Par MARSH LIN. Songscape contains twenty-four songs which cover an exciting range of musical styles - from ethnic music, theatre, pop classics and rounds, to Lin Marsh's own wonderful original pieces. All songs are presented for Piano, Voice and Guitar, but there are also opportunities to incorporate other school instruments such as Flute, Violin and Recorder in the performance. All songs have been selected and arranged or composed by Lin Marsh. Ideal for bringing confidence to classroom and concert singing so is a must for recently formed choirs. Every song in the collection has a proven appeal among young people. Suggestions for a variety of instrumental line-ups will bring instrumentalists on board. Full teacher's notes are included for each song. / Niveau : Facile / Date parution : 1999-05-20/ Répertoire / Matériel D'Orchestre

An important and significant work written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce in his music. There are no shortage of jazz inspired ideas coloured always by that Arnold 'edge'. The second movement is a fiendish scherzo - full of amazing cross rhythms and of immense energy. The final movement is a March and the most emotionally charged. Clearly very strongly anti-war - severe and angry dissonances mocking fanfares angular and brutal melodic and rhythmic shapes. 'A very playable work...with plenty of interest for all the players. A greataddition to the repertoire!' AWTGrade: 8

Comprehensive Band Method-The enhanced version of the world's leading instrumental method book Standard Of Excellence. This is a comprehensive band method in 3 parts which combines a strong performance-centred approach with music theory musichistory ear training listening composition improvisation and interdisciplinary and multicultural studies. With full colour drawings and colour-coding of important text the series helps to motivate and inform across the fullrange of band instruments. Enhanced CD features include 2 CDs of audio accompaniment recordings for all band exercises Interactive iPAS software for Windows or Mac takes students through the entire book andprovides numeric performance scores. Tuner and Metronome included with iPAS.

A third book of original compositions and appealing arrangements of classic tunes by John Edmondson and Anne McGinty for beginning Concert bands and Big bands.

Mixed Bag No. 29-Mixed Bag. This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three orfour main parts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you!. Optional ‘filler’ parts are also included for beginners. These have very simplerhythms and notes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folk tunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.

Advanced Jazz Ensemble Method-The comprehensive tutorial method for all Jazz ensemble instruments reaches the advanced level complete with a full CD of accompaniments.The Standard Of Excellence Jazz Ensemble Method is designed to introduce anddevelop Jazz playing styles either individually or in group instruction. The method combines a strong performance-centred approach with music theory music history ear training and listening but always with the emphasis uponimprovisation.The book is divided into three sections covering Swing Rock and Latin Jazz styles. Each section contains improvisation studies advanced improvisations and suggested solos that may be played with other membersof the Jazz ensemble or with the accompanying CD. Disciplines covered include scale modes articulation understanding Jazz chord harmony and much more.This method is ideal for school-based teaching allowing students tostudy the tunes and techniques individually before coming together to enjoy the excitement and energy of a full Jazz ensemble!

Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most concisely-scored of his five symphonies. Containing only Strings a few Winds Horns and Trombone this is a clear and uncluttered reminiscence of nineteenth centuryAmerica as viewed through some of its traditional hymn tunes and in doing so evokes the old 'camp meetings' which were such a feature of pioneer life. The first movement ‘Old Folks' Gatherin'’ is a patchwork of hymntunes drifting through an unpredictable constantly changing harmonic orientation. After a climax is reached a quiet passage opens with oboe and flute over hushed distant strings. Ives reintroduces part of the middle section and settles down to a quiet coda ending the movement almost imperceptibly. The second movement ‘Children's Day’ opens with strings in two parts over Haydnesque eighth notes in the horns. ‘There is a Fountain Filled withBlood’ ‘Happy Land’ ‘Naomi’ and ‘There's Music in the Air’ all are heard. As this is a movement depicting children at play Ives is playful himself weaving hymn tunes into one another in a somewhat tongue-in-cheek manner. Thethird movement ‘Communion’ is darker in tone than the others and provides a psychologically satisfactory close to the work as a whole. This is the 1990 edition of the Score The Charles Ives Society Critical Edition edited byKenneth Singleton and reprinted in 2001. It contains substantial notes on Ives and this work.

Flexible Woodwind Ensembl-This suite of folk songs is scored for woodwind quartet and a single unpitched drum. Although the nominal scoring is for flute two clarinets and bassoon the piece has considerable inbuilt flexibility of scoring. The options for instruments on each part are as follows: Part 1: Flute oboe or soprano saxophone Part 2: Bb Clarinet or alto saxophone Part 3: Bb clarinet alto saxophone or tenor saxophone Part 4: Bassoon bass clarinet or baritone saxophoneThe piece may be played by any combination of these instruments. Where necessary some passages have been transposed down an octave in the soprano alto and tenor saxophone parts.Where this occurs the lower pitch is also included in the score. There are also a few notes in the bass clarinet part of the March which have been taken up the octave through necessity; similarly this is indicated in the score.The drum should be unsnared and of medium low pitch. A bodhran tenor drum low tom-tom or floor tom are suggested although in the end it is up to the performer!The folk songs used in the piece are not particularly well known these days. 'Gan to the Kye' is an example of the rich culture of traditional music from Northumbria. The title means 'Go to the cows' and is a love song in which the herdsman asks his lover (in a gesture possibly lacking somewhat in romance) to accompany him whilst he tends his herd of cattle.The second movement is a setting of 'Rosemary Lane' a beautiful Somerset song. It tells of a serving girl ill-used by a sailor; as so often in traditional music the beauty of the tune is quite at odds with the unpleasant circumstances related.'Gently Johnny' is a good-humoured song in which the enthusiastic suitor is teased by the object of his affections: he is asked to cool his ardour whilst at the same time being left in no doubt that his attentions may be as bold as he wishes! The middle section uses another song this time from Middlesex called 'Jack Williams'.

The best of the amazing Herbie Hancock! Arranger Mike Kamuf scores this hip funky Herbie Hancock tune for the young player. This chart is ideal for this level with only three chords a repetitive groove and catchy melody. This chart includes written solos for tenor sax and trumpet and lead trumpet range goes up to written top line F with optional G on top of the staff. A superb chart from the first note to the last.Instrumentation.1st Eb Alto Saxophone2nd Eb Alto Saxophone1st Bb Tenor Saxophone2nd Bb Tenor SaxophoneEb Baritone Saxophone (Optional)1st Bb Trumpet2nd BbTrumpet3rd Bb Trumpet4th Bb Trumpet (Optional)1st Trombone2nd Trombone3rd Trombone (Optional)4th Trombone (Optional)Guitar ChordsGuitar (Optional)PianoBassDrumsOptional Alternate Parts.C FluteTubaHorn in F (Doubles 1st Trombone)1st Baritone T.C. (Doubles 1st Trombone)2nd Baritone T.C. (Doubles 2nd Trombone)

Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continental Army Band - Captain Timothy J. Holtan, Commander and Conductor. The brief was for a piece to celebrate the 3rd Millennium and it was the composer’s aim to provide a work which, as well as looking forward to the challenges of the new century, also contained moments of reflection about the last one. After a bright introduction featuring the trumpets a perky theme, passing quickly through several keys, appears on the woodwinds. A solo trumpet takes up a new theme over bubbling quavers (eighth notes) and this leads to a rhythmic figure on low clarinets, followed by the upper woodwinds. A brass interlude follows and, after ashort bridge passage, an oboe takes up a contrasting legato tune that builds to a climax. An andante section follows with solos for horn and flugel horn (or trumpet) and a florid flute cadenza. A passionate climax leads back to the faster music and, eventually, to a full recapitulation, revisiting the earlier material before a lively coda close the work as it began. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

for Concert Band-In three movements: 1. Coronation March 2. Kingsfold and 3. Variations on a Green Theme. Coronation March is in ABA form with just a tip of the hat to William Walton's famous coronation marches written for British monarchs of the 20th century. Kingsfold is a lovely setting of the modal English traditional tune set to the text O Sing a Song of Bethlehem featuring solos for flute and trumpet with chamber music textures. Variations on a 'Green' Theme begins with a jig in the percussion and reeds before slowly revealing the identity of the theme being varied - Greensleeves. A tour de force for advanced middle school bands or small high school bands.

The classic holiday tune scored for young band accessibility. 'Sleigh Ride' arranged by Mike Story includes written melodic solos for alto and tenor sax, easy brass ranges, simple rhythms, and all the optional parts to include flute, clarinet, and vibraphone. Ride on! (2:13) / Ensemble De Jazz

for Concert Band-In three movements: 1. Coronation March 2. Kingsfold and 3. Variations on a Green Theme. Coronation March is in ABA form with just a tip of the hat to William Walton's famous coronation marches written for British monarchs of the 20th century. Kingsfold is a lovely setting of the modal English traditional tune set to the text O Sing a Song of Bethlehem featuring solos for flute and trumpet with chamber music textures. Variations on a 'Green' Theme begins with a jig in the percussion and reeds before slowly revealing the identity of the theme being varied - Greensleeves. A tour de force for advanced middle school bands or small high school bands.

Jazzin' the World is a superb holiday medley featuring 'Joy to the World,' 'Silent Night,' 'Deck the Halls,' and 'Greensleeves.' This chart can be performed with each tune played individually or as the full medley with a variety of styles and tempos. Features include the lead trumpet range to written G on top of the staff, an auxiliary percussion part, and optional parts for flute, clarinet, and vibraphone. This arrangement by Victor López will cover all your holiday needs, it will sound great! (4:19) / Ensemble De Jazz

Written as a very easy first parade tune this arrangement features easy brass ranges and optional whistling at the beginning with the flutes and percussion. Solidly scored and easy to learn!