Bryce Dessner's St. Carolyn By The Sea. Full score for two Electric Guitars and Orchestra. This piece was co-commissioned by the American Composers Orchestra with the support of the HollandFestival and the Muziekgebouw FritsPhilips Eindhoven.

The first of Joaquin Rodrigo's attempts at composition for the concerto genre Concierto De Aranjuez quickly became the most popular and recognizable of his works. Written for Solo Guitar and Orchestra it reveals the composer's great affinity for those two mediums as well as his reverence for the long-standing traditions of Spanish Classical music. It was composed in 1939 after Rodrigo's return to Madrid from France (where he had fled to escape the Spanish Civil War) and premiered to great success in 1940.The Concierto De Aranjuez is notable for the way in which Rodrigo managed to wed unusual instrumentation of the relatively small voice ofthe solo guitar to that of the full orchestra. With a nod to Spanish folk music and straightforward lyrical disposition it is an extremely imaginative piece with meandering melody and distinctive colour throughout.Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Harp Solo Part-Harp solo part for Double Concerto for Harp Guitar and Orchestra by Karl Aage Rasmussen (1998). Orch. parts are available on hire: hire@ewh.dk Full score: KP00678Guitar solo part: KP00678D

This piece was written for guitar solo and orchestra in 1999. It is also known as Concierto No.8-Concierto Cantata de Perugia.

Hardback-This volume contains newly edited versions of four important later orchestral works by William Walton: Capriccio Burlesco Improvisations on an Impromptu of Benjamin Britten Prologo e Fantasia and Varii Capricci. The first three works were written for American orchestras: Capriccio Burlesco was commissioned by the New York Philharmonic Orchestra for its 125th anniversary year in 1968; the Improvisations based on a theme from Britten's Piano Concerto No. 1 was written in 1969 and dedicated to the San Francisco Symphony Orchestra; Prologo e Fantasia was written in 1981-2 for the National SymphonyOrchestra of Washington DC. The last work Varii Capricci was a free transcription for orchestra by Walton of his Five Bagatelles for Guitar and written for the opening of the Royal Festival Hall in 1976.

Par RODRIGO JOAQUIN. Détails de la formation instrumentale: Picc. · 1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - Str. - Durée: 30' -/ Répertoire / 2 Guitares et Orchestre

La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score

Berlioz ne révèle aucun talent musical particulier dans son enfance ; ses parents ne sont pas musiciens. Vers l?âge de treize ans il apprend à jouer de la flûte à bec et de la guitare et prend des cours de chant. En 1821 il s?installe à Paris et marche sur les pas de son père en suivant un temps les cours de la Faculté de Médecine. Mais au bout d?un an et au grand désespoir de ses parents il abandonne ses études et entre au Conservatoire de Paris. Sa passion pour l?actrice irlandaise Harriet Smithson qu?il épousera quelques années plus tard (un mariage malheureux) a largement influencé sa vie et sa musique. Lorsqu?il remporte le Prix de Rome en 1830 Berlioz avait déjàcomposé quelques œuvres majeures dont la Symphonie Fantastique. Berlioz devient la figure essentielle du romantisme français. Ses œuvres sont dominées par ses idées novatrices.La première version de l?ouverture Le Corsaire remonte à un séjour que Berlioz fit à Nice en 1844. L?œuvre fut donnée en création sous le titre La Tour de Nice. Par la suite Berlioz remania sa composition et lui donnera son titre définitif Le Corsaire. La référence au roman poétique de Lord Byron à qui le compositeur vouait une grande admiration reste une supposition qui ne fait pas l?unanimité.Cette ouverture fut particulièrement saluée pour son originalité. La musique déborde d?énergie et les effets sont fantastiques. Il n?est donc pas surprenant de constater que Le Corsaire est une des œuvres orchestrales les plus connues et les plus jouées de Berlioz.

Adele's Oscar-winning song as heard in the James Bond motion picture Skyfall. Film orchestrator and arranger J.A.C. Redford has adapted his film version for full symphony orchestra. Includes drum set electric bass and optional parts for guitar and SATB chorus.

Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adaptedfrom lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adaptedfrom lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass

Howard Blake's The Snowman - Schools Version. Instrumentation: Flute Oboe (or 2nd Flute) 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb Trombone/Tuba Descant/Tenor Recorder Treble Recorder Classroom Percussion Orchestral Percussion 3 Timpani Violin 1 Violin 2 Viola/Violin 3 Cello Double Bass Rhythm Guitars/Bass Guitar and Piano Duet. This is the score and setof parts. A score only version is available under the code CH78001-01.

Howard Blake's The Snowman - Schools Version. Instrumentation: Flute Oboe (or 2nd Flute) 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb Trombone/Tuba Descant/Tenor Recorder Treble Recorder Classroom Percussion Orchestral Percussion 3 Timpani Violin 1 Violin 2 Viola/Violin 3 Cello Double Bass Rhythm Guitars/Bass Guitar and Piano Duet. This is the score only. A score and set of parts isavailable under the code CH78001.

EDITION : STUDY SCORE INSTRUMENTATION : 4 GUITARS AND ORCHESTRA DATE OF COMPOSITION: 1967 DURATION : 25' DATE OF PUBLICATIONS : 05/11/1991 NUMBER OF PAGES : 104 ARRANGER : CALCRAFT, RAYMOND SERIES : EULENBURG MINIATURE SCORES