from Roma-Suite. Par BIZET GEORGES. Georges Bizet tat sich schwer mit der Suite Roma :er komponierte nicht weniger als acht Jahre daran. Der Titel ist auf ungewöhnliche Art entstanden. Roma wird von einem sehr pastoral anmutenden Andante eröffnet, welches - zusammen mit einem Allegro Agitato - den ersten Satz von Bizets Komposition bildet. Wil van der Beek hat zum Andante eine wunderschöne Bearbeitung für Blasorchester geschrieben, die bei Musikern und auch beim Publikum gleichermaßen Anklang finden wird. / Niveau : 3 / Musique pour célébration / Répertoire / Concert Band ou Harmonie

The première of Daudet's play L'Arlésienne with incidental music by Bizet given at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet however did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.

INSTRUMENTATION : ORCHESTRA VERSION : STUDY SCORE DESCRIPTION : THE PREMIÈRE OF DAUDET'S PLAY, L'ARLÉSIENNE, WITH INCIDENTAL MUSIC BY BIZET, AT THE THÉÂTRE DU VAUDEVILLE ON 3 SEPTEMBER 1872, WAS A DEVASTATING EVENT FOR BOTH PLAYWRIGHT AND COMPOSER AND THE PRODUCTION WAS REMOVED FROM THE REPERTORY AFTER 19 PERFORMANCES. THE CRITIC JOHANNÈS WEBER, HOWEVER, WAS ALERT TO THE QUALITY OF BIZET'S SCORE AND SUGGESTED THAT THE COMPOSER SHOULD EXCERPT AND RESCORE SEVERAL PIECES FOR THE CONCERTS POPULAIRES WHERE 'THE LOVELY MUSIC WOULD BE BETTER APPRECIATED THAN AT THE VAUDEVILLE'. BIZET MUST HAVE MOVED RATHER QUICKLY TO FOLLOW WEBER'S SUGGESTION, FOR THE PREMIÈRE OF THE FIRST ARLÉSIENNE SUITE TOOK PLACE ONLY SIX WEEKS LATER AT THE CONCERTS POPULAIRES ON 1 NOVEMBER 1872 AND THE WORK IN ITS NEW ABRIDGED FORM WAS SOON TAKEN UP BY MANY OTHER ORCHESTRAS. THUS, BEFORE HIS DEATH IN JUNE 1875, BIZET HAD THE SATISFACTION THAT HIS SUITE FROM L'ARLÉSIENNE WAS PLAYED BY ALL THE MAJOR CONCERT SOCIETIES IN PARIS AND IT HAS REMAINED FIRMLY IN THE CONCERT AND RECORDED REPERTOIRE EVER SINCE. CONTENU : PREFACE - EDITORIAL NOTES - VORWORT - REVISIONSBERICHT - PRÉFACE - NOTES ÉDITORIALES - TEXTUAL NOTES - ORCHESTRATION/ORCHESTERBESETZUNG/INSTRUMENTATION - I. PRÉLUDE - II. MINUETTO - III. ADAGIETTO - IV. CARILLON NOMBRE DE PAGES : 100 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

Arrgt: Laetitia Bouvet. Par BIZET GEORGES. Formation : Musique de Chambre, Trio - Instrumentation : 1 Flûte Traversière 1 Clarinette Sib 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 05 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georges BIZET - Arrangeur : Laetitia BOUVET / Niveau : Intermédiaire / Classique / Répertoire / Flûte Traversière et Clarinette en Sib et Piano

Nach Georges Bizet. Par SHCHEDRIN RODION / BIZET. / Répertoire / Orchestre à Cordes et Percussions

Based on the critical edition-'Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless the opera very quickly gained acceptance at all major theatres bringing in its wake countless arrangements of some particularly beautiful music numbers.It was in all probability Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings the second suite with arrangements of the best-known vocal pieces is now available as well. Themusical text is based on our new scientific edition of the opera edited by Robert Didion.

Par BIZET GEORGES. DONDEYNE/LANGLET (Arr. ) / Niveau : Intermédiaire / Musique classique / Répertoire / Partie Séparée

Par BIZET GEORGES. DONDEYNE/LANGLET (Arr. ) / Niveau : Intermédiaire / Musique classique / Répertoire / Parties Supplémentaires

Par BIZET GEORGES. Michel SORLIN (Arr. ) - Durée: 10'00 / Niveau : Assez Facile / Musique classique / Répertoire / Partie Séparée

Par BIZET GEORGES. Laurent DELBECQ (Arr. ) / Niveau : Intermédiaire / Opéras, opéras comiques, opérettes / Répertoire / Conducteur

Par BIZET GEORGES. A MERCIER (Arr. ) / Niveau : Intermédiaire / Opéras, opéras comiques, opérettes / Répertoire / Parties Supplémentaires

Here is the stunning complete Carmen Symphony orchestrated by José Serebrier and masterfully transcribed by Donald Patterson for the U.S. Marine Band. Comprised of twelve “scenes” from Bizet's opera thisis a welcome addition to the repertoire for mature wind bands. Dur: 33:00

Par BIZET GEORGES. Laurent DELBECQ (Arr. ) / Niveau : Débutant / Tambours et clairons / Répertoire / Partie Séparée

Romances Sans Paroles. Par BIZET GEORGES. Romances Sans Paroles / Niveau : 2ème Cycle / Répertoire / Ensemble à Vent