound than its easy level would indicate.
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Johann Strauss: Great waltzes: Orchestra: Score
21.95
Johann Strauss: Great waltzes: Orchestra: Score
Orchestre
[Conducteur]
Dover Publications
Among the most widely popular composer of light classical music ever, Johann Str...
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Among the most widely popular composer of light classical music ever, Johann Strauss, Jr., wrote over 150 waltzes and brought the form to perfection as an extended musical composition. By the 1860s the waltz had become the exhilarating symbol of an elegant way of life, its lively sophistication mirroring the sparkle and joie de vivre of imperial Vienna and charming the world into dancing in three-quarter time. Now musicians and music lovers can enjoy eight of Strauss's finest waltzes, reproduced from authoritative editions, in this sturdy, attractive collection. They include The Beautiful Blue Danube: Artist's Life: Tales of the Vienna Woods: Wine, Women and Song: Wiener Blut: Roses from the South: Voices of Spring: and Emperor Waltz. Replete with inspired melodic invention and harmonic felicities, most of the scores have been reprinted directly from excellent German and Russian editions. In this inexpensive treasury they offer a rich source of inspiration and delight for every waltz lover.
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La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a (HAENDEL GEORG FRIEDRICH)
351.48
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a (HAENDEL GEORG FRIEDRICH)
Opéra
[Partition]
Barenreiter
Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bel...
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Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle Handel Edition, however, the title is that of the name given in the primary source. In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At the end of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sad closing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output. By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period, the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years./ Répertoire / Opéra
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Joseph M. Martin: Coming Home from Legacy of Faith: Orchestra: Parts
49.99
Joseph M. Martin: Coming Home from Legacy of Faith: Orchestra: Parts
Orchestre
Shawnee Press
Joseph Martin revisits one of his best-selling octavos with a new edition of thi...
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Joseph Martin revisits one of his best-selling octavos with a new edition of this beloved hymn arrangement. Gentle changes have been made to better enable your presentations. The text is a paraphrase of the prodigal son parableand the power in the message is undeniable. It is available for the first time with a beautiful full orchestration by Brant Adams and a StudioTrax accompaniment CD both work with the original edition. Breathtaking!
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First Sonata For Strings (Score) (SCULTHORPE PETER)
14.80
First Sonata For Strings (Score) (SCULTHORPE PETER)
Conducteur
[Partition]
Faber Music Limited
Par SCULTHORPE PETER. An unmistakeable Australian accent in its throbbing phrase...
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Par SCULTHORPE PETER. An unmistakeable Australian accent in its throbbing phrases for low strings and in the dream-time patience of drawn-out melodies, which can only be called. . .though the word is in disrepute among most contemporary composers. . .beautiful. This must be one of his most appealing works. Sydney Morning Herald 31 October 1986/ Répertoire / Conducteur
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Castellum (VAN DER ROOST JAN)
197.19
Castellum (VAN DER ROOST JAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This work, in two movements, was written for the 50th ann...
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Par VAN DER ROOST JAN. This work, in two movements, was written for the 50th anniversary of “Harmonie St. Cecilia” in Oudenburg, Belgium, and is dedicated to its conductor, Arne Wyntin. The first part is rather quiet and pastoral in character, and is written in a gently rocking 12/8 time. The tranquility of the area around the medieval town of Oudenburg, a rustic region not far from the North Sea, is expressed in a striking fashion. After a beautiful orchestral climax, the second part begins, which is inspired by the Roman past of Oudenburg. A somewhat oppressive and impending introduction leads to the musical reflection of an army parade: Oudenburg was a so-called “castellum, ” and the remains ofthe fortress are still visible in the current town plan. A more dynamic passage follows featuring the low brass. After that, the solemn rhythm of the parade is recaptured, culminating in a triumphant ending. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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Ode For Leo (LIEBMAN DAVID)
16.60
Ode For Leo (LIEBMAN DAVID)
Ensemble à vent
-
Avancé
Advance Music
Par LIEBMAN DAVID. Ode for Leo is based on Steven Foster´s Beautiful Dreamer. U...
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Par LIEBMAN DAVID. Ode for Leo is based on Steven Foster´s Beautiful Dreamer. Using the melody as a framework, this tonal piece spotlights the wonderful agility of the solo cello throughout its extraordinary range. Compositional devices used include question and answer, fugal type dialogue and an ostinato by both the cello and solo instrument. The feeling evoked should be emotional, but not sentimental. / Niveau : Avancé / performance score / Répertoire / Saxophone Soprano ou Ténor et Violoncelle
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The Orchestral World'S Treasures 50 Scores: Orchestra: Study Score
340.00
The Orchestral World'S Treasures 50 Scores: Orchestra: Study Score
Orchestre
[Conducteur]
-
Avancé
Eulenburg
To celebrate the completion of the Eulenburg Audio Score publishing project all...
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To celebrate the completion of the Eulenburg Audio Score publishing project all 50 volumes are now available in a presentation box. With the help of Eulenburg Audio Score professional amateur and student musicians can familiarize themselves with the works by reading and listening at the same time. Each score contains an informative preface in English and German providing a brief introduction to each work with information on its genesis creation and reception. The Series is an anthology in 50 volumes offering you a treasury of the most famous orchestral works of the baroque classical and romantic repertoire. Each volume consists of a clearly-presentedand authoritative score an informative preface detailing the biographical and creative background and a CD of the complete work. Press Reviews:â''This beautifully presented multimedia collection will be invaluable to students teachers and music-loversâ' Mary Nemet Stringendo (Australian String Teacherâ''s Association) Magazine. â''I enthusiastically recommend this series of scores they are very affordable to music students indeed to anyone and are ideal for anyone reluctant to invest in both a score and recording.â' David Floyd Sheet Music Review.
340.00 GBP - vendu par Musicroom GB
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No Time to Die (EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr)
78.87
No Time to Die (EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr)
Fanfare
[Conducteur et Parties séparées]
Hal Leonard
Par EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr.). Delayed by the pandemic bu...
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Par EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr.). Delayed by the pandemic but scheduled for release in 2021, the much-anticipated James Bond film No Time to Die features a darkly beautiful and moody theme song recorded by Billie Eilish. With hints of the signature Bond harmonic flavor and stylish setting, this song is already on its way to becoming a classic, perfectly transcribed for fanfare band by Juri Briat. / Date parution : 2021-12-09/ Répertoire / Fanfare Band
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No Time to Die (EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr)
16.75
No Time to Die (EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr)
Fanfare
[Conducteur]
Hal Leonard
Par EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr.). Delayed by the pandemic bu...
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Par EILISH BILLIE / O'CONNELL / BROWN MICHAEL (Arr.). Delayed by the pandemic but scheduled for release in 2021, the much-anticipated James Bond film No Time to Die features a darkly beautiful and moody theme song recorded by Billie Eilish. With hints of the signature Bond harmonic flavor and stylish setting, this song is already on its way to becoming a classic, perfectly transcribed for fanfare band by Juri Briat. / Date parution : 2021-12-09/ Répertoire / Fanfare Band
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Whitman Settings (Score) (KNUSSEN OLIVER)
33.60
Whitman Settings (Score) (KNUSSEN OLIVER)
Conducteur
[Partition]
Faber Music Limited
Par KNUSSEN OLIVER. For Soprano and Orchestra. Andrew Clements says 'None of the...
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Par KNUSSEN OLIVER. For Soprano and Orchestra. Andrew Clements says 'None of the four songs lasts more than a few minutes, yet they pack in an astonishing range of emotional and vocal nuance. . .with wonderfully lucid colours drawn from a vast ensemble - each song seems to define its sound world within a couple of bars, compressed into a phrase or a couple of chords. They are beautifully achieved little songs, brought off with the lightest of touches'. Financial Times, 10 March 1992/ Répertoire / Conducteur
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Get On Board (BULLA STEPHEN)
88.73
Get On Board (BULLA STEPHEN)
Concert Band ou Harmonie et 3 Trombones
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Par BULLA STEPHEN. Stephen Bulla strikes gold again with this accessible but jaz...
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Par BULLA STEPHEN. Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual 'The Gospel Train' lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer, two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again, and so will you, so Get On Board! / Niveau : 2 / Répertoire / Concert Band ou Harmonie et 3 Trombones
88.73 EUR - vendu par LMI-partitions
Délais:
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Stephen Bulla: Get on Board: Concert Band: Score & Parts
69.99
Stephen Bulla: Get on Board: Concert Band: Score & Parts
Orchestre d'harmonie
Curnow Music
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section...
(+)
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual 'The Gospel Train' lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again and so will you so Get On Board!
69.99 GBP - vendu par Musicroom GB
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2 vendeurs
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4 Norfolk Dances (SPARKE PHILIP)
33.52
4 Norfolk Dances (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. Norfolk is one of the most beautiful counties in England, fam...
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Par SPARKE PHILIP. Norfolk is one of the most beautiful counties in England, famous for its charming villages and boundless broads, a popular centre for sailing holidays. It is also the home of one of the best known of all British composers, Sir Malcolm Arnold. The date of the premiere of this piece was to fall close to his 80th birthday, so Philip Sparke decided to write something of a birthday tribute. Some of Arnold’s best-loved orchestral works are his sets of dances: there are two sets of English Dances, Four Scottish Dances, Four Cornish Dances etc. , most of which have been arranged for concert band at one time or another. Philip Sparke thought it would be appropriate for the concert band tohave its own set of dances and wrote Four Norfolk Dances very much in the style of Arnold’s suites. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
33.52 EUR - vendu par LMI-partitions
Délais:
Sur commande
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2 vendeurs
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2 vendeurs
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4 Norfolk Dances (SPARKE PHILIP)
224.79
4 Norfolk Dances (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. Norfolk is one of the most beautiful counties in England, fam...
(+)
Par SPARKE PHILIP. Norfolk is one of the most beautiful counties in England, famous for its charming villages and boundless broads, a popular centre for sailing holidays. It is also the home of one of the best known of all British composers, Sir Malcolm Arnold. The date of the premiere of this piece was to fall close to his 80th birthday, so Philip Sparke decided to write something of a birthday tribute. Some of Arnold’s best-loved orchestral works are his sets of dances: there are two sets of English Dances, Four Scottish Dances, Four Cornish Dances etc. , most of which have been arranged for concert band at one time or another. Philip Sparke thought it would be appropriate for the concert band tohave its own set of dances and wrote Four Norfolk Dances very much in the style of Arnold’s suites. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
224.79 EUR - vendu par LMI-partitions
Délais:
Sur commande
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