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Piano seul [ 116914 ]
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Tous Les Instruments [ 629 ]
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Orgue et Orchestre [ 227 ]
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Trio à cordes [ 195 ]
Cor, Orchestre [ 193 ]
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Trio de Cuivres [ 123 ]
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Quatuor de Cuivres: 2 trompettes, Cor, trombone [ 119 ]
Orchestre à Plectres [ 117 ]
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Quintette à cordes: 2 violons, 2 altos, violoncelle [ 98 ]
Partitions De Groupes [ 95 ]
Basson, Orchestre [ 90 ]
Hautbois, Violin, Alto et Violoncelle (Quatuor) [ 89 ]
Accordéon et Orchestre [ 86 ]
Quatuor à cordes: 4 violons [ 84 ]
Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
Clarinette et Cordes [ 71 ]
Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
4 Percussions [ 66 ]
Quatuor à cordes : 4 altos [ 63 ]
Quintette à cordes : 2 violons, alto et 2 violoncelles [ 61 ]
Quintette à cordes: 2 violons, alto, violoncelle, basse [ 57 ]
Clarinette, Violon, Violoncelle, Piano [ 54 ]
Ensemble de Violons [ 52 ]
Quatuor à Vent : 4 instruments à vents [ 50 ]
Trombone et orchestre [ 47 ]
3 Percussions [ 46 ]
Contrebasse, Orchestre [ 45 ]
Harpe, Orchestre [ 42 ]
Soli et Orchestre [ 42 ]
2 Hautbois et Cor anglais [ 40 ]
Flûte, Violon, Piano [ 40 ]
Piano, Violon, Bandoneon, Guitare, Contrebasse [ 38 ]
Violon, Cor et Piano [ 37 ]
Saxophone et Orchestre [ 36 ]
Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
Quintette de Cuivres: autres combinaisons [ 29 ]
Tuba et Orchestre [ 28 ]
Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
Quatuor Instruments Mixtes [ 27 ]
2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
Hautbois, Basson et Piano [ 24 ]
Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Vocal Score: Opera: Vocal
39.99
Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Vocal Score: Opera: Vocal
OPERA::Op‚ra
[Vocal Score]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
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Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
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Rued Langgaard: Antikrist: Opera: Score
OPERA::Op‚ra
[Partitions]
-
Intermédiaire/avancé
Rued Langgaard Edition
Allegorisk Opera Orig. Version-Antikrist / Antichrist (Allegorisk Opera Orig. ...
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Allegorisk Opera Orig. Version-Antikrist / Antichrist (Allegorisk Opera Orig. version) 1923 BVN 170. Manuscript copy.
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Rued Langgaard: Vildstjernelys: Opera: Score
OPERA::Op‚ra
[Partitions]
-
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Rued Langgaard Edition
Opera I Én Akt-Vildstjernelys (Opera i én akt) by Rued Langgaard (1946) BV...
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Opera I Én Akt-Vildstjernelys (Opera i én akt) by Rued Langgaard (1946) BVN 314. Instrumentation: Soli Chor SSATB Orchestra. This is a manuscript copy.
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Peter Bruun Ylva Eggehorn: Hjärtats Nycklar: Opera: Vocal Score
OPERA::Op‚ra
[Vocal Score]
-
Avancé
Wilhelm Hansen
Hjärtats Nycklar is a Chamber Opera composed by Peter Bruun with libretto by Y...
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Hjärtats Nycklar is a Chamber Opera composed by Peter Bruun with libretto by Ylva Eggehorn(Martin Lönnebo).
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Carl Nielsen Vilhelm Andersen: Maskarade / Masquerade: Opera: Score
229.95
Carl Nielsen Vilhelm Andersen: Maskarade / Masquerade: Opera: Score
OPERA::Op‚ra
[Partitions]
Carl Nielsen Edition
Carl Nielsen's comic opera Masquerade (1906) in three acts. Includes critical co...
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Carl Nielsen's comic opera Masquerade (1906) in three acts. Includes critical commentary. Libretto by Vilhelm Andersen based on the comedy by Ludvig Holberg. Spiral bound.
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Peter Bruun Ylva Eggehorn: Hjärtats Nycklar: Opera: Score
OPERA::Op‚ra
[Partitions]
-
Avancé
Wilhelm Hansen
Hjärtats Nycklar is a Chamber Opera composed by Peter Bruun with libretto by Y...
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Hjärtats Nycklar is a Chamber Opera composed by Peter Bruun with libretto by Ylva Eggehorn(Martin Lönnebo).
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Bo Holten Eva Holten: Gesualdo - Shadows: Opera: Score
141.99
Bo Holten Eva Holten: Gesualdo - Shadows: Opera: Score
OPERA::Op‚ra
[Partitions]
Wilhelm Hansen
Gesualdo - Shadows is a modern semi-staged 'Baroque Opera' in 3 Acts composed b...
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Gesualdo - Shadows is a modern semi-staged 'Baroque Opera' in 3 Acts composed by Bo Holten and with libretto by Eva Sommestad Holten.
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Niels Marthinsen: The Confessional: Opera: Vocal Score
129.99
Niels Marthinsen: The Confessional: Opera: Vocal Score
Opéra
Wilhelm Hansen
Klaverpartitur til Niels Marthinsens helaftensopera Skriftestolen (The Confessio...
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Klaverpartitur til Niels Marthinsens helaftensopera Skriftestolen (The Confessional). Uropført af den Jyske Opera i 2006. Libretto af Kerstin Klein-Perski frit efter Christian Winthers novelle. Parts are available on hire: hire@ewh.dk
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Faust (GOUNOD CHARLES)
1651.85
Faust (GOUNOD CHARLES)
Opéra
[Partition]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Kaija Saariaho: L'Amour: Opera: Score
89.99
Kaija Saariaho: L'Amour: Opera: Score
Opéra
[Partition]
-
Avancé
Chester
Saariaho’s L’armour De Loin is an opera in five acts and was premi...
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Saariaho’s L’armour De Loin is an opera in five acts and was premiered in Salzburg in August 2000 with additional productions being staged at the theatre Bern in Switzerland. The story is based on the life ofPrince of Bleye one of the first great troubadours of the 12th century and follows his glowing passion for a woman from the East of whom he has only heard is the central theme of the libretto. Libretto written by AminMaalouf.This is the Full Score of Saariaho’s remarkable opera.
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Oscar Wilde Thomas Agerfeldt Olesen Alasdair Middleton: The Picture Of Dorian
OPERA::Op‚ra
[Partitions]
Wilhelm Hansen
Opera in two acts by Thomas Agerfeldt Olesen based on Oscar Wilde's The Picture ...
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Opera in two acts by Thomas Agerfeldt Olesen based on Oscar Wilde's The Picture Of Dorian Grey featuring libretto by Alasdair Middleton.
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Tri Sestri - Drei Schwestern - Trois Soeurs (EOTVOS PETER)
73.94
Tri Sestri - Drei Schwestern - Trois Soeurs (EOTVOS PETER)
Opera, Partition D'etude
[Conducteur d'étude / Miniature]
Ricordi
Par EOTVOS PETER. / Opéra-opérette / Répertoire / Opera, Partition D'etude
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Le Piccole Storie (FERRERO LORENZO)
266.21
Le Piccole Storie (FERRERO LORENZO)
Opéra
[Conducteur]
Ricordi
Opera Da Camera In Un Atto - Partitura. Par FERRERO LORENZO. Italian / Musique c...
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Opera Da Camera In Un Atto - Partitura. Par FERRERO LORENZO. Italian / Musique contemporaine / Date parution : 1905-07-01/ Répertoire / Opéra
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Turandot (PUCCINI / LUCIANO BERIO)
44.36
Turandot (PUCCINI / LUCIANO BERIO)
Vocalists, Choeur et Opera Orchestre
[Conducteur]
Ricordi
Completamento Del Terzo Atto Di Luciano Berio '01. Par PUCCINI / LUCIANO BERIO. ...
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Completamento Del Terzo Atto Di Luciano Berio '01. Par PUCCINI / LUCIANO BERIO. Completamento Del Terzo Atto Di Luciano Berio '01 / Opéra-opérette / Date parution : 1905-06-26/ Répertoire / Vocalists, Choeur et Opera Orchestre
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Alice (TESTONI GIAMPAOLO)
350.02
Alice (TESTONI GIAMPAOLO)
Opéra
[Conducteur]
Ricordi
Opera In Tre Atti. Libretto Di D. Bramati. Par TESTONI GIAMPAOLO. Italian / Musi...
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Opera In Tre Atti. Libretto Di D. Bramati. Par TESTONI GIAMPAOLO. Italian / Musique contemporaine / Date parution : 1905-07-01/ Répertoire / Opéra
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Alfred, Alfred (DONATONI FRANCO)
330.29
Alfred, Alfred (DONATONI FRANCO)
Vocalists, Choeur et Opera Orchestre
[Conducteur]
Ricordi
Par DONATONI FRANCO. Italian / Musique contemporaine / Répertoire / Vocalists,...
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Par DONATONI FRANCO. Italian / Musique contemporaine / Répertoire / Vocalists, Choeur et Opera Orchestre
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Ballata (FRANCESCONI LUCA)
364.81
Ballata (FRANCESCONI LUCA)
Opéra
[Conducteur]
Ricordi
Opera In Due Atti (1996-1999). Par FRANCESCONI LUCA. Italian / Musique contempor...
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Opera In Due Atti (1996-1999). Par FRANCESCONI LUCA. Italian / Musique contemporaine / Date parution : 1905-07-02/ Répertoire / Opéra
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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
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Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Scipione Affricano (CAVALLI FRANCESCO)
693.68
Scipione Affricano (CAVALLI FRANCESCO)
Opéra
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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James L. Hosay: Operatica: Concert Band: Score & Parts
96.99
James L. Hosay: Operatica: Concert Band: Score & Parts
Orchestre d'harmonie
Curnow Music
If you seek truly dramatic music look to opera. Opera has been enormously influ...
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If you seek truly dramatic music look to opera. Opera has been enormously influential on Classical Popular and Film and Television music over the years. James L. Hosay’s new intermediate level piece Operatica incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music and you have a wonderful teaching tool! The grand theme explores a multitude of colours as it twists and turns its way through opera-style development and variation. Whether for formal festival or just concert use you will find this to be a thrilling addition to your library.
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Operatica (HOSAY JAMES L)
123.23
Operatica (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has b...
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Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay’s new intermediate level piece, OPERATICA, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colors as it twists and turns its way through opera-style development and variation. Whether for formal, festival, or spring concert use, you will find this to be a thrilling addition to your library. Opulent! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Operatica (HOSAY JAMES L)
22.67
Operatica (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur]
-
Intermédiaire
Curnow Music
Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has b...
(+)
Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay’s new intermediate level piece, Operatica, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colours as it twists and turns its way through opera-style development and variation. Whether for formal, festival, or just concert use, you will find this to be a thrilling addition to your library. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Operatica (HOSAY JAMES L)
123.23
Operatica (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has b...
(+)
Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay’s new intermediate level piece, Operatica, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colours as it twists and turns its way through opera-style development and variation. Whether for formal, festival, or just concert use, you will find this to be a thrilling addition to your library. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band
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Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
389.76
Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
Opéra
[Partition]
Barenreiter
Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRI...
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Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRIEDRICH. “Charming Berenice” – the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this “inexpressible delight”. “Berenice” was premiered at Covent Garden Theatre in London just a few days later on 18 May 1737. “Berenice” is one of the “light” operas and offers a wealth of musical gems, the second movement of the overture having become famous as “The Minuet from Berenice”, for instance, as has Berenice’s extended aria in the third act, in which she reflects on the inconstancy of the god Amor in duet with the solo oboist. The musical imagery which Handel worked into the opera is likewise enchanting, such as the imitation of bees humming in Fabio’s “Vedi l’ape” and the sorrowful cooing of a dove in Selene’s “Tortorella che rimira”. The scholarly-critical new edition contains the musical text of the first performance together with pieces in the appendix which Handel excised or shortened in preparation for the premiere. As is customary with our editions, a preface provides a detailed introduction to the genesis of the work, the story’s historical context, the source material and reception. Furthermore, the edition includes a translation of the libretto and an exhaustive Critical Report./ Répertoire / Opéra
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Niels Marthinsen: The Confessional: Opera: Score
271.99
Niels Marthinsen: The Confessional: Opera: Score
Orchestre d'harmonie, Chorale-Voix
Wilhelm Hansen
Niels Marthinsens helaftensopera Skriftestolen (The Confessional) blev uropført...
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Niels Marthinsens helaftensopera Skriftestolen (The Confessional) blev uropført af den Jyske Opera i 2006. Libretto af Kerstin Klein-Perski frit efter Christian Winthers novelle. Parts are available on hire: hire@ewh.dk Vocal score: WH31501C
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Carl Nielsen: Saul og David: Opera: Score
Orchestre
[Conducteur]
Carl Nielsen Edition
Saul og David is the first of the two operas by the Danish composer Carl Nielse...
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Saul og David is the first of the two operas by the Danish composer Carl Nielsen. The four-act libretto tells the Biblical story of Saul's jealousy of the young David taken from the Book of Samuel. Danish/German version in 2 hardback scores.
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Wolfgang Amadeus Mozart: Seven Great Opera Overtures In Full Score: Orchestra:
20.30
Wolfgang Amadeus Mozart: Seven Great Opera Overtures In Full Score: Orchestra:
Orchestre
Dover Publications
Although Mozart wrote with incredible versatility in every musical genre his op...
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Although Mozart wrote with incredible versatility in every musical genre his operas for many stand highest among his achievements. This volume contains the composer's greatest operatic overtures enormously popular with music lovers worldwide. This collection includes the overtures from five world-famous works. Reproduced in full score from an authoritative early edition.
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La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a (HAENDEL GEORG FRIEDRICH)
351.48
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a (HAENDEL GEORG FRIEDRICH)
Opéra
[Partition]
Barenreiter
Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bel...
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Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle Handel Edition, however, the title is that of the name given in the primary source. In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At the end of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sad closing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output. By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period, the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years./ Répertoire / Opéra
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The Tempest (ADES THOMAS)
166.62
The Tempest (ADES THOMAS)
Opéra
[Partition]
Faber Music Limited
Full Score. Par ADES THOMAS. With The Tempest, Thomas Adès composed one of the ...
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Full Score. Par ADES THOMAS. With The Tempest, Thomas Adès composed one of the most striking and successful operas of recent years. From the turbulent orchestral prelude with which it begins to Ariel's stratospheric yet ethereal 'Five fathoms deep' and the radiant quintet of reconciliation in its final act, its composer conjures up a wholly compelling musical world. Responding to librettist Meredith Oakes' clear, unfussy refashioning of Shakespeare into formalised rhyme schemes, Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary./ Répertoire / Opéra
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