Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres, churches, and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona, which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo, who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted, along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction, which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission, genesis, premiere, and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia, and an aria for the third act whose text does not appear in the original printed libretto, are provided as appendices. / Date parution : 1905-07-09/ Répertoire / Solistes, Choeur et Orchestre

From Balletti a cinque voci. Par GASTOLDI GIOVANNI GIACOMO. During the second half of the 16th century, Giovanni Giacomo Gastoldi composed almost entirely sacred works, however it was with his Balletti, not published until 1591 and 1594, that he gained fame and recognition. The homophonic structure and simple melodies conveyed a charming sense of naivety that became so popular during this period. Robert van Beringen has arranged Amor Vittorioso, La Sirena, L’Innamorato and L’ardito with five part flexible instrumentation. / Niveau : Facile à Intermédiaire / Pièce de concert / Répertoire / Brass Band

From Balletti a cinque voci. Par GASTOLDI GIOVANNI GIACOMO. During the second half of the 16th century, Giovanni Giacomo Gastoldi composed almost entirely sacred works, however it was with his Balletti, not published until 1591 and 1594, that he gained fame and recognition. The homophonic structure and simple melodies conveyed a charming sense of naivety that became so popular during this period. Robert van Beringen has arranged Amor Vittorioso, La Sirena, L’Innamorato and L’ardito with five part flexible instrumentation. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie ou Fanfare

Arrangeur: Lewis. Par GABRIELI GIOVANNI / LEWIS. / Répertoire / Brass Quintette

For Violin, 2 Violas And Cello. Par CAMBINI GIOVANNI GIUSEPPE. / Répertoire / Violon, 2 Altos et Violoncelle

Par GABRIELI GIOVANNI. Langue : o Spr/ Répertoire / 3 Ensembles Instrumentaux A 4 Parties

Par GABRIELI GIOVANNI. Gattungen: Bläserchor - Langue : o Spr/ Répertoire / 2 Trompettes et 2 Trombones

Par VIOTTI GIOVANNI BATTISTA. / Date parution : 2022-02-03/ Répertoire / Flûte, Violon, Alto et Violoncelle

Zehn Sonate Da Chiesa Für 2 Violinenund Basso Continuo. Par RUGGIERI GIOVANNI MARIA. Unter seinen wenigen überlieferten Instrumentalwerken sind die Kirchensonaten des venezianischen Opernkomponisten Ruggieri Musterstücke ihrer Gattung. Durch den Gitarre-Continuo gewinnen Gitarristen ein in Satz, Thematik und Rhythmik reizvolles Musiziergut / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre

Par GABRIELI GIOVANNI. Langue : o Spr/ Répertoire / 3 Ensembles Instrumentaux A 4 Parties

Par VIOTTI GIOVANNI BATTISTA. / Date parution : 2022-02-03/ Répertoire / Flûte, Violon, Alto et Violoncelle

Par LEGRENZI GIOVANNI. Langue : o Spr/ Répertoire / 2 Violons, Alto, Violoncelle et Basse Continue

Par CAMBINI GIOVANNI GIUSEPPE. / Répertoire / 2 Violons, Alto et 2 Violoncelles

based on 'From Highest Heaven I Come to Tell'. Par HASSLER / GIOVANNI TAEGGIO. The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement. / Niveau : 2 / Musique religieuse / Répertoire / Concert Band ou Harmonie ou Fanfare