SKU: HL.4008524
UPC: 196288177104. 9.0x12.0x0.334 inches.
One of the early hits for Taylor Swift, “You Belong With Me” continues to be popular with its tuneful melody and upbeat style. This fun arrangement is effectively scored for second year players.
SKU: SU.12600020
Commissioned by the Pittsburgh Symphony Orchestra. Dedicated to the workers of the Pittsburgh iron furnaces, Eliza Furnace features metallic percussion instruments, brass, and flutes that reflect the industrial roots of the city's history while celebrating its future as a model for sustainability, environmental responsibility and the arts.Orchestra Duration: 5 Composed: 2014 Published by: Plurabelle Music Performance materials available on rental only:.
SKU: HL.4006429
UPC: 888680989880. 9.0x12.0 inches.
Rosa Gallica has been written to commemorate the centenary of the First World War. The work focuses largely on France as a lot of the fighting took place there. With the title Rosa Gallica (French rose), the composer wishes to emphasize the poetic image of the rose. The stem represents the years gone by - such as those taken up by the First World War - and the thorns refer to the conflict and the pain that the victims had to endure. The rose itself forms the picture of beauty - and symbolizes opening up to a peaceful world. The piece depicts France from the end of the 19th century through to its role at the heart of the First World War and beyond. A spectacular and dramatic new work by Jacob de Haan.
SKU: HL.4006430
UPC: 888680989897.
SKU: CF.YAS10
ISBN 9780825848261. UPC: 798408048266. 8.5 X 11 inches. Key: D major.
When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner.When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner.When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners.The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.
SKU: GI.G-M3MS
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader†approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical†experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.
SKU: GI.G-MPS
SKU: BT.DHP-1125260-010
9x12 inches. English-German-French-Dut ch.
In this three-part piece, Peter Kleine Schaars uses the initials of the German concert band association otherwise known as the Bund Deutscher Blasmusikverbände (BDB). With ‘B’ equating to a B flat, various themes based on this sequence of notes follow one another: a funky fanfare, a comical waltz and a soulful set in a Mowtown style. With this much variety your audience will soon be in the groove! B, D en B? Dat zijn de initialen van de Bund Deutscher Blasmusikverbände, de opdrachtgever van dit werk! Maar we vinden deze letters natuurlijk ook terug op de notenbalk. Peter Kleine Schaars gebruikte ze in deze driedelige compositieals volgt: Bes-D-Bes. U hoort achtereenvolgens een funky fanfare, een komische wals en een ‘motownachtige†™ soul. Voer uw publiek mee in diverse ‘grooves’ met deze compositie vol afwisseling!Peter Kleine Schaars verwendete in dieser dreiteiligen Komposition die Initialen seines Auftraggebers, dem Bund Deutscher Blasmusikverbände (BDB). Auf dieser Tonfolge beruhend erklingen nacheinander eine funkige Fanfare, ein komischer Walzer und ein souliger Satz im Motown-Stil“. Viel Abwechslung, die das Publikum sich bald im Groove“ bewegen lässt! Pour cette oeuvre de commande en trois mouvement, Peter Kleine Schaars a utilisé les initiales de la société dédicataire, la Bund Deutscher Blasmusikverbände - BDB (Confédération des Sociétés de Musique d’Allemagne). Une séquence mélodique s’articulant autour de ces trois notes, Si-Ré-Si, dans un style plutôt funky, puis dans un tempo de valse toute particulière pour finir dans un motif soul & blues, fait de Move to the Groove une oeuvre qui saura charmer votre auditoire !Per questo brano in tre movimenti, Peter Kleine Schaars ha utilizzato le iniziali della societ commissionante, la Bund Deutscher Blasmusikverbaende (BDB). Una sequenza melodica che si sviluppa attorno alle tre note BDB (vale a dire si-re-si), in uno stile quasi funky, per proseguire con un valzer molto particolare, e poi terminare con un motivo soul & blues. Un brano che delizier il vostro pubblico.
SKU: BT.DHP-1125260-140
SKU: BT.1373-06-140-MS
When Jeff Wayne’s musical adaptation H.G.Wells’ novel The War of the Worlds was originally released, no one would have believed that it would become so popular. The Eve of the War, the stunning opening scene of Wayne’s show, became a huge international hit single in its own right. This new arrangement by the highly respected British composer/arranger Ed Keeley retains all the drama and tension of the original atmospheric opening. A joy to perform and a pleasure to listen to.Toen Jeff Wayne’s muzikale bewerking van The War of the Worlds - H.G. Wells’ roman uit 1898 - eind jaren zeventig werd uitgebracht, had niemand kunnen denken dat deze zo populair zou worden. Met Richard Burton, David Essexen Phil Lynott (beiden van Thin Lizzy), Julie Covington, Chris Thompson en Justin Hayward bestormde het dubbelalbum meteen de Britse hitlijsten, waar het jarenlang bleef staan. The Eve of the War, de verbluffende openingsscène,werd als single een enorme internationale hit. Een feest der herkenning voor uw publiek.Krieg der Welten ist wohl jedem ein Begriff, sei es in Form von H.G.Wells’ Roman aus dem Jahr 1898, Orson Welles‘ Radioadaption, Jeff Waynes innovativem Rockmusical oder jüngst von Steven Spielbergs Kinofilm aus dem Jahr 2005. The Eve of the War, die atemberaubende Eröffnungsmelodie von Waynes Musikversion wurde ein großer internationaler Hit. Das Album ist die bekannteste Musikaufnahme aller Zeiten und wurde mehrfach ausgezeichnet. Grund genug für Edwin H. Keely, diese Bearbeitung für Blasorchester zu schreiben, die dem Original absolut gerecht wird.Chacun a déj plus ou moins entendu parler de La Guerre des mondes (The War of the Worlds). Lorsque Jeff Wayne livre sa version musicale du roman d’Herbert Georges Wells, il n’imaginait pas le succès venir. Dans l’atmosphère éthérée du tapis acoustique de The Eve of the War, une voix sombre et intense vient appuyer la célèbre phrase « Personne n'aurait cru, dans les dernières années du XIXe siècle, que les choses humaines fussent observées (…) ». Le succès de cette interprétation épique de la première invasion de la Terre perdure encore de nos jours.The War of the Worlds (La guerra dei mondi) è universalmente noto come romanzo di H.G. Wells del 1898, nell’adattamento radiofonico di Orson Welles, come musical rock firmato Jeff Waynes, e anche per il film di Steven Spielberg del 2005. L’album è uno dei più grandi successi mondiali, premiato numerose volte. Queste ragioni hanno spinto Edwin H. Keeley a comporre questo arrangiamento per banda molto fedele all’originale.
SKU: BT.1373-06-120-MS
SKU: BT.DHP-1094718-020
9x12 inches.
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain!Hinter diesem Titel verbirgt sich eine neue Bearbeitung des alten französischen Weihnachtsliedes Les anges dans nos campagnes aus dem Frankreich des 18. Jahrhunderts. In Deutschland kennt man es (u. a.) als Engel auf den Feldern singen, in England existiert neben dem oben genannten Titel auch die Version Angels We Have Heard on High. Allen gemeinsam ist der markante Refrain Gloria in excelsis Deo“ der dem Lied seinen besonders erhabenen, festlichen Charakter verleiht.m ist der markante Refrain Gloria in excelsis Deo“ der dem Lied seinen besonders erhabenen, festlichen Charakter verleiht.Angel s from the realms of Glory è uno dei più celebri e dei più bei canti natalizi. Questo splendido arrangiamento inizia su un’introduzione festiva che accompagna verso l’esposizione del tema in forma di corale. Segue un intermezzo dalle sonorit ampie e generose, che precede le riprese del corale di apertura dagli accenti gioiosi. Il brano si conclude in modo maestoso per rappresentare l’atmosfera meravigliosa e incantata che caratterizza il Natale.
SKU: BT.DHP-1094718-130
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain!Hinter diesem Titel verbirgt sich ein neues Arrangement für Brass Band des alten französischen Weihnachtsliedes Les anges dans nos campagnes aus dem Frankreich des 18. Jahrhunderts. In Deutschland kennt man es (u. a.) als Engel auf den Feldern singen, in England existiert neben dem oben genannten Titel auch die Version Angels We Have Heard on High. Allen gemeinsam ist der markante Refrain Gloria in excelsis Deo“ der dem Lied seinen besonders erhabenen, festlichen Charakter verleiht.Angel s from the realms of Glory è uno dei più celebri e dei più bei canti natalizi. Questo splendido arrangiamento inizia su un’introduzione festiva che accompagna verso l’esposizione del tema in forma di corale. Segue un intermezzo dalle sonorit ampie e generose, che precede le riprese del corale di apertura dagli accenti gioiosi. Il brano si conclude in modo maestoso per rappresentare l’atmosfera meravigliosa e incantata che caratterizza il Natale.
SKU: BT.DHP-1094718-120
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the â??Gloria in excelsis Deoâ?? refrain!Hinter diesem Titel verbirgt sich eine neue Bearbearbeitung des alten französischen Weihnachtsliedes Les anges dans nos campagnes aus dem Frankreich des 18. Jahrhunderts. In Deutschland kennt man es (u. a.) als Engel auf den Feldern singen, in England existiert neben dem oben genannten Titel auch die Version Angels We Have Heard on High. Allen gemeinsam ist der markante Refrain Gloria in excelsis Deoâ?? der dem Lied seinen besonders erhabenen, festlichen Charakter verleiht.Angel s from the realms of Glory è uno dei più celebri e dei più bei canti natalizi. Questo splendido arrangiamento inizia su unâ??introduzione festiva che accompagna verso lâ??esposizione del tema in forma di corale. Segue un intermezzo dalle sonorit ampie e generose, che precede le riprese del corale di apertura dagli accenti gioiosi. Il brano si conclude in modo maestoso per rappresentare lâ??atmosfera meravigliosa e incantata che caratterizza il Natale.
SKU: BT.1373-06-010-MS
SKU: BT.DHP-1094718-140
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain!Hinter diesem Titel verbirgt sich eine neue Bearbearbeitung des alten französischen Weihnachtsliedes Les anges dans nos campagnes aus dem Frankreich des 18. Jahrhunderts. In Deutschland kennt man es (u. a.) als Engel auf den Feldern singen, in England existiert neben dem oben genannten Titel auch die Version Angels We Have Heard on High. Allen gemeinsam ist der markante Refrain Gloria in excelsis Deo“ der dem Lied seinen besonders erhabenen, festlichen Charakter verleiht.Angel s from the realms of Glory è uno dei più celebri e dei più bei canti natalizi. Questo splendido arrangiamento inizia su un’introduzione festiva che accompagna verso l’esposizione del tema in forma di corale. Segue un intermezzo dalle sonorit ampie e generose, che precede le riprese del corale di apertura dagli accenti gioiosi. Il brano si conclude in modo maestoso per rappresentare l’atmosfera meravigliosa e incantata che caratterizza il Natale.
SKU: BT.DHP-1094718-030
SKU: BT.DHP-1094718-010
SKU: BT.1373-06-020-MS
